Max Liebermann: Picture 'Gartenlokal an der Havel' (1932), framed
€430.00
Max Liebermann found many of his open-air motifs in the neighbourhood of his native city of Berlin. As the most important German Impressionist artist, he painted bourgeois society and nature with more passionate strokes and more striking areas of light and colour. Original: 1932, oil on canvas, 54 x 75 cm, privately owned. Edition transferred to artist's canvas using the fine art giclée process and stretched on a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Format approx. 53 x 71 cm (H/W). ars mundi exclusive edition.
Max Liebermann: Picture 'Gartenlokal an der Havel' (1934), framed
€450.00
Max Liebermann found many of his open-air motifs in the neighbourhood of his native city of Berlin. As the most important German Impressionist artist, he painted bourgeois society and nature with more passionate strokes and more striking areas of light and colour. Original: 1934, oil on canvas, 40.6 x 50.5 cm, privately owned. Edition on artist's canvas with linen structure on wooden stretcher frame. Limited edition of 980 copies, numbered certificate on the reverse. Framed in a white and gold solid wood frame. Size 61 x 74 cm (H/W).
Max Liebermann: Picture 'Im Tiergarten Berlin' (around 1920), framed
€520.00
Original: around 1920, privately owned. For a brilliant, authentic reproduction, the original was transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies with numbered certificate on the reverse. Framed in a golden solid wood frame with hammered metal. Format approx. 60 x 73 cm (H/W). ars mundi exclusive edition.
Max Liebermann: Picture 'Munich Beer Garden' (1884), framed
€420.00
On a sunny spring day in Munich in 1884, the beer gardens with their typically hospitable and idyllic atmosphere invited people to linger. Liebermann could not escape this either and was inspired by the colourful hustle and bustle around him. Original: Oil on wood, Neue Pinakothek Munich. High-quality reproduction worked by hand on artist's canvas using the fine art giclée process and traditionally stretched on a wooden stretcher frame. The motif surface with a tangible and visible canvas structure emphasises the painting-like effect. Sealed with artist's varnish. In handcrafted real wood gallery framing in black with gold edging, matt patina. Limited edition of 499 copies, with numbered certificate on the reverse. Format 75 x 54 cm (H/W). ars mundi exclusive edition.
Max Liebermann: Picture 'On the beach at Noordwijk' (1908), framed
€430.00
Original: 1908, oil on canvas, 54.5 x 72.5 cm, privately owned. Edition transferred to artist's canvas using the fine art giclée process and stretched on a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Format approx. 53 x 68 cm (H/W). ars mundi exclusive edition.
Max Liebermann: Picture 'Restaurant De Oude Vinck in Leiden' (1905), framed
€440.00
Original: 1905, oil on canvas, Kunsthaus Zurich. High-quality reproduction, worked on artist's canvas and stretched on solid wood stretcher frame. Limited edition of 499 copies. In handmade gallery framing. Size 54 x 69 cm (H/W).
Max Liebermann: Picture 'Rider and Rider on the Beach' (1903), framed
€580.00
Original: oil on canvas. Wallraf-Richartz-Museum, Cologne. Fine art giclée on artist's canvas. Stretched like an original painting on a wooden stretcher (adjustable with wedges for re-stretching). In a handcrafted solid wood frame, shaded copper-brown. Limited edition of 499 copies, numbered on the reverse. Format 78 x 56 cm. ars mundi exclusive edition.
Max Liebermann: Picture 'Terrasse im Restaurant Jacob' (1902-03), version framed in black and silver colour
€540.00
Liebermann spent July 1902 in Hamburg at the invitation of Alfred Lichtwark, the first director of the Kunsthalle. He was commissioned by the Kunsthalle to find and realise motifs in the Hanseatic city. He found this one right on his doorstep, so to speak: Liebermann stayed at the Hotel Jacob on the Elbchaussee.original: Oil on canvas. Fine art giclée on artist's canvas made of 100% cotton. Stretched like an original painting on a wooden stretcher frame (adjustable with wedges for re-stretching). Framed in a handcrafted, black and silver-coloured solid wood frame. Limited edition of 499 copies with numbered certificate on the reverse. Format 66 x 92 cm (H/W). ars mundi exclusive edition.
Max Liebermann: Picture 'Terrasse im Restaurant Jacob' (1902-03), version framed in white and gold colour
€540.00
Liebermann spent July 1902 in Hamburg at the invitation of Alfred Lichtwark, the first director of the Kunsthalle. He was commissioned by the Kunsthalle to find and realise motifs in the Hanseatic city. He found this one right on his doorstep, so to speak: Liebermann stayed at the Hotel Jacob on the Elbchaussee.original: Oil on canvas. Fine art giclée on artist's canvas made of 100% cotton. Stretched like an original painting on a wooden stretcher frame (adjustable with wedges for re-stretching). Framed in a handcrafted, white-gold-coloured solid wood frame. Limited edition of 499 copies with numbered certificate on the reverse. Format 66 x 92 cm (H/W). ars mundi exclusive edition.
