Caspar David Friedrich: Picture 'View of a harbour' (around 1815/16), framed
€490.00
In his meticulously painted painting, Friedrich achieved an unrivalled metaphysical transparency: in 1815, Western Pomerania fell to Prussia as part of the Congress of Vienna. Friedrich's romantic harbour scene is also an allegory of the historical event: three people in a rowing boat can be seen in the foreground, sailing between anchored yachts towards a ship with a Swedish flag on the horizon. The whole scene is bathed in a black, red and gold colour scheme: Analogous to the new German flag, the colours signify honour, freedom and fatherland. Original: c. 1815/16, oil on canvas, 90 x 71 cm, Charlottenhof Palace, Potsdam. Edition transferred to artist's canvas using the fine art giclée process and stretched on stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, gold-coloured solid wood frame. Format 71 x 57 cm (H/W). ars mundi exclusive edition.
Caspar David Friedrich: Picture 'View of a harbour' (around 1815/16), version framed in gold colour
€148.00
Original: Circa 1815/16, oil on canvas, 90 x 71 cm, Charlottenhof Palace, Potsdam The painting presented here is a high-quality edition on laid paper-like, heavy 250g Gmund Tactile. Framed in a sophisticated, gold-coloured solid wood frame, glazed. Size 44 x 37 cm (H/W). ars mundi exclusive edition.
Caspar David Friedrich: Picture 'View of a harbour' (around 1815/16), version framed in silver colour
€148.00
Original: Circa 1815/16, oil on canvas, 90 x 71 cm, Charlottenhof Palace, Potsdam The painting presented here is a high-quality edition on laid paper-like, heavy 250g Gmund Tactile. Framed in a sophisticated, silver-coloured solid wood frame, glazed. Size 44 x 37 cm (H/W). ars mundi exclusive edition.
Caspar David Friedrich: Picture 'Woman and man contemplating the moon' (1824), framed
€138.00
Original: 1824, oil on canvas, 34 x 44 cm, Alte Nationalgalerie Berlin, high-quality edition on paper. Sheet size 30 x 40 cm (H/W). Framed in silver-coloured solid wood frame with passe-partout, glazed. Format 32 x 42 cm (H/W).
Caspar David Friedrich: Porcelain painting 'Noon', framed
€228.00
From 1820 onwards, Caspar David Friedrich saw his ideas fully realised in the Nordic landscape; it also inspired him to create his daytime cycle, which profoundly encodes the sequence of life with childhood, youth, maturity and the longing for eternity in old age. In the second part of the cycle, a sandy path lined with heather and shrubs leads the viewer to distant dense forests. In the meadows, a hiker strides towards a pine grove, while a second hiker approaches the viewer along the path. This treasure from the Landesgalerie Hannover, created in 1821/22, was transferred exclusively for ars mundi by the experts at the Königlich privilegierte Porzellanmanufaktur Tettau in 10 colours onto the finest porcelain. In three firing processes at up to 1360°C, porcelain pictures of incomparable colour brilliance are created in a limited world edition. Each of the 999 copies is individually numbered by hand and framed in a sophisticated gold-plated solid wood moulding. Format 38 x 33.5 cm.
Caspar David Friedrich: Porcelain painting 'The Afternoon', framed
€228.00
From 1820 onwards, Caspar David Friedrich saw his ideas fully realised in the Nordic landscape; it also inspired him to create his daytime cycle, which profoundly encodes the sequence of life with childhood, youth, maturity and longing for eternity in old age. In the third part of the cycle, the reddish reflection of individual clouds indicates the approaching evening peace and bathes the landscape in a late afternoon light. The cornfield has already been partially harvested and the farmer is heading towards the end of the day in his horse and cart. This treasure from the Landesgalerie Hannover, created in 1821/22, was transferred exclusively for ars mundi by the experts at the Königlich privilegierte Porzellanmanufaktur Tettau in 10 colours onto the finest porcelain. In three firing processes at up to 1360°C, porcelain pictures of incomparable colour brilliance are created in a limited world edition. Each of the 999 copies is individually numbered by hand and framed in a sophisticated gold-plated solid wood moulding. Format 38 x 33.5 cm.
