High-quality edition in fine art giclée process on paper. Framed in a handcrafted solid wood frame with passe-partout, dustproof glazing. Format approx. 104 x 67 cm (H/W).
Original: 1932, oil on canvas, 72.4 x 105.5 cm, privately owned. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, beige-coloured solid wood frame. Size 60 x 85 cm (H/W). ars mundi exclusive edition.
Max Beckmann painted this view of the 'Parc de Bagatelle' in Paris in 1938, which he had visited in the same year. Beckmann chose a very unusual perspective for this painting. Although he placed the park's small white castle in the centre of the picture, he almost completely concealed it behind the lush vegetation of flowers and trees. Original: 1938, oil on canvas, 66 x 110.5 cm, inv. no. 1001 LM, LWL-Museum für Kunst und Kultur, Münster. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 100 copies, numbered, with certificate. Published in collaboration with the LWL-Museum für Kunst und Kultur, Münster. Photo: LWL-MKuK/Hanna Neander. Framed in a handcrafted, black and gold-coloured solid wood frame. Size 51.5 x 81.5 cm (H/W). ars mundi exclusive edition.
Max Beckmann painted this view of the 'Parc de Bagatelle' in Paris in 1938, which he had visited in the same year. Beckmann chose a very unusual perspective for this painting. Although he placed the park's small white castle in the centre of the picture, he almost completely concealed it behind the lush vegetation of flowers and trees. Original: 1938, oil on canvas, 66 x 110.5 cm, inv. no. 1001 LM, LWL-Museum für Kunst und Kultur, Münster. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 100 copies, numbered, with certificate. Published in collaboration with the LWL-Museum für Kunst und Kultur, Münster. Photo: LWL-MKuK/Hanna Neander. Framed in a handcrafted, black and silver-coloured solid wood frame. Size 51.5 x 81.5 cm (H/W). ars mundi exclusive edition.
Original: 1942, oil on canvas, 55.5 x 96 cm, privately owned. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, beige-coloured solid wood frame. Format 53.5 x 80 cm (H/W). ars mundi exclusive edition.
Beckmann spent a whole decade in exile in Amsterdam. In 1938, he had the opportunity to travel from there to the French Riviera once again. 'Seascape with Agaves' is a painting of memory, later completed in Amsterdam, a dream of an imaginary refuge. Original: 1939, oil on canvas, 60 x 90.5 cm (H/W), Nationalgalerie, Staatliche Museen zu Berlin. High-quality edition in a fine collotype process on uncoated paper. Framed in black silver solid wood frame, with passe-partout, glazed. Format 70 x 94.5 cm (H/W).
In New York, Beckmann visited Central Park almost every day after working in his studio on the Upper West Side. This painting from the last year of his life shows a scene from the western part of the park, which was close to his home. Original: 1950, oil on canvas, 139.5 x 61 cm (H/W), private collection. High-quality edition in a fine collotype process on uncoated paper. Framed in a black and silver solid wood frame with passe-partout, glazed. Size 103 x 55 cm (H/W).
The portrait 'Lady in Yellow' shows Max Kurzweil's wife Marthe. Original: 1899, oil on canvas, 171.5 x 171.5 cm, Wien Museum, Vienna. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, black and gold-coloured solid wood frame. Format approx. 76 x 76 cm. ars mundi exclusive edition.
The work 'Landhaus in Hilversum' is one of the first paintings in which Max Liebermann turned to motifs from upper middle-class society, having previously depicted everyday scenes. Original: 1901, oil on canvas, 65 x 80 cm. SMB, National Gallery Berlin. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in handcrafted, white-gold coloured solid wood frame. Format approx. 63 x 76 cm (H/W). ars mundi exclusive edition.
Max Liebermann's green paradise: Liebermann's personal epitome of happiness was the villa built for him in 1910 on Lake Wannsee, which is now restored to its former glory thanks to a dedicated circle of donors (and is sometimes even used for state visits). From then on, the villa's garden was one of his favourite motifs. Original: Oil on canvas, Hamburger Kunsthalle, Hamburg. Fine art giclée on artist's canvas made of 100% cotton. Stretched like an original painting on a wooden stretcher frame (adjustable with wedges for re-stretching). In a handcrafted, black and silver-coloured solid wood frame. Limited edition of 499 copies, with numbered certificate on the reverse. Size 60 x 75 cm (H/W). ars mundi exclusive edition.
Max Liebermann's green paradise: Liebermann's personal epitome of happiness was the villa built for him in 1910 on Lake Wannsee, which is now restored to its former glory thanks to a dedicated circle of donors (and is sometimes even used for state visits). From then on, the villa's garden was one of his favourite motifs. Original: Oil on canvas, Hamburger Kunsthalle, Hamburg. Fine art giclée on artist's canvas made of 100% cotton. Stretched like an original painting on a wooden stretcher frame (adjustable with wedges for re-stretching). In a handcrafted, white-gold-coloured solid wood frame. Limited edition of 499 copies, with numbered certificate on the reverse. Size 60 x 75 cm (H/W). ars mundi exclusive edition.