Max Liebermann: Picture 'The Beach, Scheveningen' (1900), version framed in black and gold colour
€460.00
Max Liebermann (1847-1935) was impressed by the Dutch North Sea coast, which he travelled to repeatedly around the turn of the century until 1913 and captured in vivid colours and with lively strokes. Initially in Zandvoort, later in Scheveningen and Noordwijk, he not only discovered the vast sea and the dunes for himself, but also the sophisticated beach life with its bathers and strollers. Original: 1900, oil on cardboard, 32.4 x 40 cm, privately owned. High-quality fine art giclée edition on Hahnemühle genuine laid watercolour paper. Limited edition of 980 copies, numbered with certificate. Motif size approx. 45 x 55.5 cm (H/W). Sheet size approx. 55 x 65.5 cm (H/W). Dust-tight glazing and framed in handcrafted, black and gold-coloured solid wood frame with passe-partout. Format approx. 61 x 72 cm (H/W). ars mundi exclusive edition.
Max Liebermann: Picture 'The Beach, Scheveningen' (1900), version framed in silver colour
€460.00
Max Liebermann (1847-1935) was impressed by the Dutch North Sea coast, which he travelled to repeatedly around the turn of the century until 1913 and captured in vivid colours and with lively strokes. Initially in Zandvoort, later in Scheveningen and Noordwijk, he discovered not only the vast sea and the dunes for himself, but also the sophisticated beach life with its bathers and strollers. Original: 1900, oil on cardboard, 32.4 x 40 cm, privately owned. High-quality fine art giclée edition on Hahnemühle genuine laid watercolour paper. Limited edition of 980 copies, numbered with certificate. Motif size approx. 45 x 55.5 cm (H/W). Sheet size approx. 55 x 65.5 cm (H/W). Dust-tight glazing and framed in handcrafted, silver-coloured solid wood frame with passe-partout. Format approx. 59 x 69.5 cm (H/W). ars mundi exclusive edition.
Max Liebermann: Picture 'The Garden Bench' (1916), framed
€550.00
Original: oil on canvas. National Gallery SMB, Berlin. High-quality reproduction worked directly on canvas using the fine art giclée process and stretched on a stretcher frame. Limited edition of 499 copies, with numbering and certificate on the reverse. In handmade gallery framing. Format 78 x 98 cm (H/W). Exclusively at ars mundi.
Max Liebermann: Picture 'The Parrot Man' (1902), framed
€420.00
Original: 1902, oil on canvas, 102.5 x 72.5 cm, Museum Folkwang, Essen. For a brilliant, authentic reproduction, the original was transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies with numbered certificate on the reverse. Framed in a black and gold solid wood frame. Format 65 x 47 cm (H/W). ars mundi exclusive edition.
Max Liebermann: Picture 'Wannsee Landscape' (1924), framed
€520.00
For a brilliant, authentic reproduction, the original artwork was transferred directly onto artist's canvas using the fine art giclée process and mounted on a stretcher frame. Limited edition of 980 copies, with certificate. Framed in a handcrafted, golden solid wood frame with hammered metal. Format approx. 60 x 73 cm (H/W).
Max Pechstein: Picture 'Am Strom im Winter (Leba)' (1922), version framed in black
€580.00
A large number of Max Pechstein's most important landscape paintings were created on the Baltic Sea. Max Pechstein travelled there repeatedly over the decades. For example to the Curonian Spit, where he lived and worked for weeks and months on six occasions as a member of the Nidden artists' group. Or to Pomerania, where in 1921 he discovered the landscape around the small town of Leba with its eponymous 'city river' in the old Kashubia (today the Pomeranian Voivodeship) not far from Gdansk. Original: 1922, oil on canvas, 80 x 100 cm, National Gallery Prague. Brilliant reproduction in fine art giclée process on artist's canvas made of 100% cotton, stretched on stretcher. Limited edition of 199 copies with numbered certificate on the reverse. Framed in a black solid wood frame. Format 61.5 x 75 cm (H/W). ars mundi exclusive edition. © 2022 Pechstein Hamburg / Preetz.
