In 1972, at the age of 79, Miró created a series of colour lithographs for his catalogue raisonné 'Lithograph I'. The world-famous motif 'Singing Fish' is one of the most beautiful of these motifs. Here Miró interprets the sea with its dancing life in his typical style. Winding fibres and drifting lines flow into the 'singing fish'. Succesion Miró - by SIAE 1999 Maestri Della Pittura. High-quality edition in fine art giclée process on paper. Framed in a handmade, black and gold-coloured solid wood frame, with dustproof glass. Format approx. 86 x 66 cm (H/W).
Original: 1906, oil on canvas, 62 x 94 cm, Institut Valencia d'Art Modern, Valencia. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, black and silver-coloured solid wood frame. Size 52 x 76 cm (H/W). ars mundi exclusive edition.
Original: 1906, oil on canvas, 62 x 94 cm, Institut Valencia d'Art Modern, Valencia. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Size 54 x 78 cm (H/W). ars mundi exclusive edition.
Original: 1909, oil on canvas, 205 x 200 cm, Museo Sorolla, Madrid. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, black and silver-coloured solid wood frame. Format 69 x 68 cm (H/W). ars mundi exclusive edition.
Original: 1909, oil on canvas, 205 x 200 cm, Museo Sorolla, Madrid. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Format 71 x 70 cm (H/W). ars mundi exclusive edition.
John William Waterhouse was one of the most popular artists of the Victorian era. In refined compositions of glowing colour, he transported the viewer into a romantic world of myths and legends, as in the 1908 masterpiece 'The Soul of the Rose'. Original: 1908, oil on canvas, 88.5 x 59 cm, private collection. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered and signed, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Format 65 x 45 cm (H/W). ars mundi exclusive edition.
Original aquatint etching on BFK Rives, edition of 75 copies numbered in Arabic + 25 copies numbered in Roman numerals (offered here) from a total of 274 copies, signed. WVZ Schellmann 285 B. Motif size/sheet size 56 x 76 cm (H/W). Framed In solid wood frame, glazed. Size 62 x 82 cm (H/W).
Original aquatint etching on BFK Rives, edition of 75 copies numbered in Arabic + 25 copies numbered in Roman numerals (offered here) from a total of 274 copies, signed. WVZ Schellmann 285 B. Unframed. Motif size/sheet size 56 x 76 cm (H/W).
To this day, it is perhaps Goethe's most famous portrait, and the 'Olympian' would have been quite happy with it: On 4 June 1828 - Stieler had been in Weimar for just over a week and had probably barely made it past the first sketches - Goethe wrote to Christian Friedrich Tieck: 'The royal Bavarian court painter Herr Stieler [has ... ] come a long way; it is not for me to speak and judge about it, but I may say this much, that I consider it very fortunate to see my memory preserved in this way.'Behind the 'Hofmahler Herr Stieler' is Joseph Karl Stieler (1781-1858), an important representative of classicist painting and famous for his works in the 'Schönheiten-Galerie' of the Munich Residence, which were commissioned by Ludwig I of Bavaria. This portrait was also commissioned by the Bavarian king; Goethe considered it an honour and an obligation to fulfil Ludwig's wish and sat as a model for Stieler, whom he soon came to appreciate as a highly educated conversationalist, for almost a whole month. Original: 1828, oil on canvas, 78 x 63.8 cm, Neue Pinakothek, Munich. Giclée edition by the renowned Dietz-Offizin with tactile and visible canvas structure, stretched directly onto artist's canvas using a stretcher, just like an original painting. Gold-coloured solid wood framing. Limited to 990 copies. Format 56 x 47 cm (H/W).
The French masterpieces of the 19th century from the Metropolitan Museum of Art in New York as guests in Berlin, Neue Nationalgalerie, from 1 June to 7 October 2007! Accompanying this exhibition, the most outstanding paintings of the exhibition were published in a limited edition of only 199 copies each: The high-quality museum reproductions were worked by hand on artist's canvas and stretched on stretcher frames. The structure of the canvas can be felt and seen. Relief-like brush textures are elaborately applied by hand. Exquisite solid wood framing emphasises the exclusive appearance. With a numbered limited edition certificate on the reverse.Original: oil on canvas, The Metropolitan Museum of Art, New York. High-quality reproduction in fine art giclée process directly on artist's canvas, stretched on stretcher frame. Limited edition of 199 copies. With solid wood museum framing. Format 49 x 82 cm (H/W).
A lyrical, romantic autumn impression by the Russian painter, who preferred to depict motifs from the local countryside. The foliage glows marvellously in numerous shades. Original: 1907, Peterhof Palace, Pedrodvorets, Russia. Edition on canvas, limited edition of 980 copies. Stretched on wooden stretcher. Numbered on the reverse. Framed in a high-quality black and gold solid wood frame. Format 71.5 x 54.5 cm (H/W). ars mundi exclusive edition.