Caspar David Friedrich: Porcelain painting 'The Evening', framed
€228.00
From 1820 onwards, Caspar David Friedrich saw his ideas fully realised in the Nordic landscape; it also inspired him to create his daytime cycle, which profoundly encodes the sequence of life with childhood, youth, maturity and longing for eternity in old age. 'The Evening' shows two travellers looking at the spectrum of the setting sun. The horizon is still shining through the pine trunks, but in a few minutes the magic will be extinguished and the cool night will call them to turn back. This treasure from the Landesgalerie Hannover, created in 1821/22, was transferred exclusively for ars mundi by the experts at the Königlich privilegierte Porzellanmanufaktur Tettau in 10 colours onto the finest porcelain. In three firing processes at up to 1360°C, porcelain pictures of incomparable colour brilliance are created in a limited world edition. Each of the 999 copies is individually numbered by hand and framed in a sophisticated gold-plated solid wood moulding. Format 38 x 33.5 cm.
César: Picture 'La lettera Q', framed
€390.00
The graphic works of the French artist, who also became famous for his sculptural works, are characterised by their compact design. As in his 'Compressions' (Tate Gallery, London), César depicts objects that have been discarded by 20th century industrial society as no longer fit for purpose in this masterful sheet, which circumscribes the letter Q of our alphabet. The small Fiat car that has disintegrated into its individual parts is compressed into a dense bundle of material. The whole thing hangs, as it were, from the large Q, which attracts the metals like a giant magnet. Photolithograph in eight colours, signed by the artist and numbered on the reverse. Limited edition of 5,000 copies. Sheet size approx. 29.8 x 23.5 cm (H/W). Framed in silver-coloured solid wood frame with bevel cut passe-partout, glazed. Format 45 x 36 cm (H/W).
César: Picture 'La lettera Q', unframed
€250.00
The graphic works of the French artist, who also became famous for his sculptural works, are characterised by their compact design. As in his 'Compressions' (Tate Gallery, London), César depicts objects that have been discarded by 20th century industrial society as no longer fit for purpose in this masterful sheet, which paraphrases the letter Q of our alphabet. The small Fiat car that has disintegrated into its individual parts is compressed into a dense bundle of material. The whole thing hangs, as it were, from the large Q, which attracts the metals like a giant magnet. Photolithograph in eight colours, signed by the artist and numbered on the reverse. Limited edition of 5,000 copies. Unframed. Sheet size approx. 29.8 x 23.5 cm (H/W).
Christian Rohlfs: Picture 'Red Cannas' (1935), framed
€360.00
Even in his early years, Christian Rohlfs impressed with his talent as a draughtsman. Flowers, whether individual blossoms or arranged in bouquets, occupy an important place in Christian Rohlfs' oeuvre. The artist has been capturing their subtle colours and delicate beauty on canvas and paper from the very beginning of his career. High-quality fine art pigment print on heavy Hahnemühle handmade paper. Elegant framing in black silk matt with Munich gold and bevelled passe-partout, dust-proof glazing. Numbered with certificate. Size approx. 52 x 64 cm (H/W).
Claude Monet: 2 paintings 'Water Lilies II' (Nymphéas 1916-19) and 'Water Lilies I' (Nymphéas 1914-17) in a set
€590.00
Claude Monet's water lily paintings are among the most famous Impressionist paintings and among the most sought-after and expensive paintings in the world. Monet (1840-1926) used the technique of the 'short brushstroke', which he perfected. This technique enabled him to capture the shimmering of the air over the water in a unique way. Originals: Oil on canvas, Museé Marmottan - Claude Monet, Paris For a detailed reproduction, the Monet paintings were transferred directly onto artist's canvas using the brilliantly coloured Fine Art Giclée process and mounted on wooden stretcher frames like an original oil painting. The wooden wedges allow the canvas to be re-stretched in the event of fluctuations in temperature and humidity. The elegant solid wood model framing rounds off the appearance perfectly.framed in silver solid wood model framing. Format 64 x 64 cm each. ars mundi exclusive edition.
