László Moholy-Nagy: Picture 'LIS' (1922), framed
€390.00
This work, which shows clear influences of Russian Constructivism, is considered one of Moholy-Nagy's most important works. Original: 1922, oil on canvas, 132 x 102 cm, Staatsgalerie Moderner Kunst, Munich. Brilliantly coloured fine art giclée on laid paper. Framed in a handcrafted solid wood frame with passe-partout, glazed. Limited edition of 499 copies, numbered on the reverse. Format 57 x 46 cm (H/W). ars mundi exclusive edition.
Leonardo Cremonini: Picture 'Violet', framed
€420.00
Photolithograph in six colours, signed by the artist, numbered on the reverse. Limited edition of 5,000 copies. Framed in silver-coloured solid wood framing with bevel cut passe-partout, glazed. Format 45.5 x 36.5 cm (H/W).
Lovis Corinth: Picture 'Blühender Apfelbaum' (1922), framed
€440.00
Original: 1922, oil on canvas, 70 x 90.4 cm, art dealer Sotheby's, London. Reproduction in Fine Art Glicée process directly on artist's canvas and mounted on stretcher frame. Limited edition of 499 copies. Framed in natural-coloured solid wood frame. Size 57.2 x 73.8 cm (H/W). © Sotheby's.
Lovis Corinth: Picture 'Flower vase on a table' (1922), framed
€420.00
Corinth's late work is of particular importance. Firstly, there are the Walchensee paintings, which were created from 1919 onwards near Urfeld in the south of Munich and in which the painter rediscovered landscape painting for himself. But he also sought and found new approaches in other subjects, such as portraits. The painting 'Flower Vase on a Table' from 1922 shows how another classic subject developed in his later years. A good decade earlier, he had created still lifes on canvas that still clearly emphasised their reference to the Old Masters and came in deep, Rembrandt-like shades of brown. Here, however, is a watercolour with dabbed, exploding colours and a scene that offers a private view of the still life genre. The edges of the picture framing the bouquet of flowers show an armchair on the right and a dog nestled in its basket on the left; in short, we see a retreat that promised the painter peace and relaxation. Original: 1922, watercolour, 36.5 x 57 cm, Graphische Sammlung Albertina, Vienna. Reproduction in fine art giclée process directly on artist's canvas and mounted on stretcher frame. Limited edition of 499 copies. Framed in natural-coloured solid wood frame. Format 55.5 x 77 cm (H/W).
Lovis Corinth: Picture 'Flower vase on a table' (1922), framed
€470.00
Corinth's late work is of particular importance. Firstly, there are the Walchensee paintings, which were created from 1919 onwards near Urfeld in the south of Munich and in which the painter rediscovered landscape painting for himself. But he also sought and found new approaches in other subjects, such as portraits. The painting 'Flower Vase on a Table' from 1922 shows how another classic subject developed in his later years. A good decade earlier, he had created still lifes on canvas that still clearly emphasised their reference to the Old Masters and came in deep, Rembrandt-like shades of brown. Here, however, is a watercolour with dabbed, exploding colours and a scene that offers a private view of the still life genre. The edges of the picture framing the bouquet of flowers show an armchair on the right and a dog nestled in its basket on the left; in short, we see a retreat that promised the painter peace and relaxation. Original: 1922, watercolour, 36.5 x 57 cm, Graphische Sammlung Albertina, Vienna. Edition in fine art giclée process directly on artist's canvas and mounted on stretcher frame. Limited edition of 499 copies. Framed in a white and gold-coloured solid wood frame. Size 60.5 x 82 cm (H/W).
Lovis Corinth: Picture 'Kaisertag in Hamburg, Alster' (1911), framed
€580.00
To mark the 150th birthday of Lovis Corinth (1858-1925), ars mundi exclusively presents this magnificent major work by the important German Impressionist. Original: Wallraf-Richartz-Museum, Cologne. Fine art giclée on artist's canvas made of 100% cotton. Stretched like an original painting on a wooden stretcher frame (adjustable with wedges for re-stretching). In an exquisite handcrafted solid wood museum frame, gilded with metal leaf. Limited edition of 499 copies. Size 78 x 62 cm, with numbered certificate on the reverse.
Lovis Corinth: Picture 'The Bay of Gdansk near Sopot' (1900), framed
€440.00
Corinth, who himself had travelled to the Baltic Sea years earlier with his friend Hans Olde, captures the atmospheric Baltic Sea landscape in a richly coloured impressionist style with impasto application of paint. Original: 1900, Schweinfurt, Museum Georg Schäfer. Reproduction in fine art giclée process on artist's canvas made of 100% cotton, stretched on stretcher frame and framed in solid wood. Limited edition of 499 copies with certificate on the reverse. Format 46 x 65 cm (H/W).
