The three most famous German Impressionists Lovis Corinth, Max Liebermann and Max Slevogt all shared a love of nature and plein-air painting. As the driving forces behind the Berlin Secession, they revolutionised art during the German Empire. In 1917, Slevogt was put in charge of a master studio for painting at the Academy of Arts in the capital. In addition to his stage designs, he focussed particularly on landscape painting. Original: oil on canvas Städel Museum, Frankfurt am Main. Brilliant, authentic reproduction in fine art giclée process directly on artist's canvas made of 100% cotton, mounted on a stretcher frame. In handmade, whitewashed gallery framing. Limited edition of 499 copies, with numbered certificate on the reverse. Format 69 x 57 cm. Exclusively at ars mundi.
Max Slevogt (1868-1932) is often counted among the great German Impressionists along with Lovis Corinth and Max Liebermann. The fact that this simple attribution should be treated with caution became clear in 2018, when a major exhibition at the Landesmuseum Hannover presented the wide range of his work - as a painter, graphic artist, illustrator and stage designer - to mark his 150th birthday. According to Frank G. Kurzhals in 'Weltkunst', it finally showed him as an 'equilibrist between styles' and as a representative of 'an art that not only reproduces the visible, but also endeavours to make it visible'. The following work 'Blumenstillleben im Freien' was also exhibited; it comes from the Landesmuseum's collection. Original: 1917, oil on canvas, size 63 x 82.5 cm (H/W), property of the City of Hanover. Brilliant, authentic edition in a limited edition of 980 copies with numbered certificate on the reverse. Fine art giclée on 100% cotton artist's canvas, stretched on wooden stretcher frame. Framed in black and gold solid wood moulding. Size 53 x 68 cm (H/W). ars mundi exclusive edition.
Max Slevogt (1868-1932) is often counted among the great German Impressionists along with Lovis Corinth and Max Liebermann. The fact that this simple attribution should be treated with caution became clear in 2018, when a major exhibition at the Landesmuseum Hannover presented the wide range of his work - as a painter, graphic artist, illustrator and stage designer - to mark his 150th birthday. According to Frank G. Kurzhals in 'Weltkunst', it finally showed him as an 'equilibrist between styles' and as a representative of 'an art that not only reproduces the visible, but also endeavours to make it visible'. The following work 'Blumenstillleben im Freien' was also exhibited; it comes from the Landesmuseum's collection. Original: 1917, oil on canvas, size 63 x 82.5 cm (H/W), property of the City of Hanover. Brilliant, authentic edition in a limited edition of 980 copies with numbered certificate on the reverse. Fine art giclée on artist's canvas made of 100% cotton, stretched on wooden stretcher frame. Framed in white and gold solid wood moulding. Size 55 x 69 cm (H/W). ars mundi exclusive edition.
Max Slevogt (1868-1932) is often counted among the great German Impressionists along with Lovis Corinth and Max Liebermann. The fact that this simple attribution should be treated with caution became clear in 2018, when a major exhibition at the Landesmuseum Hannover presented the wide range of his work - as a painter, graphic artist, illustrator and stage designer - to mark his 150th birthday. According to Frank G. Kurzhals in 'Weltkunst', it finally showed him as an 'equilibrist between styles' and as a representative of 'an art that not only reproduces the visible, but also attempts to make it visible'. The following work 'The Parrot Man' was also exhibited; it comes from the Landesmuseum's collection. Original: 1901, oil on canvas, size 81 x 61 cm (H/W), property of the City of Hanover. Brilliant, authentic edition in a limited edition of 980 copies with numbered certificate on the reverse. Fine art giclée on artist's canvas made of 100% cotton, stretched on wooden stretcher frame. Framed in white and gold solid wood moulding. Size 68 x 55 cm (H/W). ars mundi exclusive edition.
