The collotype process, with its screenless reproduction of even the finest details, is one of the best methods for reproducing precious originals and is only mastered by a few studios around the world. For many art connoisseurs, collotype is therefore the only alternative to the usually unattainable and unaffordable original. Original: oil on canvas. Musée du Jeu de Paume, Paris. Coloured collotype in 8 colours. Limited world edition of 500 copies. Framed in a handmade gold frame and acid-free passe-partout with gilded wooden ticking, glazed. Format 76 x 87 cm (H/W).

The French masterpieces of the 19th century from the Metropolitan Museum of Art in New York as guests in Berlin, Neue Nationalgalerie, from 1 June to 7 October 2007! Accompanying this exhibition, the most outstanding paintings of the exhibition were published in a limited edition of only 199 copies each: The high-quality museum reproductions were worked by hand on artist's canvas and stretched on stretcher frames. The structure of the canvas can be felt and seen. Relief-like brush textures are elaborately applied by hand. Exquisite solid wood framing emphasises the exclusive appearance. With a numbered limited edition certificate on the reverse.Original: Oil on canvas, The Metropolitan Museum of Art, New York. High-quality reproduction in fine art giclée process directly on artist's canvas, stretched on stretcher frame. Limited edition of 199 copies. With solid wood museum framing. Size 57 x 69 cm (H/W). ars mundi exclusive edition.

Inspired by the Mediterranean flair of Italy during a study trip in 1875, Aagaard made sketches that served as models for his oil paintings. High-quality reproduction using the fine art giclée process, transferred directly onto an artist's canvas made of 100% cotton and mounted on a stretcher frame. Silver-coloured solid wood framing, matt patina. Limited, numbered edition of 499 copies. Format 64 x 86 cm (H/W).

A landscape that touches the soul. The Danish painter Carl Frederic Aagaard (1833-1895) undertook an extensive study trip to Italy in 1875/76 and made numerous sketches, which later served as models for his oil paintings. High-quality reproduction in fine art giclée process directly on artist's canvas made of 100% cotton, mounted on stretcher frame. Silver-coloured solid wood framing, matt patina. Limited, numbered edition of 499 copies. Size 58 x 78 cm (H/W).

Inspired by the Mediterranean flair of Italy during a study trip in 1875, Aagaard made sketches that served as models for his oil paintings. High-quality reproduction using the fine art giclée process, transferred directly onto an artist's canvas made of 100% cotton and mounted on a stretcher frame. Silver-coloured solid wood framing, matt patina. Limited, numbered edition of 499 copies. Size 58 x 78 cm (H/W).

Who is the love letter the postman is holding in his hand for - and who are the artfully wrapped presents for? Curious, all the inhabitants of the house come to the doors and windows... Original: Oil on canvas, Marburg University Museum. Fine art giclée on fine artist's canvas made of 100% cotton. This brilliantly coloured process reproduces the original painting particularly authentically. The canvas is traditionally stretched on a stretcher frame. Limited edition of 499 copies. With certificate on the reverse. Framed in handcrafted real wood framing, as shown. Size 66 x 46 cm (H/W).

Even during his lifetime, 'The Eternal Wedding' was the painter's favourite subject: the admirer gallantly hands a bouquet of flowers to his beloved. At the urging of his collectors, Spitzweg painted the motif several times in slight variations.original: oil on canvas, privately owned. High-quality reproduction in fine art giclée technique, worked by hand in a patented process on artist's canvas and traditionally stretched on a wooden stretcher frame. The motif surface with a tangible and visible linen structure and additional hand-applied brush structure, modelled on the original, emphasises the painting-like effect of the object. Sealed with artist's varnish. In an exquisite handcrafted solid wood studio frame in antique platinum with reddish brown. Limited edition of 199 copies, with numbered certificate on the reverse. Size 58 x 36 cm (H/W). ars mundi exclusive edition.

Even during his lifetime, 'The Eternal Wedding' was the painter's favourite subject: the admirer gallantly hands a bouquet of flowers to his beloved. At the urging of his collectors, Spitzweg painted the motif several times in slight variations.Original: oil on canvas, private collection. High-quality edition on paper. Sheet size 80 x 49 cm (H/W). Framed in silver-coloured solid wood frame with passe-partout, glazed. Format 71 x 55 cm (H/W).

Thanks to his training as a pharmacist, Spitzweg was able to produce his own colours. For the 'Sunday Walk', he used a uniquely beautiful, bright blue colour that no other painter can match. Original: 1841, oil on wood, Museum Carolino Augusteum, Salzburg. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, red-brown solid wood frame. Format 50 x 64 cm (H/W). ars mundi exclusive edition.

