A visit to the zoo with an artist's eye - August Macke was a regular visitor to Cologne Zoo, where he filled sketchpad after sketchpad. In his studio, he worked them into his famous animal paintings. Here, however, he shows the zoological garden itself, visited by people, in all its colourful splendour. Original: 1912, oil on canvas, 59 x 98 cm, Städtische Galerie im Lenbachhaus, Munich. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, black and silver-coloured solid wood frame. Size 54 x 90 cm (H/W). ars mundi exclusive edition.
Renoir captures the mood of the moment with incomparable vividness: the play of the sun-drenched air over the grasses and bushes, the warmth and cheerfulness of summer with an exuberant blaze of colour...Original: oil on canvas, Louvre, Paris.collotype in 12 colours on 280g natural cardboard. The sensitive facsimile process only allows for very limited editions and is only mastered by a few workshops worldwide today. One of these is the Lichtdruckwerkstatt Dresden, which works with the over 100-year-old collotype machines of the museum workshop. Limited world edition of 980 copies, numbered by hand and bearing the artist's signature and the stamp of the collotype workshop. Sheet size 70 x 60 cm. Framed in a model frame with bevelled mat. Size with frame 74.2 x 64.2 cm.
Original: 1875, oil on canvas, National Gallery, London. For a brilliant, authentic reproduction, the original was transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, with numbered certificate. Framed in a gold and white solid wood frame. Size 52.5 x 67.5 cm (H/W). ars mundi exclusive edition.
Original: 1896-97, oil on canvas, privately owned. For a brilliant, authentic reproduction, the original was transferred directly onto artist's canvas using the Fine Art Giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, with numbered certificate. Framed in a gold and white solid wood frame. Size 52.5 x 63.5 cm (H/W). ars mundi exclusive edition.
While painting in the great outdoors, Renoir developed his unique style of painting, with which he captured what he saw directly on the canvas. Original: 1873, oil on canvas, 54 x 65 cm, private collection. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered and with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Size 58 x 68 cm (H/W). ars mundi exclusive edition.
Aline Charigot was Renoir's partner and the artist's wife from 1890. Original: oil on canvas, privately owned. Brilliant reproduction in fine art giclée process, transferred directly to artist's canvas and mounted on a stretcher. Limited edition of 499 copies, with numbering and certificate on the reverse. Framed in a handcrafted real wood frame. Size 98 x 78 cm. Exclusively at ars mundi.
Original: oil on canvas, 59 x 74 cm. R.F. 2581; Paris, Musée d'Orsay. High-quality reproduction in fine art giclée process on genuine artist's canvas made of cotton stretched on stretcher frame. The canvas with its tangible and visible brush structure is sealed with artist's varnish. Framed in a solid wood frame gilded with hammered metal. Limited edition of 499 copies. With numbered certificate on the reverse. Size 67 x 82 cm (H/W).
Original: oil on canvas, 59 x 74 cm. R.F. 2581; Paris, Musée d'Orsay. High-quality reproduction in fine art giclée process on genuine artist's canvas made of cotton stretched on stretcher frame. The canvas with its tangible and visible brush structure is sealed with artist's varnish. Framed in an elegant solid wood frame in white with gold edging, grey patina. Limited edition of 499 copies. With numbered certificate on the reverse. Format 66 x 81 cm (H/W).
Art History(s) - Renoir's 'Ball at the Moulin de la Galette'. There are two versions of Renoir's 'Ball'. One of them hangs in the Musée d'Orsay, another caused a furore on the art market when a Japanese collector bought it for 78 million dollars and announced that he would have it buried with him in the event of his death. The art world was in an uproar - and happy when he sold the painting on to a Swiss collector after all. The loss would have been unimaginable: The 'Ball at the Moulin de la Galette' is one of the most important works of early Impressionism. Above all because of its masterfully executed Impressionist painting technique, in which every splash of colour carries meaning. The colourful hustle and bustle is masterfully executed, and at the same time the 'Ball' demonstrates how a painter of Renoir's stature could depict the interplay of artificial and natural light. It is also an interesting portrait of the Paris of his time in terms of art history, as it brings together Renoir's fellow painters and a number of Renoir's models from this period, who also appear in other works, in a dancing round dance.Original: oil on canvas, privately owned. Reproduced using the fine art giclée process on artist's canvas, stretched on a stretcher and framed in an elegant real wood frame. Limited edition of 499 copies, with certificate. Size approx. 69 x 89 cm (H/W). ars mundi exclusive edition.
Original: 1869, oil on canvas, Pushkin Museum, Moscow. High-quality reproduction in fine art giclée technique, worked by hand on artist's canvas made of fine cotton and stretched like an original painting on an adjustable solid wood stretcher frame. Studio framing with profiled real wood moulding. Limited edition of 499 copies. Numbered on a certificate on the reverse. Size 64 x 84 cm (H/W). ars mundi exclusive edition.
Original: Oil on canvas, Staatliche Museen zu Berlin. For a brilliant, authentic reproduction, this Renoir painting was transferred directly onto an artist's canvas made of 100% cotton using the fine art giclée process and mounted on a wooden stretcher frame like an original oil painting. Limited edition of 499 copies. An elegant real wood museum frame completes the noble appearance. Stretcher frame format 72 x 56 cm. Framed in a sophisticated museum frame. Format 80 x 64 cm. Exclusively at ars mundi.
