High-quality edition on prestige paper. Motif size approx. 60 x 44 cm. Sheet size 70 x 50 cm (H/W). Framed in a black solid wood frame, dustproof glazed with passe-partout. Format approx. 76 x 56 cm (H/W).
High-quality edition on prestige paper. Motif size approx. 60 x 44 cm. Sheet size 70 x 50 cm (H/W). Framed in silver-coloured solid wood framing, dust-proof glazing with passe-partout. Format approx. 77 x 57 cm (H/W).
High-quality edition on prestige paper. Motif size approx. 60 x 44 cm. Sheet size 70 x 50 cm (H/W). Framed in a black solid wood frame, dustproof glazed with passe-partout. Format approx. 76 x 56 cm (H/W).
High-quality edition on prestige paper. Motif size approx. 60 x 44 cm. Sheet size 70 x 50 cm (H/W). Framed in silver-coloured solid wood framing, dust-proof glazing with passe-partout. Format approx. 77 x 57 cm (H/W).
Adolph von Menzel was one of the great realists of his time and a chronicler of his era. He knew how to tell stories - be it of the upheavals of the Industrial Revolution ('The Iron Rolling Mill') or, as here, of civic pride in the former royal palace park Jardin du Luxembourg in the Latin Quarter. Original 1876, oil on canvas, 21 x 28 cm, Pushkin Museum, Moscow. Reproduced using the fine art giclée process on artist's canvas, mounted on a stretcher frame. Framed in a handcrafted, gold-coloured solid wood frame. Limited edition of 499 copies, numbered on the reverse. Format 49 x 62 cm (H/W).
Original: Oil on canvas, Alte Nationalgalerie, Berlin. Adolph v. Menzel (1815-1905) is considered the most important German realist of the 19th century. He became famous above all for his depictions of the life of Frederick the Great. High-quality reproduction using the fine art giclée process directly on artist's canvas with a hand-finished textured surface. Stretched on a stretcher frame. Framed in a handcrafted, gold-coloured solid wood frame. Format approx. 52 x 65 cm (H/W).
Original: Oil on canvas, Alte Nationalgalerie, Berlin. Adolph v. Menzel (1815-1905) is considered the most important German realist of the 19th century. He became famous above all for his depictions of the life of Frederick the Great. For a brilliant, authentic reproduction, the original artwork was transferred directly onto an artist's canvas made of 100% cotton using the fine art giclée process and mounted on a stretcher frame. Framed in a handcrafted, gold-coloured solid wood frame. Limited edition of 499 copies, numbered on the reverse. Format 66 x 78 cm (H/W).
Frederick the Great, Voltaire, La Mettrie - it is a dialogue of great minds that Adolph von Menzel depicts in his famous group portrait from 1750, which was burnt during the war. He depicts the splendour of the marble hall at Sanssouci and the facial features of the diners with the utmost realism. The painting itself was created in 1850. Original: oil on canvas, formerly Nationalgalerie Berlin, burnt during the war. High-quality reproduction using the fine art giclée process, worked by hand on an artist's canvas made of fine cotton and stretched like an original painting on an adjustable solid wood stretcher frame. The structure of the canvas can be felt and seen! Limited edition of 499 copies. Framed in a handcrafted, gold-coloured solid wood strip. Format 61 x 54 cm (H/W). Exclusively at ars mundi.
Original: 1910, oil on canvas, 60.8 x 70.7 cm, Saarland-Museum, Saarbrücken. The painting was produced using the fine art giclée process for brilliant colour reproduction. Artist's canvas made of pure cotton, stretched on a stretcher frame. In a handcrafted real wood frame. Limited edition of 499 copies. Size approx. 66.5 x 77.5 cm (H/W). ars mundi exclusive edition.
Today, Giacometti's 'Striding Man' adorns the Swiss 100-franc note. These typical stone lithographs were edited in 1975 for the announcement of a major Giacometti retrospective at the Fondation Maeght in Paris.2 Lithographs: 'Dessin I (Large and Small)' and 'Dessin II (Striding Man)' in a model frame, each 79 x 59 cm with bevelled mat, glazed.
Today, Giacometti's 'Striding Man' adorns the Swiss 100-franc note. This typical stone lithograph was published in 1975 for the announcement of a major Giacometti retrospective at the Fondation Maeght in Paris. Lithograph in model frame with bevelled mat, glazed. Format 79 x 59 cm (H/W).
Today, Giacometti's 'Striding Man' adorns the Swiss 100-franc note. This typical stone lithograph was edited in 1975 for the announcement of a major Giacometti retrospective at the Fondation Maeght in Paris.lithograph in model frame with bevelled mat, glazed. Format 79 x 59 cm (H/W).
Alexander Calder created this impressive work for the 'L'alfabeto di BolaffiArte' cycle initiated by the 'Club of 5000'. With powerful strokes, he draws the striking contours of a reclining, sleeping man, from whose upright head the letter to be illustrated flows. Calder understands the situation as a visible sign of life and freedom, because without the air to breathe there is no life, and without freedom, without the space to develop one's own personality, a life worthy of human beings is impossible. Photolithograph in three colours, signed by the artist, numbered on the reverse. Limited edition of 5,000 copies. Sheet size approx. 29.8 x 23.5 cm (H/W). Framed in silver-coloured solid wood frame with bevel cut passe-partout, glazed. Format 45 x 36 cm (H/W).