Lovis Corinth: Picture 'Walchensee in Winter' (1923), version framed in gold colour
€498.00
From 1919, Lovis Corinth (1858-1925) found a retreat in Urfeld above Lake Walchensee, which provided him with inspiration for numerous works from his late period. His wife Charlotte Berend-Corinth describes how impressed he was by the place: 'Lovis was immediately gripped by the beauty of the landscape - by the magic of Lake Walchensee, the mountain scenery, the light and the air. Original: 1923, oil on canvas, 70 x 90 cm, Städel Museum, Frankfurt am Main. Edition transferred to artist's canvas using the fine art giclée process and stretched on a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, gold-coloured solid wood frame. Size approx. 60 x 76 cm (H/W). ars mundi exclusive edition.
Lovis Corinth: Picture 'Walchensee in Winter' (1923), version framed in white and gold colour
€498.00
From 1919, Lovis Corinth (1858-1925) found a retreat in Urfeld above Lake Walchensee, which provided him with inspiration for numerous works from his late period. His wife Charlotte Berend-Corinth describes how impressed he was by the place: 'Lovis was immediately gripped by the beauty of the landscape - by the magic of Lake Walchensee, the mountain scenery, the light and the air. Original: 1923, oil on canvas, 70 x 90 cm, Städel Museum, Frankfurt am Main. Edition transferred to artist's canvas using the fine art giclée process and stretched on a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Format approx. 63.5 x 79.5 cm (H/W). ars mundi exclusive edition.
Lovis Corinth: Picture 'Walchensee, View of the Wetterstein' (1921), framed
€380.00
Original: 1921, oil on canvas, 90 x 119 cm, Saarlandmuseum / Stiftung Saarländischer Kulturbesitz - Moderne Galerie, Saarbrücken High-quality edition on paper. Sheet size 60 x 80 cm (H/W). Framed in silver-coloured solid wood frame with passe-partout, glazed. Format 69 x 85.5 cm (H/W).
Lyonel Feininger: 'Silver Star Picture' (1924), framed
€490.00
A cubistically animated pictorial creation with sky-storming cathedrals and silver stars interwoven in mystical green. Original: oil on canvas, privately owned. This limited-edition masterpiece by Feininger is produced using an elaborate collotype process. This technique, which is very rare today and over 140 years old, makes it possible to depict true half-tones, i.e. to reproduce them completely and not through halftone dots of the primary colours. The valuable sheets bear witness to the highest level of artistic sensitivity during production. The result is colours that are true to the original, which art connoisseurs in particular desire and which also do justice to the sensitive colourfulness of Feininger's works.nine colours on collotype board, limited edition of 1,000 copies. © by courtesy of the Estate of Lyonel Feininger. In a sophisticated solid wood frame with bevelled passe-partout, dust-proof glazing. Format 72 x 60 cm (H/W).
Lyonel Feininger: Picture 'Gelmeroda XI' (1928), framed
€690.00
This limited edition masterpiece by Feininger is produced using the elaborate collotype technique. This technique, which is very rare today and over 140 years old, makes it possible to depict true half-tones, i.e. to reproduce them completely and not through halftone dots of the primary colours. The valuable sheets bear witness to the highest level of artistic sensitivity during production. The result is colours that are true to the original, which art connoisseurs in particular desire and which also do justice to the sensitive colourfulness of Feininger's works. Original: Oil on canvas, Weimar Foundation, Bauhaus Museum. Eight colours on laid cardboard, limited edition of 500 copies. In a sophisticated solid wood frame with bevelled edge passe-partout, dustproof glazing. Format 84 x 99 cm.
Lyonel Feininger: Picture 'The Grützturm in Treptow an der Rega' (1928), framed
€440.00
During his stays at the Baltic Sea, Feininger also discovered the hinterland of the Rega estuary. The river framed the small town of Treptow in West Pomerania on three sides. The German-American painter constructed his picture from the medieval Grützturm tower, parts of the town wall and the neighbouring houses. But as present as the buildings may be, the blue of the river behind them and the bright sky penetrate the city motif. With his prismatic surfaces, Feininger visualises the intertwining of the different levels of perception. Original: oil on canvas, Hessisches Landesmuseum, Darmstadt. High-quality reproduction in a sophisticated solid wood frame with passe-partout, glazed. Size 82.7 x 71.2 cm (H/W).
Man Ray: Picture 'The letter R', framed
€440.00
Photolithograph in 3 colours with relief embossing on laid paper. Limited world edition of 5,000 copies, individually numbered and signed on the reverse. In a sophisticated silver solid wood frame with red bevelled passe-partout, glazed. Format 45 x 36 cm (H/W).
