August Macke: Picture 'Nude' (1913), version framed in black and gold colour
€720.00
'The painting "Nude" is not only the cornerstone of the extensive collection of works by the artist August Macke at the LWL Museum of Art and Culture in Münster, but also an outstanding example of the artist's use of colour and his constant exploration of nude painting. He is particularly interested in the depiction of the figure's posture and form. The facial features - as is also evident in the 'Nude' - are often typified, reduced and abstracted. This contrasts with the postures of the models, which August Macke shows in classical, almost academic poses. (Dr Arnhold, Museum Director, LWL-Museum für Kunst und Kultur, Münster) Original: 1913, oil on cardboard, 80.5 x 74.5 cm, inv. no. 962 LM, LWL-Museum für Kunst und Kultur, Münster. High-quality fine art giclée museum edition on Hahnemühle genuine laid watercolour paper. Limited edition of 100 copies, numbered, with certificate. Motif size approx. 55 x 50 cm (H/W). Sheet size approx. 65 x 60 cm (H/W). Dust-tight glazing and framed in an elegant black and gold-coloured solid wood frame with passe-partout. Format approx. 71 x 66 cm (H/W). Published in collaboration with the LWL-Museum für Kunst und Kultur, Münster. Photo: LWL-MKuK/Sabine Ahlbrand-Dornseif. ars mundi exclusive edition.
August Macke: Picture 'Nude' (1913), version framed in black and silver colour
€720.00
'The painting "Nude" is not only the cornerstone of the extensive collection of works by the artist August Macke at the LWL Museum of Art and Culture in Münster, but also an outstanding example of the artist's use of colour and his constant exploration of nude painting. He is particularly interested in the depiction of the figure's posture and form. The facial features - as is also evident in the 'Nude' - are often typified, reduced and abstracted. This contrasts with the postures of the models, which August Macke shows in classical, almost academic poses. (Dr Arnhold, Museum Director, LWL-Museum für Kunst und Kultur, Münster) Original: 1913, oil on cardboard, 80.5 x 74.5 cm, inv. no. 962 LM, LWL-Museum für Kunst und Kultur, Münster. High-quality fine art giclée museum edition on Hahnemühle genuine laid watercolour paper. Limited edition of 100 copies, numbered, with certificate. Motif size approx. 55 x 50 cm (H/W). Sheet size approx. 65 x 60 cm (H/W). Dust-tight glazing and framed in an elegant black and silver-coloured solid wood frame with passe-partout. Format approx. 71 x 66 cm (H/W). Published in collaboration with the LWL-Museum für Kunst und Kultur, Münster. Photo: LWL-MKuK/Sabine Ahlbrand-Dornseif. ars mundi exclusive edition.
August Macke: Picture 'Playing children by the water' (1914), framed
€420.00
The intact, idyllic world that Macke depicts in this painting is characteristic of his work, as is the intensity and unique luminosity of the colours. Original: 1914, oil on canvas, 37 x 50 cm, privately owned by Frowein Wuppertal. High-quality edition on canvas. Stretched on stretcher frame. Limited edition of 980 copies. Framed in a black and gold-coloured solid wood frame. Size approx. 51.5 x 66.5 cm (H/W). ars mundi exclusive edition.
August Macke: Picture 'Promenade (with white girl in half-length)' (1914), framed
€580.00
Original: Oil on canvas, Museo Thyssen-Bornemisza, Madrid. Transferred directly onto an artist's canvas made of 100% cotton using the fine art giclée process and mounted on a wooden stretcher frame like an original oil painting. Limited edition of 499 copies, with numbered certificate on the reverse. In fine, handcrafted real wood museum framing. Format 75 x 60 cm. Exclusively at ars mundi.
August Macke: Picture 'Promenade' (1913), framed
€390.00
Walkers are often among the motifs of August Macke's paintings. The intensity and unique luminosity of the colours are typical of August Macke's work. Original: 1913, oil on canvas, Städtische Galerie im Lenbachhaus and Kunsthaus, Munich. 4-colour screen-free reproduction on artist's board. Sheet size 46 x 66 cm (H/W). Framed in a silver solid wood frame with passe-partout, glazed. Format 66 x 71 cm (H/W).