Thanks to his training as a pharmacist, Spitzweg was able to produce his own colours. For the 'Sunday Walk', he used a uniquely beautiful, bright blue colour that no other painter can match. Original: 1841, oil on wood, Museum Carolino Augusteum, Salzburg. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, black and gold-coloured solid wood frame. Size 48 x 62 cm (H/W). ars mundi exclusive edition.

What a joy when two friends meet again after a long time! A picture that is perfect as a gift for a good old friend. Original: Oil on canvas Galerie im Lenbachhaus, Munich Fine Art-Giclée on fine artist canvas made of 100% cotton. This brilliantly coloured process reproduces the original painting particularly authentically. The canvas is traditionally stretched on a stretcher frame. Limited edition of 499 copies. With certificate on the reverse. Framed in handcrafted real wood framing, as shown. Size 43 x 58 cm (H/W).

The setting sun colours the haze over the city a rosy red. The traveller, however, is happy to have escaped its hectic pace and lights his pipe. Original: oil on wood, 29.5 x 23 cm, privately owned. Edition on artist's canvas with linen structure, on wooden stretcher frame. Limited edition of 980 copies with numbered certificate on the reverse. Framed in a black and gold solid wood frame. Size 58 x 46 cm (H/W).

Biedermeier master Carl Spitzweg created his typical genre paintings with outstanding painting technique and a good dash of humour. Here he skilfully scrutinised scientists, pharmacists and chemists. Original: 1860, oil on canvas, 36 x 38 cm, Staatsgalerie Stuttgart. High-quality reproduction made using the fine art giclée process directly on an artist's canvas made of cotton and stretched on an adjustable solid wood stretcher frame. The structure of the canvas can be felt and seen. In addition, the brush structure of the original has been painstakingly applied by hand. With solid, handcrafted real wood framing in antique gold. Size 45 x 47 cm (H/W).

Original: c. 1850, oil on canvas, 49.5 x 27 cm, Museum Georg Schäfer, Schweinfurt. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched on stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in handcrafted, red-brown solid wood moulding. Size 63 x 38 cm (H/W). ars mundi exclusive edition.

Original: c. 1850, oil on canvas, 49.5 x 27 cm, Museum Georg Schäfer, Schweinfurt. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched on stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, black and gold-coloured solid wood frame. Size 61 x 36 cm (H/W). ars mundi exclusive edition.

Symbolising the German poet and thinker: 'The Poor Poet'. No other work of art by Spitzweg enjoys such great popularity to this day. A survey showed that 'The Poor Poet' - right after Leonardo da Vinci's 'Mona Lisa' - is one of the Germans' favourite paintings, and Spitzweg has staged the image of the poet concentrating solely on the spiritual in a prototypical way here: Equipped against the cold with a blanket, a worn jacket and a sleeping cap and protected by an umbrella against the ingress of rainwater, he devotes himself unperturbed to his work. Original: Neue Pinakothek, Munich. Brilliant reproduction in fine art giclée process directly on artist's canvas, mounted on a stretcher frame. Limited edition of 499 copies, with numbering and certificate on the reverse. In an exquisite handcrafted solid wood studio frame in antique platinum with reddish brown. Format 57 x 69 cm (H/W).

The four pictures presented here are high-quality editions on laid paper-like, heavy 250g Gmund Tactile. Framed in a sophisticated, gold-coloured solid wood frame, glazed. Format 44 x 37 cm (H/W) each. ars mundi exclusive editions. 'The Wanderer above the Sea of Fog' (1818): Original: oil on canvas, 94.8 x 74.8 cm, Kunsthalle Hamburg.'View of a Harbour' (c. 1815/16): Original: oil on canvas, 90 x 71 cm, Schloss Charlottenhof, Potsdam.'On the Sailor' (1818): Original: oil on canvas, 71 x 56 cm, State Hermitage Museum St. Petersburg, Russia.'Chalk Cliffs on Rügen' (1818): Original: oil on canvas, 90.5 x 71 cm, Museum Oskar Reinhart, Winterthur.All 4 paintings in a set.