Marc Chagall: Picture 'Abenderinnerung' (1959), version framed in gold colour
€490.00
The romantic scene shows a dreamy pair of lovers against the night sky of the mountain town of Vence in the south of France. The bouquet of flowers and blossom tree shine brightly from the shimmering blue moonlit night, a fabulous bird rises from its top. 'Evening Memory' is one of Chagall's masterpieces from the late 1950s, which conveys a feeling of security in the enchanting blue and expresses the fairytale poetry between dream and reality. Reproduction in frequency-modulated printing process in 6 colours on 270g Rives laid paper. Limited edition of 7,500 copies. Sheet size 80 x 60 cm (H/W). © 1991 Cosmopress, Geneva. In gold-coloured solid wood frame, glazed. Format 87 x 67 cm (H/W).
Marc Chagall: Picture 'Abenderinnerung' (1959), version framed in silver colour
€490.00
The romantic scene shows a dreamy pair of lovers against the night sky of the mountain town of Vence in the south of France. The bouquet of flowers and blossom tree shine brightly from the shimmering blue moonlit night, a fabulous bird rises from its top. 'Evening Memory' is one of Chagall's masterpieces from the late 1950s, which conveys a feeling of security in the enchanting blue and expresses the fairytale poetry between dream and reality. Reproduction in frequency-modulated printing process in 6 colours on 270g Rives laid paper. Limited edition of 7,500 copies. Sheet size 80 x 60 cm (H/W). © 1991 Cosmopress, Geneva. In silver-coloured solid wood frame, glazed. Format 87 x 67 cm (H/W).
Marc Chagall: Picture 'Bouquet de Renoncules' (1968), unframed
€250.00
For Picasso, he was the undisputed master of colour, following in the footsteps of Renoir. He was also a great storyteller: Marc Chagall's work, with its imagery often fuelled by his roots in rural Eastern European Judaism, tells stories and speaks directly to the emotions of the viewer. The 'Bouquet de Renoncules' from 1968 is considered to be the artist's declaration of love to his second wife Valentina Brodsky. The farmhouse and fruit basket on the left refer to his home in Vitebsk in present-day Belarus, and it is probably also significant that Chagall has the iconographically obvious red rose surrounded by a wreath of yellow buttercups - the flower that gives the work its title can be found in many peasant gardens. Original: 1968, oil, gouache and pastel chalk on paper on canvas, 65 x 50.5 cm, Halcyon Gallery, London. This edition as a giclée facsimile on Hahnemühle watercolour paper Fine Art textured matt white 210g/sqm guarantees a special colour saturation and is absolutely lightfast. Print run of 980 copies. Unframed. Motif size 52 x 40 cm (H/W). Sheet size 62 x 50 cm (H/W). © 'Christie's Ltd'-Artothek / © VG Bild-Kunst, Bonn 2021. ars mundi exclusive edition.
Marc Chagall: Picture 'Bouquet de Renoncules' (1968), version framed in gold colour
€540.00
For Picasso, he was the undisputed master of colour, following in the footsteps of Renoir. He was also a great storyteller: Marc Chagall's work, with its imagery often fuelled by his roots in rural Eastern European Judaism, tells stories and speaks directly to the emotions of the viewer. The 'Bouquet de Renoncules' from 1968 is considered to be the artist's declaration of love to his second wife Valentina Brodsky. The farmhouse and fruit basket on the left refer to his home in Vitebsk in present-day Belarus, and it is probably also significant that Chagall has the iconographically obvious red rose surrounded by a wreath of yellow buttercups - the flower that gives the work its title can be found in many peasant gardens. Original: 1968, oil, gouache and pastel chalk on paper on canvas, 65 x 50.5 cm, Halcyon Gallery, London. This edition as a giclée facsimile on Hahnemühle watercolour paper Fine Art textured matt white 210g/sqm guarantees a special colour saturation and is absolutely lightfast. Print run 980 copies. Motif size 52 x 40 cm (H/W). Sheet size 62 x 50 cm (H/W). © 'Christie's Ltd'-Artothek / © VG Bild-Kunst, Bonn 2021. Framed in gold-coloured solid wood frame with passe-partout, glazed. Format 74.5 x 62.5 cm (H/W). ars mundi exclusive edition.