Max Pechstein: Picture 'Am Strom im Winter (Leba)' (1922), version framed in gold colour
€580.00
A large number of Max Pechstein's most important landscape paintings were created on the Baltic Sea. Max Pechstein travelled there repeatedly over the decades. For example to the Curonian Spit, where he lived and worked for weeks and months on six occasions as a member of the Nidden artists' group. Or to Pomerania, where in 1921 he discovered the landscape around the small town of Leba with its eponymous 'city river' in the old Kashubia (today the Pomeranian Voivodeship) not far from Gdansk. Original: 1922, oil on canvas, 80 x 100 cm, National Gallery Prague. Brilliant reproduction in fine art giclée process on artist's canvas made of 100% cotton, stretched on stretcher. Limited edition of 199 copies with numbered certificate on the reverse. Framed in a gold-coloured solid wood frame. Size 63 x 76.5 cm (H/W). ars mundi exclusive edition. © 2022 Pechstein Hamburg / Preetz.
Max Pechstein: Picture 'Aufgezogene Keitelkähne' (1939), version framed in black
€580.00
Over a period of 30 years, Max Pechstein repeatedly spent his summers on the Curonian Spit. As a member of the Nidden artists' colony, he went out and painted portraits of the Curonian landscape and the people living there - he admired both in equal measure. His work 'Aufgezogene Keitelkähne' dates from his last stay in Nidden in 1939. Two years earlier, he had been expelled from the Prussian Academy of Arts; his works were now considered 'degenerate art'. But none of this could take away his love for the Curonian Spit. Brilliant reproduction in fine art giclée process on artist's canvas made of 100% cotton, mounted on stretcher frame. Limited edition of 199 copies with numbered certificate on the reverse. Framed in a black solid wood frame. Format 53 x 66 cm (H/W). © 2022 Pechstein Hamburg / Preetz.
Max Pechstein: Picture 'Aufgezogene Keitelkähne' (1939), version framed in gold colour
€580.00
Over a period of 30 years, Max Pechstein repeatedly spent his summers on the Curonian Spit. As a member of the Nidden artists' colony, he went out and painted portraits of the Curonian landscape and the people living there - he admired both in equal measure. His work 'Aufgezogene Keitelkähne' dates from his last stay in Nidden in 1939. Two years earlier, he had been expelled from the Prussian Academy of Arts; his works were now considered 'degenerate art'. But none of this could take away his love for the Curonian Spit. Brilliant reproduction in fine art giclée process on artist's canvas made of 100% cotton, mounted on stretcher frame. Limited edition of 199 copies with numbered certificate on the reverse. Framed in a handcrafted, gold-coloured solid wood frame. Format 56 x 69 cm (H/W). © 2022 Pechstein Hamburg / Preetz.
Max Pechstein: Picture 'Evening Clouds' (1922), framed
€580.00
'The Curonian colours are blue and green, a lot of blue [...] everything is very picturesque', Pechstein reported as early as 1909. The Baltic Sea village, presumably autumnal in view of the hay harvest, is arched over by sunlit, luminous clouds. Original: oil on canvas. On loan from a private collection, Reiss-Engelhorn-Museum, Mannheim, © 2022 Pechstein Hamburg / Preetz. Giclée on canvas. Framed in a handcrafted solid wood frame. Limited edition of 199 copies. With numbered certificate on the reverse. Size approx. 61 x 75 cm (H/W). ars mundi exclusive edition.
Max Pechstein: Picture 'Flusslandschaft' (around 1907), version framed in black and gold colour
€580.00
Among the Brücke painters, Max Pechstein was the only one who had an academic education. He completed his studies at the Academy of Art in Dresden in 1906 and was also honoured with the Saxon State Prize. He was the most successful during his membership of Brücke (1906-1912): art critics and the press liked to emphasise his works on the occasion of Brücke exhibitions (and Franz Marc jokingly called his fellow painter 'the little Napoleon of Berlin artists'). The State Prize (also known as the 'Rome Prize' because it included a three-month stay in the eternal city) enabled Pechstein to travel extensively the following year, taking him beyond Rome to Florence and Ravenna. He subsequently visited Paris, where he discovered Cézanne, Gauguin and Matisse in particular. Both the southern Italian sun and his encounter with the French Post-Impressionists left their mark on his 'River Landscape'. Original: c. 1907, oil on canvas, 53 x 68 cm, Museum Folkwang, Essen. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 199 copies, numbered, with certificate. Framed in a handcrafted, black and gold-coloured solid wood frame. Format 56.5 x 70.5 cm (H/W). ars mundi exclusive edition. Museum Folkwang Essen - ARTOTHEK. © 2022 Pechstein Hamburg / Preetz.