Claude Monet: 2 pictures 'Yellow water lilies and agapanthus' + 'Iris bed in Monet's garden' in a set
€720.00
In 1890, Claude Monet bought a picturesque plot of land in Giverny and devoted himself entirely to designing his garden. He created a paradise with seas of exotic plants and ponds with shimmering mother-of-pearl water lilies. Monet had a Japanese wooden bridge built over the water lily pond. Here he found the motifs for his world-famous water lily and garden paintings, which characterised his late artistic work. 'Yellow Water Lilies and Agapanthus': Iridescent water lilies, one of Monet's favourite plants, form small islands of leaves in the reflecting water. Original: oil on canvas, Musée Marmottan, Paris. 'Iris bed in Monet's garden': A fragrant sea of blossoms, a lushly arranged symphony of flower colours. Original: Oil on canvas, Musée d'Orsay, Paris. High-quality reproductions in the fine art giclée process, applied directly by hand to canvas and traditionally stretched on stretcher frames. The visible linen structure emphasises the painting-like effect of these objects. Each in an elegant solid wood frame. Format 74 x 64 cm or 65 x 73 cm (H/W each). Both pictures in a set.
Claude Monet: 4 landscape paintings in a set, gold-coloured framed version
€520.00
The art of Claude Monet epitomises Impressionism. He has been described as the inventor of colourful dreams beyond the visible. But he was much more, as he always sought to realise his idea of painting in the open air - en plein air. The decisive factor in his painting was always how he saw, not what he saw. The four paintings by Claude Monet presented here have been lavishly reproduced on laid paper-like, heavy 250g Gmund Tactile. In gold-coloured solid wood framing, glazed. Format 37 x 44 cm (H/W) each. ars mundi exclusive edition. 'Fields in Spring (1887): Original: oil on canvas, Staatsgalerie Stuttgart. 'Les coquelicots à Argenteuil (The Poppy Field near Argenteuil)' (1873): Original: oil on canvas, Musée d'Orsay, Paris. 'The Bay of Argenteuil with a sailing boat' (1874): Original: oil on canvas, National Gallery of Ireland, Dublin. Detail from 'The Magpie' (1868/69): Original: oil on canvas, Musée d'Orsay, Paris. All 4 paintings in a set.
Claude Monet: 4 landscape paintings in a set, silver framed version
€520.00
The art of Claude Monet epitomises Impressionism. He has been described as the inventor of colourful dreams beyond the visible. But he was much more, as he always sought to realise his idea of painting in the open air - en plein air. The decisive factor in his painting was always how he saw, not what he saw. The four paintings by Claude Monet presented here have been elaborately reproduced on handmade, heavy 250g Gmund Tactile. In silver-coloured solid wood framing, glazed. Format 37 x 44 cm (H/W) each. ars mundi exclusive edition. 'Fields in Spring (1887): Original: oil on canvas, Staatsgalerie Stuttgart. 'Les coquelicots à Argenteuil (The Poppy Field near Argenteuil)' (1873): Original: oil on canvas, Musée d'Orsay, Paris. 'The Bay of Argenteuil with a sailing boat' (1874): Original: oil on canvas, National Gallery of Ireland, Dublin. Detail from 'The Magpie' (1868/69): Original: oil on canvas, Musée d'Orsay, Paris. All 4 paintings in a set.
Claude Monet: Painting 'Fields in Spring' (1887), gold-coloured framed version
€138.00
The art of Claude Monet epitomises Impressionism. He has been described as the inventor of colourful dreams beyond the visible. But he was much more, as he always sought to realise his idea of painting in the open air - en plein air. The decisive factor in his painting was always how he saw, not what he saw. Original: Oil on canvas, Staatsgalerie Stuttgart. The painting by Claude Monet presented here has been elaborately reproduced on handmade, heavy 250g Gmund Tactile. In gold-coloured solid wood framing, glazed. Size 37 x 44 cm (H/W). ars mundi exclusive edition.
Claude Monet: Painting 'Garden at Giverny' (1902)
€490.00
Monet was only able to realise his lifelong dream of designing his own garden when he moved to Giverny in 1883. The estate was an inexhaustible source of inspiration for him. Original: Oil on canvas, Vienna, Österreichische Galerie im Belvedere. Reproduction on aluminium dibond behind 3 mm acrylic glass. Limited to 980 copies and numbered. Certificate included. Format 80 x 78 cm (H/W). With hanging device. Due to the smooth surface, mirror effects may occur depending on the incidence of light. ars mundi exclusive edition.