Marc Chagall: Picture 'Bouquet de Renoncules' (1968), version framed in silver colour
€540.00
For Picasso, he was the undisputed master of colour, following in the footsteps of Renoir. He was also a great storyteller: Marc Chagall's work, with its imagery often fuelled by his roots in rural Eastern European Judaism, tells stories and speaks directly to the emotions of the viewer. The 'Bouquet de Renoncules' from 1968 is considered to be the artist's declaration of love to his second wife Valentina Brodsky. The farmhouse and fruit basket on the left refer to his home in Vitebsk in present-day Belarus, and it is probably also significant that Chagall has the iconographically obvious red rose surrounded by a wreath of yellow buttercups - the flower that gives the work its title can be found in many peasant gardens. Original: 1968, oil, gouache and pastel chalk on paper on canvas, 65 x 50.5 cm, Halcyon Gallery, London. This edition as a giclée facsimile on Hahnemühle watercolour paper Fine Art textured matt white 210g/sqm guarantees a special colour saturation and is absolutely lightfast. Print run 980 copies. Motif size 52 x 40 cm (H/W). Sheet size 62 x 50 cm (H/W). © 'Christie's Ltd'-Artothek / © VG Bild-Kunst, Bonn 2021. Framed in silver-coloured solid wood frame with passe-partout, glazed. Format 71.5 x 59.5 cm (H/W). ars mundi exclusive edition.
Marc Chagall: Picture 'Fleurs sur fond rouge' (1970), framed
€480.00
Chagall and flowers: the circus, the cow, the horse, the cockerel, the man playing the violin - there is a whole arsenal of recurring pictorial motifs in Chagall's work that have long been the subject of comprehensive art historical analyses. Flowers are omnipresent in his works and occupied him throughout his life as a pictorial element, but also repeatedly as a motif for individual works. A particularly beautiful example are his flowers against a red background, which he created in 1970 - at the age of 83, when he would be granted another decade and a half to live and create. High-quality reproduction on watercolour paper. Sheet size 70 x 70 cm. © SABAM Belgium 2005 Photo Scala, Firenze. Framed in a sophisticated gold-coloured solid wood frame with bevel cut passe-partout, glazed. Size 79 x 79 cm.
Marc Chagall: Picture 'L'été', framed
€440.00
Detailed colour offset on high-quality watercolour paper. Sheet size 80 x 60 cm. © 1964 c/o Beeldrecht, Amsterdam 1994; Collection Christie's Images, London. Framed in an elaborate black and gold solid wood frame with bevelled mat, glazed. Size 86 x 66 cm (h/w).
Marc Chagall: Picture 'Le Bouquet et la Tour Eiffel', framed
€1,180.00
The Eiffel Tower is outshone by a luminous splendour of flowers. Original in private ownership. Elaborate, true-to-original 20-colour lithograph by 'Tête à Tête' Paris on 290g Arches-Velin laid paper. Facsimile signature of Chagall in relief embossing and control embossing seal of the ADAGP. © ADAGP, Paris. Limited edition of 450 copies, with certificate. Motif size 35 x 28 cm (H/W). Sheet size 42.7 x 32 cm (H/W). Framed in silver-coloured solid wood frame with passe-partout, glazed. Size 58.5 x 48.5 cm (H/W).
Marc Chagall: Picture 'Le Bouquet et la Tour Eiffel', unframed
€990.00
The Eiffel Tower is outshone by a luminous splendour of flowers. Original in private ownership. Elaborate, true-to-original 20-colour lithograph by 'Tête à Tête' Paris on 290g Arches-Velin laid paper. Facsimile signature of Chagall in relief embossing and control embossing seal of the ADAGP. © ADAGP, Paris. Limited edition of 450 copies, with certificate. Unframed. Motif size 35 x 28 cm (H/W). Sheet size 42.7 x 32 cm (H/W).
Marc Chagall: Picture 'Le Violoniste Bleu' (1947), framed
€450.00
Chagall's little night music: one of his most famous paintings, 'Le Violoniste Bleu', painted in 1947, is a magnificent example of his art: childhood memories from his Russian home village of Vitebsk are mixed with romantic motifs from Paris, the city of love. The laws of gravity are just as suspended in Chagall's work as central perspective or causality: the famous painter has the giant figure of the violinist hovering on a stool in the blue sky above the roofs of his home village of Vitebsk. The seat of the stool is folded into the picture plane. In contrast, the picture appears to be infinite in depth. A glowing bouquet of flowers appears beneath the moon, and three small birds settle on the flying musician. The moonlight bathes the scene in a silvery blue light, while the violinist plays a lovely night song to the world. Original in private ownership. ars mundi giclée facsimile in museum quality, captivating with its fine and faithful colour reproduction and extraordinary image sharpness. With a resolution of 1,440 dpi and its colour sensitivity, the giclée facsimile surpasses traditional printing processes. The 308g Hahnemühlen handmade paper guarantees exceptional colour saturation. Absolutely lightfast. Limited edition of 1,000 copies. ars mundi exclusive edition. Motif size 50 x 66 cm. Sheet size 60 x 80 cm. Framed in silver solid wood classic frame with passe-partout. Dustproof glazing. Format 67 x 87 cm.