Theo van Doesburg founded 'De Stijl' together with Piet Mondrian in 1917 and formulated a highly reduced concept of art based on rational, mathematical principles, which he called 'Concretism'. Gicleé on canvas, stretched on stretcher frame. Limited edition of 499 copies, with numbered certificate on the reverse. In high-quality shadow gap moulding. Size 82 x 75 cm (H/W).
Original serigraph on Arches laid paper. Limited edition of 40 copies, numbered and signed by hand, inscribed F. V. for the Fondation Vasarely. Motif size 65 x 62 cm (H/W). Sheet size 81 x 76 cm (H/W). Framed in a handcrafted, silver-coloured solid wood frame with bevelled mat, glazed. Format 87 x 81 cm (H/W).
Original serigraph on Arches laid paper. Limited edition of 40 copies, numbered and signed by hand, inscribed F. V. for the Fondation Vasarely. Unframed. Motif size 65 x 62 cm (H/W). Sheet size 81 x 76 cm (H/W).
Vasarely was inspired to create this gold-dominated glossy foil picture from the 1970s by the newly constructed space telescopes and observatories: For the first time, it was possible to photograph distant galaxies and constellations. This original glossy foil colour print on cardboard was edited and produced in Neuchâtel/Switzerland in the 1970s. Atmospherically framed in softly shimmering golden solid wood moulding with a brushed surface. Frame size 68 x 68 cm.
The last years of Vincent van Gogh's life were characterised by enormous productivity. Hundreds of paintings, sketches and preliminary studies were created. It was not least this 'creative explosion' in his late work that made van Gogh one of the most important artists of his time, even if this was only recognised after his death. Van Gogh never painted a seasonal cycle - a common theme in art history - as a coherent subject. However, it can easily be convincingly compiled from the large number of landscape paintings from the last years of his life, as van Gogh was practically constantly travelling with sketchpad, canvas and palette in the landscapes of southern France at this time and was fascinated by the changeability of nature over the course of the seasons. Editions on laid paper-like, heavy 250g Gmund Tactile. Framed In gold-coloured solid wood frames, glazed. Size 37 x 44 cm (H/W) each. ars mundi exclusive edition. 'Fishing in Spring' (1887): Original: oil on canvas, 49 x 58 cm, Art Institute Chicago. 'Blooming Garden with Path' (1888): Original: oil on canvas, 72 x 92 cm, Gemeentemuseum, The Hague. 'The Red Vineyard in Arles' (1888): Original: oil on canvas, 75 x 93 cm, Pushkin Museum, Moscow. 'Starry Night' (1889): Original: oil on canvas, 73.7 x 92.1 cm, Museum of Modern Art, New York. All 4 paintings in a set.
Van Gogh's most famous paintings were created during his time in Arles. All the luminosity of the sun is in them: Fields, trees and clouds speak impressively of the power of nature. Original: 1888, oil on canvas, 61 x 50 cm, Pommersches Landesmuseum, Greifswald. High-quality reproduction in fine art giclée process on artist's canvas with linen texture, on wooden stretcher. Limited edition of 980 copies with numbered certificate on the reverse. Framed in a golden solid wood frame. Format 73 x 63 cm (H/W).
One of the painter's most famous pictures and at the same time, recognisable by the dedication above the signature, a homage to his cousin by marriage Anton Mauve, who had introduced him to painting and died in the year he painted it. Original: 1888, oil on canvas, Rijksmuseum Kröller-Müller, Otterlo. Edition on canvas. Stretched on stretcher. Limited edition of 980 copies, numbered on the reverse. Framed in solid wood moulding. Size 64 x 53 cm (H/W). ars mundi exclusive edition.
Stylistically pioneering flower painting. Original: 1888, oil on canvas. Van Gogh Museum, Amsterdam. Brilliant fine art giclée on artist's canvas (100% cotton) on stretcher. Limited edition of 499 copies, numbered on the reverse. In a high-quality solid wood frame. Size 65 x 45 cm (H/W). ars mundi exclusive edition.