The work shows the garden of the villa Liebermann acquired in Berlin-Wannsee in 1909. Original: oil on canvas, 75.5 x 94.5 cm. Inv. no. 5648 Gift Inga Bragard, Hamburg 2003, Hamburg, Kunsthalle. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 499 copies, numbered, with certificate. Framed in a handcrafted, black and silver-coloured solid wood frame. Format approx. 59 x 75 cm (H/W). ars mundi exclusive edition.
The work shows the garden of the villa Liebermann acquired in Berlin-Wannsee in 1909. Original: oil on canvas, 75.5 x 94.5 cm. Inv. no. 5648 Gift Inga Bragard, Hamburg 2003, Hamburg, Kunsthalle. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 499 copies, numbered, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Size approx. 59 x 75 cm (H/W). ars mundi exclusive edition.
(Garden of the villa in Berlin-Wannsee acquired by Liebermann in 1909). Original: oil on canvas, 55 x 75.5 cm (H/W). Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 499 copies, numbered, with certificate. Framed in a handcrafted, black and silver-coloured solid wood frame. Size approx. 58 x 78 cm (H/W). ars mundi exclusive edition.
(Garden of the villa in Berlin-Wannsee acquired by Liebermann in 1909). Original: oil on canvas, 55 x 75.5 cm (H/W). Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 499 copies, numbered, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Size approx. 58 x 78 cm (H/W). ars mundi exclusive edition.
Their joint gallery owner Paul Cassirer already referred to Slevogt and Liebermann (alongside Lovis Corinth) as his 'German Impressionists'. In fact, the three were united by their respective proximity to the new French art movement and a great love of landscape painting in the open air. In 1908, they even met once at Cassirer's invitation in the Dutch summer resort. This was to be Slevogt's only visit to the region. Liebermann, however, was repeatedly drawn to Noordwijk over the years. He created numerous beach scenes there. Today, Slevogt and Liebermann's landscape paintings are regarded as highlights of Impressionist landscape painting. Original: 1909, oil on canvas, Kunstsalon Franke (loan) 1992, Cologne. High-quality fine art giclée on artist's canvas made of 100% cotton, stretched on stretcher frame (adjustable with wedges for re-stretching). Limited edition of 499 copies, with numbered certificate on the reverse. Framed in a solid wood frame in white with gold edging, grey patina. Size 64 x 91 cm (H/W). ars mundi exclusive edition.
Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 499 copies, numbered, with certificate. Framed in a handcrafted, black and silver-coloured solid wood frame. Size approx. 60 x 68 cm (H/W). ars mundi exclusive edition.
Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 499 copies, numbered, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Size approx. 60 x 68 cm (H/W). ars mundi exclusive edition.
The bourgeoisie in the summer resort. Seeing and being seen. Max Liebermann loved the subject of the garden, but also that of the populated park or the sunlit café. For him, the colourful blossoming of nature also included people happily enjoying it. Original: Nationalgalerie / Staatliche Museen zu Berlin. Fine art giclée on artist canvas made of 100% cotton. Stretched like an original painting on a wooden stretcher frame (adjustable with wedges for re-stretching). Framed in a handcrafted, black and silver-coloured solid wood frame. Limited edition of 499 copies with numbered certificate on the reverse. ars mundi exclusive edition. Format 70 x 86 cm (H/W).
The bourgeoisie in the summer resort. Seeing and being seen. Max Liebermann loved the subject of the garden, but also that of the populated park or the sunlit café. For him, the colourful blossoming of nature also included people happily enjoying it. Original: Nationalgalerie / Staatliche Museen zu Berlin. Fine art giclée on artist canvas made of 100% cotton. Stretched like an original painting on a wooden stretcher frame (adjustable with wedges for re-stretching). In a handcrafted, elegant solid wood frame, antique gold with green. Limited edition of 499 copies with numbered certificate on the reverse. ars mundi exclusive edition. Format 70 x 86 cm (H/W).
The bourgeoisie in the summer resort. See and be seen. Max Liebermann loved the subject of the garden, but also that of the populated park or the sunlit café. For him, the colourful blossoming of nature also included people happily enjoying it. Original: Nationalgalerie / Staatliche Museen zu Berlin. Fine art giclée on artist canvas made of 100% cotton. Stretched like an original painting on a wooden stretcher frame (adjustable with wedges for re-stretching). Framed in a handcrafted, white-gold coloured solid wood frame. Limited edition of 499 copies with numbered certificate on the reverse. ars mundi exclusive edition. Format 70 x 86 cm (H/W).