Claude Monet: Painting 'Les coquelicots à Argenteuil (The Poppy Field at Argenteuil)' (1873), framed
€490.00
From 1871 to 1878, Monet lived in Argenteuil on the Seine not far from Paris. This was the period in which he brought his 'Impressionism' to perfection; he created numerous landscape paintings. The 'Field of Poppies' is one of the most important of these. Original: 1873, oil on canvas, 50 x 65 cm, Musée d'Orsay, Paris. Edition on artist's cotton canvas stretched on a stretcher. The canvas with its tangible and visible brush structure is sealed with artist's varnish. Solid wood framing in white with gold edging. Limited edition of 980 copies. Size 60 x 75 cm (H/W).
Claude Monet: Painting 'Les coquelicots à Argenteuil (The Poppy Field at Argenteuil)' (1873), framed
€138.00
From 1871 to 1878, Monet lived in Argenteuil on the Seine not far from Paris. This was the period in which he brought his 'Impressionism' to perfection; he created numerous landscape paintings. The 'Field of Poppies' is one of the most important of these. Original: 1873, oil on canvas, 50 x 65 cm, Musée d'Orsay, Paris. High-quality edition on paper. Sheet size 24 x 30 cm (H/W). Framed in gold-coloured solid wood frame, glazed. Format 25.6 x 33.8 cm (H/W).
Claude Monet: Painting 'Sunset on the Seine in Winter' (1880), gold-coloured framed version
€490.00
The art of Claude Monet epitomises Impressionism. During his long life as a painter, he was tireless in his search for ways to depict the variability of light and colour in many atmospheric variations and at different times of day. Original: 1880, oil on canvas, 60.6 x 81 cm, Boden Art Museum, Japan. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, gold-coloured solid wood frame. Size 56 x 73 cm (H/W). ars mundi exclusive edition.
Claude Monet: Painting 'Sunset on the Seine in Winter' (1880), version framed in black and gold colour
€490.00
The art of Claude Monet epitomises Impressionism. During his long life as a painter, he was tireless in his search for ways to depict the variability of light and colour in many atmospheric variations and at different times of day. Original: 1880, oil on canvas, 60.6 x 81 cm, Boden Art Museum, Japan. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, black and gold-coloured solid wood frame. Size 54 x 71 cm (H/W). ars mundi exclusive edition.
Claude Monet: Painting 'The Magpie' (1868/69), gold-coloured framed version
€138.00
The art of Claude Monet epitomises Impressionism. He has been described as the inventor of colourful dreams beyond the visible. But he was much more, as he always sought to realise his idea of painting in the open air - en plein air. The decisive factor in his painting was always how he saw, not what he saw. Original: Oil on canvas, Musée d'Orsay, Paris. The painting by Claude Monet presented here is a detail and has been elaborately reproduced on hand-made, heavy 250g Gmund Tactile. In gold-coloured solid wood framing, glazed. Size 37 x 44 cm (H/W). ars mundi exclusive edition.
Claude Monet: Painting 'Water Lilies' (1916)
€520.00
They are among the most famous works of Impressionism and among the most expensive paintings in the world: the 'Nymphéas', which the elderly Claude Monet created in his garden in Giverny. Here he used the technique of the 'short brushstroke', which he had perfected. This technique enabled him to capture the shimmering of the air over the water in a unique way. Original: 1916, oil on canvas, National Museum of Western Art, Tokyo. Reproduction on aluminium dibond behind 3 mm thick acrylic glass. Limited to 980 copies and numbered. Certificate included. Format 80 x 80 cm. With hanging device. Due to the smooth surface, mirror effects may occur depending on the incidence of light. ars mundi exclusive edition.
Claude Monet: Picture 'Antibes seen from La Salis' (1888), framed
€138.00
'Antibes' is dedicated to the southern French coastal landscape of the Côte d'Azur, where Monet stayed from January to April 1888. Original: 1888, oil on canvas, Toledo Museum of Art, Toledo, Ohio. High-quality edition on paper. Sheet size 24 x 30 cm (H/W). Framed in gold-coloured solid wood frame, glazed. Format 28 x 34 cm (H/W).
Claude Monet: Picture 'Antibes' (1888), framed
€450.00
'Antibes' is dedicated to the southern French coastal landscape of the Côte d'Azur, where Monet stayed from January to April 1888. Original: Oil on canvas, Courtauld Institute of Art, London. High-quality reproduction using the fine art giclée process, hand-painted on canvas and stretched on a stretcher. The linen structure emphasises the painting-like effect of the object. Solid wood framing. Limited edition of 499 copies, with numbering and certificate on the reverse. Size 58 x 79 cm (H/W). Exclusively at ars mundi.