The four pictures presented here are high-quality editions on laid paper-like, heavy 250g Gmund Tactile. Framed in a sophisticated, silver-coloured solid wood frame, glazed. Format 44 x 37 cm (H/W) each. ars mundi exclusive editions. 'The Wanderer above the Sea of Fog' (1818): Original: oil on canvas, 94.8 x 74.8 cm, Kunsthalle Hamburg.'View of a Harbour' (c. 1815/16): Original: oil on canvas, 90 x 71 cm, Schloss Charlottenhof, Potsdam.'On the Sailor' (1818): Original: oil on canvas, 71 x 56 cm, State Hermitage Museum St. Petersburg, Russia.'Chalk Cliffs on Rügen' (1818): Original: oil on canvas, 90.5 x 71 cm, Museum Oskar Reinhart, Winterthur.All 4 paintings in a set.

Caspar David Friedrich's works convincingly realise the Romantic idea of profoundly interpreting and deciphering the 'Book of Nature'. The 'Daytime Cycle', created in 1821/22, also describes a life cycle in which the viewer is able to recognise childhood, youth, maturity and the serenity of old age. 'The Morning': The morning focuses on the lonely man in the fisherman's night, who begins his day's work on a quiet, reed-covered pond, surrounded by the omnipotence of awakening nature. 'Noon': In the second part of the cycle, a sandy path lined with heather and shrubs leads the viewer to distant dense forests. In the meadows, a hiker strides towards a pine grove, while a second hiker approaches the viewer along the path. 'The Afternoon': In the third part of the cycle, the reddish reflection of individual clouds indicates the approaching evening peace and bathes the landscape in a late afternoon light. The cornfield has already been partially harvested and the farmer is heading towards the end of the day in his horse and cart. 'The Evening': The evening shows two walkers contemplating the spectrum of the setting sun. The horizon still shines through the pine trunks, but in a few minutes the magic will be extinguished and the cool night will call for a return. This treasure from the Landesgalerie Hannover has been transferred to canvas exclusively for ars mundi. Each copy is framed in a sophisticated gilded solid wood moulding. The daytime cycle consists of four pictures. Format 34 x 46 cm (H/W) each. All four pictures in a set. 'For over a hundred years, the 'Daytime Cycle' has been one of the main works in the Lower Saxony State Museum in Hanover. Four pictures show ideal landscapes reminiscent of the Harz Mountains or the Giant Mountains. Unlike the later Impressionists, they were created in the studio and do not depict the same motif. Caspar David Friedrich, the most important artist of early German Romanticism, did not simply imitate nature, but created pictures of great emotional depth. Thanks to the excellent reproduction by ars mundi, these pictures can now be made accessible to many people who can enjoy an everlasting experience of nature with these pictures.' (Dr Katja Lembke, Landesmuseum Hannover)

Original: 1822, oil on canvas, 34.5 x 48.3 cm, Kunsthalle Hamburg, high-quality edition on paper. Sheet size 30 x 40 cm (H/W). Framed in silver-coloured solid wood frame with passe-partout, glazed. Format 32 x 42 cm (H/W).

Original: 1821, oil on canvas, 18.3 x 24.5 cm, Kunsthalle Hamburg, high-quality edition on paper. Sheet size 30 x 40 cm (H/W). Framed in silver-coloured solid wood frame with passe-partout, glazed. Format 32 x 42 cm (H/W).

Original: 1809/10, oil on canvas, 110.4 x 171 cm, Berlin, SMB, Alte Nationalgalerie. 4-colour frequency-modulated edition on 200g FocusArt Natural paper. Motif size 47 x 74 cm (H/W). Sheet size 60 x 80 cm (H/W). Framed in silver-coloured solid wood framing with passe-partout, glazed. Format approx. 64 x 90.5 cm (H/W). Staatliche Museen zu Berlin, Nationalgalerie / Photo: Andres Kilger

'Chalk Cliffs on Rügen' is a painting by Caspar David Friedrich from around 1818. It is one of the most important works of Romanticism and has had a lasting influence on it. Original: 1818, oil on canvas, 90.5 x 71 cm, Museum Oskar Reinhart, Winterthur. Fine art giclée on artist's canvas made of 100% cotton treated with double UV protection varnish and mounted on a wooden stretcher frame like an original oil painting. Limited edition of 499 copies. In a handcrafted solid wood frame with metal leaf gilding. Size 74 x 61 cm (H/W). Exclusively at ars mundi.

The work from the years 1811/1812 shows the view from the terrace of Erdmannsdorf Palace.original: Potsdam-Sanssouci, Charlottenhof Palace.for a brilliant, authentic reproduction, the oil painting was transferred directly onto artist's canvas made of 100% cotton using the fine art giclée process and mounted on stretcher bars. Framed in a solid wood gallery frame. Limited edition of 499 copies. Size 59 x 80 cm (H/W).