Original: oil on canvas, 72.5 x 98.5 cm, privately owned. Edition transferred to artist's canvas using the fine art giclée process and stretched on a stretcher frame. Limited edition of 980 copies, numbered and signed, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Format approx. 43.5 x 58 cm (H/W). ars mundi exclusive edition.
After a precise study of nature, the Impressionist Hagemeister captures this atmospheric pond landscape of the Havelland in a large format and masterfully detailed reproduction. Original: 1902, oil on canvas, 154.5 x 236.5 cm, Bröhan-Museum, Berlin. Brilliant reproduction in fine art giclée process on artist's canvas made of 100% cotton, stretched on stretcher frame. In a handcrafted solid wood frame. Limited edition of 980 copies with numbered certificate on the reverse. Format approx. 56.5 x 85.5 cm (H/W). ars mundi exclusive edition.
Original: undated, oil on canvas, 73 x 119 cm, privately owned. The painting was produced using the fine art giclée process for brilliant colour reproduction. Artist's canvas made of pure cotton, stretched on a stretcher frame. In a handcrafted real wood frame. Limited edition of 499 copies. Size approx. 61.5 x 96.5 cm (H/W). ars mundi exclusive edition.
Original: 1915, oil on canvas, 100 x 148.5 cm, Landesmuseum für Kunst und Kulturgeschichte Oldenburg. Edition transferred to artist's canvas using the fine art giclée process and stretched on a stretcher frame. Limited edition of 980 copies, numbered and signed, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Size approx. 58 x 83 cm (H/W). ars mundi exclusive edition.
Ancient civilisations saw the water lily as a symbol of vitality and purity, and as early as 4000 BC it was regarded in Egypt as a symbol of world creation and rebirth: a predestined motif for Schmidt-Rottluff, who boldly broke new ground with his painting at a time when his art was considered degenerate. Original: Watercolour, Ziegler Collection, Mülheim a.d. Ruhr Art Museum. High-quality reproduction worked directly on canvas using the fine art giclée process and stretched on a stretcher frame. Limited edition of 499 copies. In handmade gallery framing. Format 69 x 89 cm (H/W).
Kazimir Malevich (1878-1935), Russian painter and founder of Suprematism, returned to a more figurative style in his late work. Original: 1928/29, oil on canvas, 83 x 62 cm, State Russian Museum, St. Petersburg. Reproduction on laid paper. Limited edition of 980 copies. Framed in silver solid wood frame with passe-partout, glazed. Size 73 x 54 cm (H/W).
Colourful abstraction meets the human figure. Kazimir Malevich (1878-1935), Russian painter and founder of Suprematism, returned to a more figurative style in his late work. Original: 1928/32, oil on canvas, 47 x 63.5 cm, State Russian Museum, St. Petersburg. Reproduction in fine art giclée process directly on artist's canvas and mounted on stretcher. Limited edition of 499 copies, numbered certificate on the reverse. Framed in a solid wood frame with shadow gap. Size 74 x 98 cm (H/W). ars mundi exclusive edition.
Original: 1913, oil on canvas, 32.5 x 32.5 cm, Vienna Leopold Museum, inv. no. 89. Edition in fine art giclée process on laid paper. Limited edition of 199 copies, numbered. Framed in a handcrafted, gold-coloured solid wood frame, glazed. Format approx. 44 x 44 cm. ars mundi exclusive edition.
Original: 1927, oil on canvas, 80 x 96 cm, Hattula Moholy-Nagy Collection. Brilliantly coloured fine art giclée on artist's canvas on stretcher frame. Fine solid wood framing with shadow gap. Limited to 499 copies, with certificate. Format 74 x 88 cm (H/W).
Original: 1926, oil on canvas, 75.8 x 96 cm, on loan from the Kurt and Ernst Schwitters Foundation Hanover, Sprengel Museum, Hanover. Brilliantly coloured fine art giclée on artist's canvas on stretcher frame. Fine solid wood framing with shadow gap. Limited to 499 copies, with certificate. Format 74 x 92.7 cm (H/W).
In this composition, Moholy-Nagy's style - recognisable by the striking surfaces and the technical, objective arrangement of geometric forms - is particularly rich in contrast. Original: 1925, mixed media on canvas, 96 x 77 cm, LWL-Museum für Kunst und Kultur, Münster, inv. no. 1097 LM. High-quality fine art pigment print on heavy Hahnemühle laid paper. Limited edition of 499 copies, numbered with certificate. Elegant framing in black silk matt with Munich gold and bevelled passe-partout, dust-proof glazing. Format approx. 58 x 49 cm (H/W). ars mundi exclusive edition.
Light, colour and form are the ingredients of this constructivist masterpiece.Original: 1924, distemper on canvas, 114 x 132 cm, Nationalgalerie, Berlin. Brilliantly coloured fine art giclée on artist's canvas on stretcher frame. Fine solid wood framing with shadow gap. Limited edition of 499 copies, numbered on the reverse. Format 70 x 84 cm (H/W). ars mundi exclusive edition.