August Macke: Picture 'Promenade' (1913), framed
€440.00
Original: 1913, oil on cardboard, 51 x 57 cm, Städtische Galerie im Lenbachhaus, Munich. Transferred directly onto artist's canvas made of 100% cotton using the fine art giclée process and mounted on a wooden stretcher frame like an original oil painting. Limited edition of 499 copies, with numbered certificate on the reverse. Solid wood framing, size 60 x 68 cm (H/W). ars mundi exclusive edition.
August Macke: Picture 'Reading Man' (1914), framed
€380.00
August Macke, in his typical exuberance of colour, usually includes people in his compositions in a narrative way. Here, for example, the man reading the newspaper, who seems to have hardly any eyes for the nature surrounding him and in this way directs the viewer's eye to the landscape. Original: Oil on canvas, Museum Ludwig in Cologne. High-quality reproduction, hand-painted on canvas using the fine art giclée technique and stretched on a stretcher frame. In an elegant solid wood frame. Size 53 x 74 cm (H/W).
August Macke: Picture 'Red tulips in a white vase' (1912), framed
€420.00
The giclée edition presented here is produced in the renowned Dietz-Offizin directly on high-quality artist's canvas made of 100% cotton. The canvas is then traditionally stretched on a stretcher frame. This allows the picture to be re-stretched in the event of fluctuations in room temperature and humidity. High-quality framing rounds off the picture perfectly. Each picture is numbered on the reverse. Original: 1912, oil on canvas, 69.5 x 52.7 cm, privately owned. Dietz giclée edition on artist's canvas. Limited edition of 990 copies, numbered on the reverse. In a high-quality model frame. Format 61 x 49 cm (H/W).
August Macke: Picture 'Sailboats on Lake Tegernsee' (1910), framed
€460.00
'He gave colour the brightest and purest sound before all of us,' Franz Marc called out to August Macke when he fell in 1914. They had been close friends. Macke had discovered some of Marc's lithographs during a visit to Munich in 1910 and sought contact with him. In the same year, he accepted Marc's invitation to come to Lake Tegernsee, where he created his 'Sailboats'. Original: 1910, oil on canvas, Albertina, Batlingen Collection. Reproduced using the fine art giclée process, transferred directly to artist's canvas and mounted on a stretcher frame. Limited edition of 499 copies, with numbering and certificate on the reverse. Framed in a sophisticated solid wood frame. Format 75 x 56 cm (H/W). ars mundi exclusive edition.
August Macke: Picture 'Seiltänzer' (1914), framed
€420.00
Perfect balance: August Macke's tightrope walker An artist, commented on by a painter who knows how to construct his composition with no less artistic skill: just like the tightrope walker appearing in central perspective, Macke's painting is also perfectly balanced, both in terms of colour and perspective. The viewer's line of vision is narrowed by the filled yellow-orange corners of the picture (the shoulders of the people standing next to him, a tent roof and a large poster) and at the same time guided towards the subject of the picture by the position of the viewer's head in the blue suit. Original: oil on canvas. Bonn Municipal Art Museum. Brilliant reproduction in fine art giclée process directly on artist's canvas, mounted on a stretcher frame. Limited edition of 499 copies, with numbering and certificate on the reverse. Framed in handcrafted real wood frame. Format 50 x 67 cm. ars mundi exclusive edition.
August Macke: Picture 'Seiltänzerin' (around 1913), framed
€440.00
August Macke was inspired to create a series of works by the spectacular tightrope performances of the Swiss artist family Ludwig Knie on the Rathausplatz in Thun. He made sketches on site and created watercolours and oil paintings on this theme in his studio. The artist captures the balancing act in expressive colours and an exciting composition of rising and falling lines. Original: around 1913, oil on canvas, private collection. Reproduction in fine art giclée process on artist's canvas, mounted on stretcher frame and framed in solid wood. Limited edition of 499 copies, numbered on the reverse. Format 65 x 50 cm (H/W).
August Macke: Picture 'St Germain near Tunis' (1914), framed
€138.00
Paul Klee, Louis Moilliet and August Macke's trip to Tunis made art history: Under the African sun, they revolutionised their painting style, found countless motifs in the winding alleyways and explored the themes of form and colour in a new way. Their first stop was the villa district of St Germain, now known as Ez-Zahra near Tunis. Ernst Jäggi, a doctor friend of Molliet's, lived here. His house still stands today. And even today, a century after the legendary journey, Macke's Tunis paintings bear witness to his painterly genius. 'St Germain near Tunis' (1914): A selected work from the last and strongest period of Macke's artistic work. Original: 1914, watercolour on paper, 26 x 21 cm, Städtische Galerie im Lenbachhaus, Munich. Limited edition of 1,000 copies. The motif was elaborately reproduced on 225g genuine laid paper with embossing. Framed in solid wood moulding. Format 38 x 33 cm (H/W).