Original: 1905, oil on canvas, 58.5 x 76 cm, Museum Berlin, SMB, Nationalgalerie Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 499 copies, numbered, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Size approx. 58 x 72 cm (H/W). ars mundi exclusive edition.
ars mundi exclusive edition, limited edition of 980 copies each, reproduced on handmade, heavy Dalí Insize. Due to the high resolution and the excellent paper quality, the colours are particularly brilliant. Sheet size 30 x 40 cm each. Framed in silver solid wood classic moulding, dust-proof glazing. Format 34 x 44 cm each. All four Kokoschka summer bouquets in a set: 'Sommerblumenstrauß mit Mannstreu', 1969; 'Sommerblume mit Iris und Pfingstblume', 1971; 'Sommerblumen im Glaskrug', 1969; 'Sommerblumen mit Rosen', 1969.
ars mundi exclusive edition, limited edition of 980 copies, reproduced on handmade, heavy Dalí Insize. Due to the high resolution and the excellent paper quality, the colours are particularly brilliant. Sheet size 30 x 40 cm. Framed in silver solid wood classic moulding, dust-proof glazing. Format 34 x 44 cm.
Original collotype from the 1960s from the historic Max Jaffé press after the painting from the National Gallery, Prague. Printed in up to 12 colours on heavy collotype board. Limited edition of 600 copies. Sheet size 78.5 x 59.5 cm. Frame with exclusive 'Prague Gold' solid wood moulding. With bevelled passe-partout, dust-proof glazing. Format 74 x 91 cm.
ars mundi exclusive edition, limited edition of 980 copies, reproduced on handmade, heavy Dalí Insize. Due to the high resolution and the excellent paper quality, the colours are particularly brilliant. Sheet size 30 x 40 cm. Framed in silver solid wood classic moulding, dust-proof glazing. Format 34 x 44 cm.
ars mundi exclusive edition, limited edition of 980 copies, reproduced on handmade, heavy Dalí Insize. Due to the high resolution and the excellent paper quality, the colours are particularly brilliant. Sheet size 30 x 40 cm. Framed in silver solid wood classic moulding, dust-proof glazing. Format 34 x 44 cm.
ars mundi exclusive edition, limited edition of 980 copies, reproduced on handmade, heavy Dalí Insize. Due to the high resolution and the excellent paper quality, the colours are particularly brilliant. Sheet size 30 x 40 cm. Framed in silver solid wood classic moulding, dust-proof glazing. Format 34 x 44 cm.
Exclusively at ars mundi, we offer you this outstanding work by Koller as a colourful giclée on laid paper. Due to the high resolution and the excellent paper quality, the colours are particularly brilliant.giclée on laid paper. Limited edition of 299 copies. Sheet size 51 x 42 cm (H/W). Framed in sophisticated solid wood moulding, dust-proof glazing. Format 56 x 46 cm (H/W).
Exclusively at ars mundi, we offer you this outstanding work by Koller as a colourful giclée on laid paper. Due to the high resolution and the excellent paper quality, the colours are particularly brilliant.giclée on laid paper. Limited edition of 299 copies. Unframed. Sheet size 51 x 42 cm (H/W).
Exclusively at ars mundi, we offer you this outstanding work by Koller as a colourful giclée on laid paper. Due to the high resolution and the excellent paper quality, the colours are particularly brilliant.giclée on laid paper. Limited edition of 299 copies. Sheet size 51 x 42 cm (H/W). Framed in sophisticated solid wood moulding, dust-proof glazing. Format 56 x 46 cm (H/W).
Original: 1942, oil on canvas, 79.8 x 70 cm, inv. no. 998 LM, LWL-Museum für Kunst und Kultur, Münster. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 100 copies, numbered, with certificate. Published in collaboration with the LWL-Museum für Kunst und Kultur, Münster. Photo: LWL-MKuK/Hanna Neander. Framed in a white and gold-coloured solid wood frame. Format 73 x 65 cm (H/W). ars mundi exclusive edition.
Original: 1931/32, watercolour and ink over pencil on writing paper with linen embossing, 27.7 x 21.9 cm, privately owned, private collection. High-quality reproduction on heavy Hahnemühle laid watercolour paper. Limited edition of 499 copies. With numbered certificate on the reverse. Framed in fine solid wood framing in satin black with Munich silver. With bevelled edge passe-partout, dustproof glazing. Format approx. 69 x 58 cm (H/W).
