'Hans am Ende paints music', is how Rilke described his friend's painting. 'The colours of his landscapes begin as if they were waiting for the wave of an invisible baton. ...A whole orchestra gathers in the space of the frame. Original: 1897/98, oil on canvas, 70 x 120 cm, Kunsthalle Bremen. Edition on artist's canvas with linen structure, on wooden stretcher frame. Limited edition of 499 copies with numbered certificate on the reverse. Framed in black and gold solid wood moulding. Format 56 x 92 (H/W). ars mundi exclusive edition.
'Hans am Ende paints music', is how Rilke described his friend's painting. 'The colours of his landscapes begin as if they were waiting for the wave of an invisible baton. ...A whole orchestra gathers in the space of the frame. Original: 1897/98, oil on canvas, 70 x 120 cm, Kunsthalle Bremen. Edition on artist's canvas with linen structure, on wooden stretcher frame. Limited edition of 499 copies with numbered certificate on the reverse. Framed in gold-coloured solid wood frame. Size 60 x 96 (H/W). ars mundi exclusive edition.
The 'seascape' is a genre in its own right. Originating from the understandable pride of ownership of rich shipowners who wanted their ships to be depicted, over time it became a subject that fascinated great painters per se, even inspiring them to incredible artistic experiments - just think of William Turner. But modernism also loved ships and the sea. For example, the great pointillist Henri-Edmond Cross (1856-1910) and, a generation later, the 'unique' Paul Klee (1879-1940).Henri-Edmond Cross: 'Regatta': Sailboats off Saint Clair, Cap Nègre in the background. Original: 1895, oil on canvas, Sotheby's London, lot 40. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched on a stretcher. Limited edition of 499 copies, numbered, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Size 63 x 84 cm (H/W). ars mundi exclusive edition.
Alongside Paul Signac, Henri Edmond Cross (1856-1910) was a leading representative of Neo-Impressionism and a master of the pointillism technique, in which colours are juxtaposed in small dots or strokes. Both artists were inspired by the Mediterranean landscape of southern France and captured light and colour in intense, luminous compositions. Their works reflect the harmonious combination of nature, atmosphere and innovative painting technique.Original: 1896, oil on canvas, 54.6 x 61 cm (H/W), The Cleveland Museum of Art.Edition on canvas, stretched on stretcher. Limited edition of 980 copies, numbered and with certificate. Framed in a white and gold-coloured solid wood frame. Size approx. 63 x 69 cm (H/W). ars mundi exclusive edition.
Alongside Paul Signac, Henri Edmond Cross (1856-1910) was a leading representative of Neo-Impressionism and a master of the pointillism technique, in which colours are juxtaposed in small dots or strokes. Both artists were inspired by the Mediterranean landscape of southern France and captured light and colour in intense, luminous compositions. Their works reflect the harmonious combination of nature, atmosphere and innovative painting technique.Original: 1896, oil on canvas, 54.6 x 61 cm (H/W), The Cleveland Museum of Art.Edition on canvas, stretched on stretcher. Limited edition of 980 copies, numbered and with certificate. Framed in natural-coloured solid wood frame. Size approx. 59 x 65 cm (H/W). ars mundi exclusive edition.
Original: 1882, oil on canvas. Musée d'Orsay, Paris. For a brilliant, authentic reproduction, this painting was transferred directly onto artist's canvas using the Fine Art Giclée process and mounted on a wooden stretcher frame like an original oil painting. Limited edition of 499 copies. The golden framing emphasises the exclusive appearance. With numbered limited edition certificate on the reverse. Format 55.4 x 69.5 cm (H/W).
Henri Manguin found his inspiration above all on the Côte d'Azur in the village of Cavalière. His landscape depictions were given a vivid expression by a very special muse: his wife Jeanne, whom he painted in numerous motifs. Original: 1905/1906, oil on canvas, 61 x 50 cm, Kunsthalle Bielefeld. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a black and gold solid wood frame. Format 66.5 x 54.5 cm (H/W). ars mundi exclusive edition.
Henri Manguin found his inspiration above all on the Côte d'Azur in the village of Cavalière. His landscape depictions were given a vivid expression by a very special muse: his wife Jeanne, whom he painted in numerous motifs. Original: 1905/1906, oil on canvas, 61 x 50 cm, Kunsthalle Bielefeld. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a white and gold solid wood frame. Format 68 x 56 cm (H/W). ars mundi exclusive edition.