August Macke: Picture 'Staudacher Haus am Tegernsee' (1910), framed
€350.00
August Macke spent the period between November 1909 and November 1910 at Lake Tegernsee in the 'Staudacherhaus', which his newlywed wife Elisabeth described as follows: 'The house was a solid farmhouse, in the family for generations, with tradition and culture preserved. August was able to work freely and unhindered, especially as Staudacher made an old empty workshop available to him as a studio. And so almost 200 works were created here in one year. Original: oil on canvas, 41.5 x 40 cm (H/W), Ziegler Collection Foundation in the Mülheim an der Ruhr Art Museum. Edition in sixteen-colour collotype on laid paper. Limited world edition of 333 copies. Framed in silver-coloured solid wood frame, glazed. Format 60 x 58 cm (H/W). Lucas Lichtdruck GmbH; Edition + Verlag, 1991.
August Macke: Picture 'Staudacherhaus in Tegernsee' (1910), version framed in black and silver colour
€520.00
August Macke spent the period between November 1909 and November 1910 at Lake Tegernsee in the 'Staudacherhaus', which his newlywed wife Elisabeth described as follows: 'The house was a solid farmhouse, in the family for generations, with tradition and culture preserved. August was able to work freely and unhindered, especially as Staudacher made an old empty workshop available to him as a studio. And so almost 200 works were created here in one year. Original: oil on canvas, 41.5 x 40 cm (H/W), Ziegler Collection Foundation in the Mülheim an der Ruhr Art Museum. The original artwork was applied directly to an artist's canvas made of 100% cotton using the elaborate fine art giclée process, sealed with artist's varnish and stretched on a solid wooden stretcher frame. Limited edition of 980 copies with numbered certificate on the reverse. Framed in a black and silver-coloured solid wood frame. Format 73 x 70 cm (H/W).
August Macke: Picture 'Staudacherhaus in Tegernsee' (1910), version framed in gold colour
€520.00
August Macke spent the period between November 1909 and November 1910 at Lake Tegernsee in the 'Staudacherhaus', which his newlywed wife Elisabeth described as follows: 'The house was a solid farmhouse, in the family for generations, with tradition and culture preserved. August was able to work freely and unhindered, especially as Staudacher made an old empty workshop available to him as a studio. And so almost 200 works were created here in one year. Original: oil on canvas, 41.5 x 40 cm (H/W), Ziegler Collection Foundation in the Mülheim an der Ruhr Art Museum. The original artwork was applied directly to an artist's canvas made of 100% cotton using the elaborate fine art giclée process, sealed with artist's varnish and stretched on a solid wooden stretcher frame. Limited edition of 980 copies with numbered certificate on the reverse. Framed in a gold-coloured solid wood frame. Format 73 x 70 cm (H/W).
August Macke: Picture 'Still Life with Anemones and Blue Book' (1911), framed
€440.00
The bouquet of flowers as a bouquet of colours: Prismatic colours were the main elements with which August Macke composed his paintings. He was concerned with 'putting colours together on the board without thinking of a real object' - even when he was using a classical subject. In his 'Still Life with Anemones and a Blue Book', for example, the focus is not on accuracy but on colour harmony. Original: 1911, oil on cardboard, 46 x 40.5 cm, LWL-Museum für Kunst und Kultur, Münster. Inv. no. 1611 LG On loan from a private collection. High-quality edition on canvas. Stretched on stretcher. Limited edition of 980 copies. Framed in a black and gold-coloured solid wood frame. Size approx. 57 x 52 cm (H/W). ars mundi exclusive edition.
August Macke: Picture 'Still Life with Apple Bowl and Japanese Fan' (1911), framed
€360.00
Original: 1911, oil on canvas, 56 x 56 cm, on permanent loan from a private collection, Bonn, Städtisches Kunstmuseum. 4-colour screen-free reproduction on artist's board. Framed in solid wood frame, glazed. Size 69 x 69 cm.