Original: Oil on canvas, Staatliche Museen zu Berlin. For a brilliant, authentic reproduction, this Renoir painting was transferred directly onto an artist's canvas made of 100% cotton using the fine art giclée process and mounted on a wooden stretcher frame like an original oil painting. Limited edition of 499 copies. Unframed. Size 72 x 56 cm. Exclusively at ars mundi.
'One morning, one of us ran out of black and Impressionism was born', once said Pierre-Auguste Renoir (1841-1919), who was always up for a joke. The vibrant colours of his landscapes and genre portraits capture the light of the moment in a fascinating way. While painting in the great outdoors, he developed his unique painting style, with which he captured what he saw directly on the canvas.Original: Oil on canvas, Christi's Images Ltd. For a brilliant, authentic reproduction, the original artwork was transferred directly onto 100% cotton artist's canvas using the fine art giclée process and mounted on a stretcher frame. Limited edition of 499 copies, with certificate. Framed in handmade Danish Gold shadow gap moulding. Size 84 x 70 cm (H/W).
Original: The Metropolitan Museum of Art, New York. High-quality reproduction in fine art giclée process directly on artist's canvas, stretched on stretcher frame. Limited edition of 199 copies. With solid wood museum framing. Size 79 x 67 cm (H/W).
'One morning, one of us ran out of black and Impressionism was born', once said Pierre-Auguste Renoir (1841-1919), who was always up for a joke. The vibrant colours of his landscapes and genre portraits capture the light of the moment in a fascinating way. While painting in the great outdoors, he developed his unique style of painting, with which he immediately captured what he saw on canvas.the fishing village of L'Estaque on the Bay of Marseille was a favourite motif of the Impressionists. Original: Privately owned. High-quality reproduction in fine art giclée process, worked by hand on artist's canvas and mounted on wooden stretcher frame. Motif surface with tactile and visible linen structure, sealed with artist's varnish. In handcrafted real wood museum framing. Limited edition of 499 copies, with numbered certificate on the reverse. Format 51 x 64 cm (H/W). Exclusively at ars mundi.
Original: 1883, oil on canvas, 29 x 54.5 cm, National Gallery, London, Great Britain, high-quality edition on paper. Sheet size 50 x 70 cm (H/W). Framed in silver-coloured solid wood frame with passe-partout, glazed. Format 62 x 77.5 cm (H/W).
Original: 1875, oil on canvas, The National Gallery of Art, Washington, DC. For a brilliant, authentic reproduction, the original was transferred directly onto 100% cotton artist's canvas using the fine art giclée process and mounted on a stretcher frame. Limited edition of 499 copies, with certificate. Framed in a handcrafted antique gold real wood frame (green-blue with gold edging). Size 58 x 68 cm (H/W).
Original: Oil on canvas, Städelsches Kunstinstitut, Frankfurt/Main. High-quality reproduction worked directly on canvas using the fine art giclée technique, with additional brushwork applied by hand. Stretched on stretcher frame. Limited edition of 499 copies. In handcrafted studio framing with metal leaf gilding. Size 65 x 55 cm (H/W).
Renoir had arrived at his Impressionist style, which was intended to allow the brushstrokes to merge in the eye of the beholder. Nowhere was this more creatively possible than in landscape painting. Original: oil on canvas, private collection. Brilliantly coloured fine art giclée on artist's canvas in a stretcher frame. The canvas can be re-stretched with the wooden wedges if necessary. Real wood gallery framing. Limited edition of 499 copies, with numbered certificate on the reverse. Format 70 x 58 cm. ars mundi exclusive edition.
The artist found inspiration for many of his atmospheric works in the artists' quarter of Montmartre in Paris. Original: 1876, oil on canvas, 154 x 89 cm, Carnegie Institute, Pittsburgh. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered and with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Size 78 x 53 cm (H/W). ars mundi exclusive edition.
Renoir is considered a 'painter of joie de vivre'. He loved life and showed the world from its festive and cheerful side. His paintings fetch millions at auction. Original: Oil on canvas, Museum of Art, Philadelphia High-quality art reproduction, worked by hand on artist's canvas made of fine cotton and stretched on an adjustable solid wood stretcher frame like an original painting. The structure of the canvas can be felt and seen! An elegant studio frame with moulded real wood strip rounds off the overall impression. Limited edition of 499 copies. Numbered on a certificate on the reverse. Format 55 x 65 cm (H/W). Exclusively at ars mundi.
Original: 1875, oil on canvas, National Gallery, London. For a brilliant, authentic reproduction, the original was transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, with numbered certificate. Framed in a white and gold solid wood frame. Size 58 x 73 cm (H/W). ars mundi exclusive edition.
A landscape painting that was created during a creative period that was largely filled with an almost overwhelming number of portrait commissions.Original: oil on canvas, Musée d'Orsay, Paris. Brilliant reproduction in fine art giclée process, transferred to artist's canvas and mounted on a stretcher frame. Limited edition of 499 copies, with numbering and certificate on the reverse. Framed in a handcrafted real wood frame. Size 82 x 97 cm (H/W). Exclusively at ars mundi.
This atmospheric and masterful nude from 1897 shows a blossoming young woman in her sleep. Renoir had already broken away from the contour and painted with long, soft, overlapping and flowing brushstrokes to give the skin a matt shimmer.Original: oil on canvas, Oskar Reinhart Collection, Winterhurt. High-quality reproduction, worked by hand on artist's canvas and mounted on a wooden stretcher. Framed in a solid real wood frame. Limited edition of 499 copies, with numbered certificate on the reverse. Format 64.5 x 80.5 cm. ars mundi exclusive edition.