Original: 1907, privately owned. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a black and gold solid wood frame. Format 56.5 x 68.5 cm (H/W). ars mundi exclusive edition.
Original: 1907, privately owned. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a white and gold solid wood frame. Size 58 x 70 cm (H/W). ars mundi exclusive edition.
It is not the real jungle that Henri Rousseau wanted to depict here. Instead, the subject appears dreamlike and is entirely determined by his fascination with the richness of form and colour in nature. It is one of his last works and shows why the autodidact and full-time publican went down in art history as the forefather of 'naive' painting and magical realism. Original: 1910, oil on canvas, Kunstmuseum Basel. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 499 copies, numbered, with certificate. Framed in a handcrafted, black and silver-coloured solid wood frame. Size 56 x 78 cm (H/W). ars mundi exclusive edition.
The work 'The Flamingos (Les Flamants)' from 1907 belongs to Henri Rousseau's famous series of jungle paintings, in which he illustrated his idea of a paradise in exotic worlds. It shows the wild nature and gentle beauty of a tropical river landscape in the artist's typical naive style. Original: 1907, oil on canvas, 114 x 163.3 cm, Collection of Joan Whitney Payson, New York. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered and signed, with certificate. Framed in a handcrafted, black and silver-coloured solid wood frame. Size 58 x 81 cm (H/W). ars mundi exclusive edition.
Original: 1868/70, oil on canvas, 52.2 x 32.8 cm, Munich, Neue Pinakothek. High-quality edition on canvas, stretched on stretcher. Limited edition of 980 copies. Framed in a black and silver solid wood frame. Size approx. 68.5 x 48.5 cm (H/W). ars mundi exclusive edition.
A masterpiece of Abstract Expressionism. Pollock gave the style of Action Painting a completely new dimension. Original: lacquer colour on chalk ground on paper, Yale University, New Haven (Connecticut), USA. High-quality reproduction on artist's canvas, stretched on stretcher frame. Framed in a high-quality solid wood shadow gap moulding. Size 57 x 76 cm (H/W).
Original: The Metropolitan Museum of Art, New York. High-quality reproduction in fine art giclée process directly on canvas, stretched on stretcher frame. Limited edition of 199 copies. With solid wood museum framing. Size 67 x 83 cm (H/W).
Colour offset after the 1988 work of the same name, published by Acte III s. a. Belgium. Printed in Belgium. Sheet size 70 x 90 cm (H/W). Framed in black and silver solid wood moulding, glazed. Format approx. 74.6 x 94.6 cm (H/W). @ SABAM Belgium 2006.
The French masterpieces of the 19th century from the Metropolitan Museum of Art in New York as guests in Berlin, Neue Nationalgalerie, from 1 June to 7 October 2007! Accompanying this exhibition, the most outstanding paintings of the exhibition were published in a limited edition of only 199 copies each: The high-quality museum reproductions were worked by hand on artist's canvas and stretched on stretcher frames. The structure of the canvas can be felt and seen. Relief-like brush textures are elaborately applied by hand. Exquisite solid wood framing emphasises the exclusive appearance. With a numbered limited edition certificate on the reverse.Original: oil on canvas, The Metropolitan Museum of Art, New York. High-quality reproduction in fine art giclée process directly on artist's canvas, stretched on stretcher frame. Limited edition of 199 copies. With solid wood museum framing. Format 55 x 69 cm (H/W).
Miró's fascinating symbolic imagery, characterised by abstraction, unfolds an archaic power of expression that speaks to us directly. High-quality colour lithograph on laid paper, signed. Limited edition of 3,000 copies. Motif size/sheet format 20 x 40 cm (H/W). Framed in sophisticated solid wood moulding in black with Prague silver, with acid-free bevelled passe-partout, glazed. Format approx. 36 x 56 cm (H/W).
Carefully reproduced in particularly high-resolution and brilliant quality after Joan Miró's original lithograph. ars mundi exclusive edition on 200g Chagall-Insize, limited edition of 750 copies, not numbered. Framed with bevelled mat in silver solid wood strip, dustproof glass. Format 39 x 45 cm.
High-quality reproduction on Prestige paper, framed in sophisticated solid wood moulding in black with Prague silver, dust-proof glazing with acid-free bevelled passe-partout and picture glass. Motif approx. 45 x 37 cm. Format framed approx. 73 x 63 cm (H/W).