August Macke: Picture 'Sunny Path' (1913), framed
€420.00
Radiant yellow, bright red, powerful blue: the intensity and unique luminosity of the colours are typical of the work of August Macke (1887-1914). In 1911, Macke founded the legendary artists' group 'The Blue Rider' with Marc, Kandinsky, Jawlensky and Münter. He also met Robert Delaunay, with whom he became close friends. Influenced by Delaunay's Orphism, Macke no longer depicted light and shadow using light and dark areas of colour, but instead allowed the contrasting effect to emerge entirely from the luminosity of the colours - as in his 'Sunny Path' from 1913. The faces are not painted in, the individual character of the figures cannot be deduced. They are blurred within the areas of colour. The viewer gazes into a colour composition from which the beauty of the world shines out.Original: 1913, oil on cardboard, LWL-Museum für Kunst und Kultur, Münster, inv. no. 1580 LM. Brilliant reproduction in fine art giclée process directly on artist's canvas, mounted on a stretcher frame. Limited edition of 499 copies, with numbering and certificate on the reverse. Framed in a handcrafted, black and gold-coloured solid wood frame. Format 64 x 41 cm (H/W). Exclusively at ars mundi.
August Macke: Picture 'Terrace of the country house St. Germain' (1914), framed
€340.00
Paul Klee, Louis Moilliet and August Macke's trip to Tunis made art history: Under the African sun, they revolutionised their painting style, found countless motifs in the winding alleyways and explored the themes of form and colour in a new way. Their first stop was the villa district of St Germain, now known as Ez-Zahra near Tunis. Ernst Jäggi, a doctor friend of Molliet's, lived here. His house still stands today. And even today, a century after the legendary journey, Macke's Tunis paintings bear witness to his painterly genius. Original: 1914, LWL-Museum für Kunst und Kultur, Münster, inv. no. KdZ 1454 LM. 5-colour facsimile print on 270g Rives laid paper. Limited edition of 500 copies. In silver solid wood model framing, glazed. Format approx. 40.7 x 46.8 cm (H/W).
August Macke: Picture 'Türkisches Café I' (1914), framed
€540.00
Original: Oil on wood, Städtisches Kunstmuseum, Bonn. Fine art giclée process on artist's canvas made of 100% cotton, stretched on stretcher frame. Limited edition of 499 copies, with numbered certificate on the reverse. In a handcrafted matt gold real wood frame. Format 70 x 50 cm (H/W).
August Macke: Picture 'Türkisches Café II' (1914), framed
€380.00
Macke's motif 'Turkish Café II' from 1914 with its bright, softly flowing colours resembles an earthly paradise. It is one of the works from the famous trip to Tunis, which Macke undertook in the last year of his life together with Paul Klee and Louis Moilliet. Original: oil on canvas, Städtische Galerie im Lenbachhaus and Kunsthaus, Munich. 4-colour screen-free reproduction on artist's board. Motif size 61 x 36 cm (H/W). Sheet size 66 x 46 cm (H/W). Framed in a silver solid wood frame with passe-partout, glazed. Format 77 x 53 cm (H/W).
August Macke: Picture 'Unter den Lauben von Thun' (1913), framed
€440.00
Macke's 'Unter den Lauben von Thun' from 1913 transforms the classic motif of the experience of nature associated with a walk into an entirely urban one: Strolling figures in Sunday best are depicted - the walk becomes a 'stroll'. Original: Watercolour, gouache, pencil on paper, privately owned. Brilliant reproduction in fine art giclée process directly on artist's canvas, mounted on a stretcher frame. Limited edition of 499 copies, with numbering and certificate on the reverse. Framed in a handcrafted real wood frame. Format 66 x 48 cm. Exclusively at ars mundi.
August Macke: Picture 'View into an alley' (1914), framed
€340.00
Paul Klee, Louis Moilliet and August Macke's trip to Tunis made art history: Under the African sun, they revolutionised their painting style, found countless motifs in the winding alleyways and explored the themes of form and colour in a new way. 5-colour facsimile print on 270g Rives laid paper. Limited edition of 500 copies. In silver solid wood model framing, glazed. Format approx. 47.1 x 40.7 cm (H/W).
August Macke: Picture 'Woman with parasol in front of a hat shop' (1914), framed
€520.00
Original: Museum Folkwang, Essen. Fine art giclée on artist's canvas made of 100% cotton, stretched on a wooden stretcher frame (adjustable with wedges for re-stretching). In a handcrafted, elegant solid wood museum frame. Limited edition of 499 copies, with certificate on the reverse. Format 75 x 64 cm (H/W).