Seeking more light and freedom, van Gogh moved to Provence in 1888. Here, under the southern sky, he created one of his most famous paintings: 'Café Terrace in the Evening in Arles'. Warm yellow and cool blue contrast effectively and the viewer feels drawn to the illuminated terrace. The symbolic power of the colour speaks to the eye and the soul. Original: 1888, 81 x 65.5 cm, Kröller-Müller Museum, Otterlo. Edition on artist's canvas, stretched on stretcher. Limited edition of 980 copies with numbered certificate on the reverse. Framed in a golden solid wood frame. Size 74 x 61 cm (H/W). ars mundi exclusive edition.
Vincent van Gogh's seventy-day stay at L'Auberge Ravoux in Auvers-sur-Oise was to be an incredibly intense creative period. Van Gogh created around eighty paintings during this time, including some of his famous cypress paintings. Van Gogh visited the doctor and art lover Paul-Ferdinand Gachet in the village, a good thirty kilometres from Paris. Gachet was well acquainted with the Parisian artists of the time and seemed to his brother Theo to be able to treat his mental illness. Ultimately, however, he was unable to prevent the 37-year-old from dying of a self-inflicted gunshot wound on 29 July 1890. His last paintings are strongly coloured and characterised by emotional forms - thus paving the way for the Fauves and Expressionism. 'Church of Auvers-sur-Oise': The early Gothic church with its Romanesque chapels is one of Vincent van Gogh's last motifs. It looms monumentally against the empty, dark blue sky. Not correct in perspective, but for its own sake. It stands at a fork in the road. Original: oil on canvas. Musée d'Orsay, Paris. Brilliant reproduction in fine art giclée process, artist's canvas, 100% cotton, on stretcher. In handcrafted golden real wood frame. Limited edition of 499 copies, with numbering and certificate on the reverse. Exclusively at ars mundi. Format 62 x 78 cm.
Original: 1888, oil on canvas, 54 x 65 cm (H/W), Museum Kröller-Müller, Otterlo. Reproduction in fine art giclée process directly on artist's canvas and mounted on stretcher frame. Limited edition of 980 copies, with numbered certificate on the reverse. Framed in a white and gold solid wood frame. Size 58 x 67 cm (H/W). ars mundi exclusive edition.
Original: Oil on canvas, Tate Gallery, London, England. Painting as a brilliant reproduction in fine art giclée process, artist's canvas, 100% cotton, on stretcher. Limited edition of 499 copies. In handcrafted real wood frame. Size 105 x 54.5 cm (W/H). ars mundi exclusive edition.
Original: 1888, oil on canvas, 65 x 81 cm, inv. s28V/1962 Vincent van Gogh Foundation, Amsterdam, Van Gogh Museum. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched on a stretcher. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, gold-coloured solid wood frame. Format approx. 60 x 73 cm (H/W). ars mundi exclusive edition.
In the spring of 1886, Vincent van Gogh accepted the invitation of his brother, the art dealer Theo van Gogh, and moved to Paris. 'I hope to make such progress that you can show my work without hesitation', he told him in advance, and van Gogh's painting did indeed change. He met Degas, Pissarro, Seurat and many other artists; he exhibited with Henri Toulouse-Lautrec, Emile Bernard and Paul Gauguin the following year. His encounter with the Impressionists and his interest in Japanese woodcuts led to his palette becoming more colourful. 'Fishing in Spring' is a perfect example of this. The painting is part of a series of works that depict the Seine bridge built in 1874 between Clichy on the right bank and Asnières-sur-Seine on the left bank in very different ways - just as Hokusai had done in his series of views of Mount Fuji, for example. And it is a clearly Impressionist-inspired and atmospheric masterpiece.Original: 1887, oil on canvas, 49 x 58 cm, Art Institute Chicago. Reproduction worked in the fine art giclée process on artist's canvas and traditionally mounted on a wooden stretcher frame that can be stretched. Sealed with artist's varnish. In a handcrafted real wood frame. Limited edition of 499 copies, with numbered certificate on the reverse. Format 83 x 96 cm (H/W). Exclusively at ars mundi.