Max Pechstein: Picture 'Flusslandschaft' (around 1907), version framed in black and silver colour
€580.00
Among the Brücke painters, Max Pechstein was the only one who had an academic education. He completed his studies at the Academy of Art in Dresden in 1906 and was also honoured with the Saxon State Prize. He was the most successful during his membership of Brücke (1906-1912): art critics and the press liked to emphasise his works on the occasion of Brücke exhibitions (and Franz Marc jokingly called his fellow painter 'the little Napoleon of Berlin artists'). The State Prize (also known as the 'Rome Prize' because it included a three-month stay in the eternal city) enabled Pechstein to travel extensively the following year, taking him to Florence and Ravenna as well as Rome. He subsequently visited Paris, where he discovered Cézanne, Gauguin and Matisse in particular. Both the southern Italian sun and his encounter with the French Post-Impressionists left their mark on his 'River Landscape'. Original: c. 1907, oil on canvas, 53 x 68 cm, Museum Folkwang, Essen. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 199 copies, numbered, with certificate. Framed in a handcrafted, black and silver-coloured solid wood frame. Format 56.5 x 70.5 cm (H/W). ars mundi exclusive edition. Museum Folkwang Essen - ARTOTHEK. © 2022 Pechstein Hamburg / Preetz.
Max Pechstein: Picture 'Harbour of Leba' (around 1922), version framed in black and gold
€580.00
Member of the 'Brücke' and the 'Berliner Secession', co-founder and president of the 'Neue Secession', from 1923 also of the Prussian Academy of Arts and professor. Max Pechstein's rise was unmistakable. But then: loss of his professorial status in 1933, expulsion from the Academy in 1937, the condemnation of 'degenerate art', economic hardship, destruction of many works due to the effects of war. It was only in his later years after 1945 that he was recognised again. Max Pechstein truly led an eventful life as an artist. But there was one constant, a safe harbour if you will, in all this turmoil: For more than two decades, from 1921-1945, he managed to spend his summers painting in Hinterpommern. We owe many of his most beautiful landscape works to these stays, such as his 'Harbour of Leba', which he painted on his second visit and which was to be followed by many more. Original: c. 1922, oil on canvas, 80 x 100 cm, Stedelijk Museum, Amsterdam, inv. no. B403. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 199 copies, numbered, with certificate. Stretcher frame format 52 x 66 cm (H/W). Framed in a black and gold-coloured solid wood frame. Size 58.5 x 72.5 cm (H/W). ars mundi exclusive edition. © 2022 Pechstein Hamburg / Berlin.
Max Pechstein: Picture 'Harbour of Leba' (around 1922), version framed in black and silver
€580.00
Member of the 'Brücke' and the 'Berliner Secession', co-founder and president of the 'Neue Secession', from 1923 also of the Prussian Academy of Arts and professor. Max Pechstein's rise was unmistakable. But then: loss of his professorial status in 1933, expulsion from the Academy in 1937, the condemnation of 'degenerate art', economic hardship, destruction of many works due to the effects of war. It was only in his later years after 1945 that he was recognised again. Max Pechstein truly led an eventful life as an artist. But there was one constant, a safe harbour if you will, in all this turmoil: For more than two decades, from 1921-1945, he managed to spend his summers painting in Hinterpommern. We owe many of his most beautiful landscape works to these stays, such as his 'Harbour of Leba', which he painted on his second visit and which was to be followed by many more. Original: c. 1922, oil on canvas, 80 x 100 cm, Stedelijk Museum, Amsterdam, inv. no. B403. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 199 copies, numbered, with certificate. Stretcher frame format 52 x 66 cm (H/W). Framed in a black and silver-coloured solid wood frame. Size 58.5 x 72.5 cm (H/W). ars mundi exclusive edition. © 2022 Pechstein Hamburg / Berlin.
Max Pechstein: Picture 'House on the Curonian Spit' (1909), version framed in black and gold colour
€580.00
Max Pechstein (1881-1955) was soon recognised by the public as an outstanding member of 'Die Brücke', indeed as its leading Expressionist, after he joined in 1906. He was also its most successful member, which led to a break in his artistic development: in 1912 he joined the Berlin Secession - an open affront to the painters of the 'Brücke'. The 'House on the Curonian Spit' dates from Pechstein's Brücke period. In terms of motif, however, it also points far ahead into his painterly biography, as it was created during his very first of many visits to the artists' colony of Nidden on the Curonian Spit, where he repeatedly devoted himself to maritime motifs and landscapes. Original: 1909, oil on canvas, 50 x 50 cm, privately owned. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 199 copies, numbered, with certificate. © 2022 Pechstein Hamburg / Preetz. Framed in a handcrafted, black and gold-coloured solid wood frame. Format 61.5 x 61.5 cm. ars mundi exclusive edition.