Alexander Calder created this impressive work for the 'L'alfabeto di BolaffiArte' cycle initiated by the 'Club of 5000'. With powerful strokes, he draws the striking contours of a reclining, sleeping man, from whose upright head the letter to be illustrated flows. Calder understands the situation as a visible sign of life and freedom, because without the air to breathe there is no life, and without freedom, without the space to develop one's own personality, a life worthy of human beings is impossible. Photolithograph in three colours, signed by the artist, numbered on the reverse. Limited edition of 5,000 copies. Unframed. Sheet size approx. 29.8 x 23.5 cm (H/W).
Known and famous for his moving wire sculptures and metal constructions, the so-called mobiles and stabiles, the American sculptor Calder was also a convincing graphic artist. He was inspired in his work by friends such as Hans Arp and Marcel Duchamps and claimed that he created 'Mondrians that move'. Alexander Calder was particularly interested in playing freely with shapes and colours in his graphics. The preoccupation with dynamics and geometry in the sculptures and mobiles thus finds its counterpart on the picture surface. The cheerfulness, lightness and humour that characterise the rest of his oeuvre can also be discovered in his works on paper. High-quality screen print on heavy laid paper. Elegant framing in black silk matt with Munich gold and passe-partout, dust-proof glazing. Format approx. 68 x 88 cm (H/W).
Original: Privately owned. Exclusive ars mundi edition in outstanding quality: for a brilliant, authentic reproduction, the oil painting was transferred directly onto an artist's canvas made of 100% cotton using the fine art giclée process and mounted on a stretcher frame. Limited edition of 499 copies. Stretcher frame format 76.3 x 56.3 cm (H/W). Framed in a high-quality solid wood frame. Size 87 x 67 cm (H/W).
Original in private ownership. For a brilliant, authentic reproduction, the oil painting was transferred directly onto an artist's canvas made of 100% cotton using the fine art giclée process and mounted on a stretcher frame. A high-quality solid wood gallery frame completes the sophisticated appearance. Limited edition of 499 copies. Stretcher frame format 30 x 52 cm (H/W). Framed format 38 x 60 cm (H/W).
Original in private ownership. For a brilliant, authentic reproduction, the oil painting was transferred directly onto an artist's canvas made of 100% cotton using the fine art giclée process and mounted on a stretcher frame. A high-quality solid wood gallery frame completes the sophisticated appearance. Limited edition of 499 copies. Stretcher frame format 30 x 52 cm (H/W). Format 38 x 60 cm (H/W).
Original in private ownership. For a brilliant, authentic reproduction, the oil painting was transferred directly onto an artist's canvas made of 100% cotton using the fine art giclée process and mounted on a stretcher frame. A high-quality solid wood gallery frame completes the sophisticated appearance. Limited edition of 499 copies. Format 30 x 52 cm (H/W).
The human face in many variations - mostly in strong, even bright colours - had already been a focal point of his work. With the abstract heads, his 'holy heads', he became more restrained in terms of colour and reduced the subject of the portrait to the face itself. They appear de-individualised without losing any of their expressive power and, in progressive abstraction, lead to an icon-like form, which in their sequence seem like a search for an unattainable divine archetype.Original: oil on cardboard and wood, private collection. Reproduction on aluminium dibond behind 3 mm thick acrylic glass. Format 60 x 45 cm (H/W). With hanging device. Due to the smooth surface, mirror effects may occur depending on the incidence of light.
The human face in many variations - mostly in strong, even bright colours - had already been a focal point of his work. With the abstract heads, his 'holy heads', he became more restrained in terms of colour and reduced the subject of the portrait to the face itself. They appear de-individualised without losing any of their expressive power and, in progressive abstraction, lead to an icon-like form, which in their sequence seem like a search for an unattainable divine archetype.Original: oil on cardboard, on permanent loan from the Baumgart-Möller Collection, E.-L. Kirchner Foundation, Davos, Kirchner Museum. Reproduction on aluminium dibond behind 3 mm thick acrylic glass. Size 60 x 45 cm (H/W). With hanging device. Due to the smooth surface, mirror effects may occur depending on the incidence of light.
Jawlensky moved from Lake Geneva to Zurich in 1917. There he returned to still lifes as well as portraits. Original: 1918, oil on paper, 34.4 x 25.3 cm, private collection. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, black and gold-coloured solid wood frame. Size 51 x 40 cm (H/W). ars mundi exclusive edition.
Alexej von Jawlensky remained true to his unmistakable style of painting with this picture, created in Murnau around 1908, with its bright and pure colours and high-contrast, large-scale painting style. 5-colour facsimile print on 270g Rives laid paper. Limited edition of 1,000 copies. In silver-coloured solid wood framing, glazed. Format 52 x 64 cm (H/W).
Alexej von Jawlensky, whose contact with Kandinsky brought him into the circle of the 'Blue Rider', was initially known for his strongly coloured portraits. They later developed into paintings of clear, geometric contours in which he combined the abstraction of Cubism with the mysticism of old Russian piety. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 499 copies, numbered, with certificate. Framed in a handcrafted, black and gold-coloured solid wood frame. Format 55 x 49 cm (H/W). ars mundi exclusive edition.