The last years of Vincent van Gogh's life were characterised by enormous productivity. Hundreds of paintings, sketches and preliminary studies were created. It was not least this 'creative explosion' of late work that made van Gogh one of the most important artists of his time, even if this was only recognised after his death. Original: 1887, oil on canvas, 49 x 58 cm, Art Institute Chicago. Edition on laid paper-like, heavy 250g Gmund Tactile. Framed In gold-coloured solid wood frame, glazed. Size 37 x 44 cm (H/W). ars mundi exclusive edition.
The last years of Vincent van Gogh's life were characterised by enormous productivity. Hundreds of paintings, sketches and preliminary studies were created. It was not least this 'creative explosion' of late work that made van Gogh one of the most important artists of his time, even if this was only recognised after his death. Original: 1887, oil on canvas, 49 x 58 cm, Art Institute Chicago. Edition on laid paper-like, heavy 250g Gmund Tactile. Framed In gold-coloured solid wood frame, glazed. Size 37 x 44 cm (H/W). ars mundi exclusive edition.
With paintings such as 'Blooming Garden with Path', Vincent van Gogh emphasised the cycle of the constantly renewing forces of nature. Original: 1888, oil on canvas, 72 x 92 cm, Gemeentemuseum, The Hague. Reproduction in fine art giclée process directly on artist's canvas and mounted on stretcher frame. Limited edition of 499 copies. Framed in solid wood frame. Size approx. 56 x 69 cm (H/W). ars mundi exclusive edition.
The last years of Vincent van Gogh's life were characterised by enormous productivity. Hundreds of paintings, sketches and preliminary studies were created. It was not least this 'creative explosion' of late work that made van Gogh one of the most important artists of his time, even if this was only recognised after his death. Original: 1888, oil on canvas, 72 x 92 cm, Gemeentemuseum, The Hague. Edition on laid paper-like, heavy 250g Gmund Tactile. Framed In gold-coloured solid wood frame, glazed. Size 37 x 44 cm (H/W). ars mundi exclusive edition.
Original: 1888, oil on canvas, 54 x 65 cm, Israel Museum Jerusalem, Gift of the Hanadiv Fondattion. The painting was produced using the fine art giclée process for brilliant colour reproduction. Artist's canvas made of pure cotton, stretched on a stretcher frame. In a handcrafted real wood frame. Limited edition of 499 copies. Size 58 x 72 cm (H/W). ars mundi exclusive edition.
When this painting was auctioned at Sotheby's on 11 November 1987, it was the most expensive painting in the world at the time, fetching a record $53.9 million! Original: Privately owned. Fine art giclée on canvas, stretched on stretcher. Limited edition of 499 copies. In a handcrafted solid wood studio frame with metal leaf gilding. Format 64 x 79 cm (H/W).
Original: The Metropolitan Museum of Art, New York. High-quality reproduction in fine art giclée process directly on artist's canvas, stretched on stretcher frame. Limited edition of 199 copies. With solid wood museum framing. Size 60 x 73 cm (H/W).
In his final weeks, van Gogh devoted himself primarily to the fields around Auvers, resulting in some impressive large-format paintings. In addition to the simple but effective composition, the loose, impasto application of colour is particularly striking in this depiction, perfectly conveying the mood of the scene. Original: 1890, oil on canvas, Van Gogh Museum, Amsterdam. Brilliantly coloured fine art giclée on artist's canvas on stretcher frame. Fine solid wood framing with shadow gap. Limited to 499 copies, with certificate. Size 53 x 103.5 cm (H/W). ars mundi exclusive edition.
Original: 1888, oil on canvas, 92 x 73.5 cm, private collection. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched on stretcher. Limited edition of 980 copies, numbered, with certificate. Framed in handcrafted, white-gold-coloured solid wood frame. Size 78 x 64 cm (H/W). ars mundi exclusive edition.
