Turner on the edge of pure painting: the classic subject of the sunset as a diffuse explosion of colours and shapes, behind which the world depicted can at best only be guessed at. Original: Oil on canvas, Tate Gallery, London. Reproduced with 8x UV pigment-based colours using the fine art giclée process on artist's canvas, mounted on a wooden stretcher frame and elegantly framed in solid wood. Limited edition of 499 copies. Format 61 x 80 cm (H/W).
French poissards collecting bait at low tide. Turner devotes himself entirely to the depiction of clouds and light. The glazed colours and the sketchily depicted figures make the picture appear wonderfully light - despite the strenuous work of the fisherwomen. The beach, the sea and the sky become one surface. The Romantic painter's emotions are palpable in the intensifying colour tones. Turner has arrived at the purely painterly. Original: Oil on canvas, Bury Art Gallery and Museum, Lancashire, fine art giclée on cotton canvas, mounted on wooden stretcher. Limited edition of 499 copies, with certificate. In handmade gold-coloured studio frame. Size 54 x 80 cm (H/W).
Turner was repeatedly drawn to Venice on his European travels, particularly because of the colours and the intense power of the light. The English painter used pure, unmixed colours and set them against each other in a complementary way to create light. This resulted in a series of light-flooded vedutas in which landscape and architecture merge into a vibrant surface. Original: Oil on canvas, Metropolitan Museum of Art, New York. Brilliantly coloured, faithful reproduction using the fine art giclée process directly on 100% cotton artist's canvas, mounted on a wooden stretcher frame. In handcrafted solid real wood framing, silver matt patinated. Limited edition of 499 copies. Size 63 x 80 cm (H/W).
Turner was repeatedly drawn to Venice on his European travels, particularly because of the colours and the intense power of the light. The English painter used pure, unmixed colours and set them against each other in a complementary way to create light. This resulted in a series of light-flooded vedutas in which landscape and architecture merge into a vibrant surface. Original: 1835, oil on canvas, Metropolitan Museum of Art, New York High-quality edition on laid paper-like, heavy 250g Gmund Tactile. Framed in a sophisticated, gold-coloured solid wood frame, glazed. Format 38 x 48 cm (H/W). ars mundi exclusive edition.
Turner was repeatedly drawn to Venice on his European travels, particularly because of the colours and the intense power of the light. The English painter used pure, unmixed colours and set them against each other in a complementary way to create light. This resulted in a series of light-flooded vedutas in which landscape and architecture merge into a vibrant surface. Original: 1835, oil on canvas, Metropolitan Museum of Art, New York High-quality edition on laid paper-like, heavy 250g Gmund Tactile. Framed in a sophisticated, silver-coloured solid wood frame, glazed. Format 38 x 48 cm (H/W). ars mundi exclusive edition.
One year after he presented 'The Harbour of Dieppe', also painted in 1826, at the Royal Academy, William Turner exhibited his work 'Cologne'. As a former Roman colony during the Holy Roman Empire, the free imperial city of Cologne had long been an important centre of trade, education and religion. When he visited, the city was still largely characterised by medieval architecture. Original: 1826, oil on canvas, 168.6 x 224.2 cm, The Frick Collection, New York. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, gold-coloured solid wood frame. Format 62 x 79 cm (H/W). ars mundi exclusive edition.
Original British Museum, London. For a brilliant, authentic reproduction, the original artwork was transferred directly onto an artist's canvas made of 100% cotton using the fine art giclée process and mounted on a stretcher frame. The motif surface with a tactile and visible linen structure emphasises the painting-like effect. Limited edition of 499 copies, with numbered certificate on the reverse. Framed in a handmade museum frame. Size 61 x 76 cm (H/W). Exclusively at ars mundi.
Turner on the edge of pure painting: the classic subject of the sunset as a diffuse explosion of colours and shapes, behind which the world depicted can at best only be guessed at. Original: 1840, oil on canvas, Tate Gallery, London High-quality edition on laid paper-like, heavy 250g Gmund Tactile. Framed in a sophisticated, gold-coloured solid wood frame, glazed. Format 38 x 48 cm (H/W). ars mundi exclusive edition.
Turner on the edge of pure painting: the classic subject of the sunset as a diffuse explosion of colours and shapes, behind which the world depicted can at best only be guessed at. Original: 1840, oil on canvas, Tate Gallery, London High-quality edition on laid paper-like, heavy 250g Gmund Tactile. Framed in a sophisticated, silver-coloured solid wood frame, glazed. Format 38 x 48 cm (H/W). ars mundi exclusive edition.
Thus passes the glory of the world: HMS Temeraire was a 98-gun ship that was used in the famous Battle of Trafalgar. Here Turner shows her being towed by a steamship to the scrapping yard in the light of an exploding red sun. Original: 1838/39, oil on canvas, 90.7 x 121.6 cm, National Gallery, London. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980, numbered, with certificate. Framed in a handcrafted, silver-coloured solid wood frame. Size 64 x 84 cm (H/W). ars mundi exclusive edition.
Thus passes the glory of the world: HMS Temeraire was a 98-gun ship that was used in the famous Battle of Trafalgar. Here Turner shows her being towed by a steamship to the scrapping yard in the light of an exploding red sun. Original: 1838/39, oil on canvas, 90.7 x 121.6 cm, National Gallery, London High-quality edition on laid paper-like, heavy 250g Gmund Tactile. Framed in a sophisticated, gold-coloured solid wood frame, glazed. Size 38 x 48 cm (H/W). ars mundi exclusive edition.
Thus passes the glory of the world: HMS Temeraire was a 98-gun ship that was used in the famous Battle of Trafalgar. Here Turner shows her being towed by a steamship to the scrapping yard in the light of an exploding red sun. Original: 1838/39, oil on canvas, 90.7 x 121.6 cm, National Gallery, London High-quality edition on laid paper-like, heavy 250g Gmund Tactile. Framed in a sophisticated, silver-coloured solid wood frame, glazed. Format 38 x 48 cm (H/W). ars mundi exclusive edition.
Original: Oil on canvas, Tate Gallery, London. For a brilliant, authentic reproduction, this Turner painting was transferred directly onto 100% cotton artist's canvas using the fine art giclée process, treated with double UV protection varnish and mounted on a wooden stretcher frame like an original oil painting. Stretcher frame format 53 x 80 cm (H/W). Limited edition of 499 copies. Framed in gold-coloured solid wood strip with shadow gap. Size 57 x 84 cm (H/W).
Original: Oil on canvas, Tate Gallery, London. For a brilliant, authentic reproduction, this Turner painting was transferred directly onto an artist's canvas made of 100% cotton using the fine art giclée process, treated with double UV protection varnish and mounted on a wooden stretcher frame like an original oil painting. Size 53 x 80 cm (H/W). Limited edition of 499 copies.
William Turner's views of Venice are among the master's most beautiful and mature works. Original: Oil on canvas, State Hermitage Museum St. Petersburg, Russia. Fine art giclée on canvas, stretched on stretcher. Limited edition of 499 copies. In a handmade studio frame. Size 46 x 56 cm (H/W).
