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Peder Severin Kroyer: Picture 'Boys on the beach at Skagen' (1893), framed
Peder Severin Kroyer: Picture 'Boys on the beach at Skagen' (1893), framed
Original: oil on canvas, privately owned. Reproduction in fine art giclée process directly on artist's canvas and mounted on stretcher frame. Framed in solid wood frame. Size 63 x 93 cm (H/W). Exclusively at ars mundi.

€430.00
Peder Severin Kroyer: Picture 'Künstlerfest bei M. und A. Ancher' (1888), framed
Peder Severin Kroyer: Picture 'Künstlerfest bei M. und A. Ancher' (1888), framed
Original: 1888, oil on canvas, Gothenburg Art Museum. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 499 copies, numbered, with certificate. Framed in a handcrafted, gold-coloured solid wood frame. Size 78.5 x 95.5 cm (H/W). ars mundi exclusive edition.

€550.00
Peder Severin Kroyer: Picture 'Marie, the artist's wife, on a garden path' (1895), framed
Peder Severin Kroyer: Picture 'Marie, the artist's wife, on a garden path' (1895), framed
Original: Oil on wood. Christie's Images Ltd. For a brilliant, authentic reproduction, the original artwork was transferred directly onto an artist's canvas made of 100% cotton using the fine art giclée process and mounted on a stretcher frame. The motif surface with a tactile and visible linen structure emphasises the painting-like effect. Limited edition of 499 copies, with numbered certificate on the reverse. Framed in a handmade museum frame. Format 78 x 63 cm (H/W). Exclusively at ars mundi.

€480.00
Peder Severin Kroyer: Picture 'Roses' (1893), framed
Peder Severin Kroyer: Picture 'Roses' (1893), framed
This painting shows the artist's wife reading peacefully in the garden. Original: 1893, oil on canvas, 67.5 x 76.5 cm, Skagens Kunstmuseer, Skagen. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, white gold-coloured solid wood frame. Size 63 x 70.5 cm (H/W). ars mundi exclusive edition.

€490.00
Peder Severin Kroyer: Picture 'Summer Evening at Skagen - The Artist and his Wife' (1899), framed
Peder Severin Kroyer: Picture 'Summer Evening at Skagen - The Artist and his Wife' (1899), framed
Original: 1899, oil on canvas, 135 x 187 cm, Copenhagen, Den Hirschsprungske Samling. Fine art giclée on artist's canvas made of 100% cotton, stretched on stretcher frame. The structure of the canvas can be felt and seen. Framed in a sophisticated white and gold solid wood frame. Limited edition of 499 copies, numbered certificate on the reverse. Format approx. 54 x 72 cm (H/W). ars mundi exclusive edition.

€460.00
Peder Severin Kroyer: Picture 'Summer Evening at Skagen - The Walk on the Beach' (1893), framed
Peder Severin Kroyer: Picture 'Summer Evening at Skagen - The Walk on the Beach' (1893), framed
Original: 1893, oil on canvas, Skagen Museum Denmark. For a brilliant, authentic reproduction, the original artwork was worked directly onto an artist's canvas made of 100% cotton using the fine art giclée process and mounted on a stretcher frame. The structure of the canvas can be felt and seen. Relief-like brush structures are applied by hand true to the original. This emphasises the elaborate workmanship. A sophisticated white and gold solid wood frame completes the elegant appearance. Format 65 x 87 cm (H/W). Limited to 980 copies. ars mundi exclusive edition.

€520.00
Peder Severin Kroyer: Picture 'Summer Evening at Skagen (Moonlight by the Sea)' (1892), framed
Peder Severin Kroyer: Picture 'Summer Evening at Skagen (Moonlight by the Sea)' (1892), framed
Original: 1892, oil on canvas, Skagen Museum Denmark. High-quality reproduction worked directly on canvas using the fine art giclée process and stretched on a stretcher frame. Limited edition of 499 copies. In handmade studio framing. Size 88 x 68 cm (H/W).

€498.00
Peder Severin Kroyer: Picture 'Two Women in the Garden (In the Arbour)' (1892), framed
Peder Severin Kroyer: Picture 'Two Women in the Garden (In the Arbour)' (1892), framed
Their eyes are turned away from each other and completely focussed on the manual work, and yet Krøyer conveys the image of calm, serene togetherness - an image that is almost able to dampen the hectic pace and volume of an entire room. Original: Oil on canvas, Museum of Art and Culture, Lübeck. Fine art giclée process directly on artist's canvas and mounted on stretcher frame. Framed in museum frame. Limited edition of 499 copies, with numbering and certificate on the reverse. Format 66 x 78 cm. Exclusively at ars mundi.

€560.00
Piet Mondrian: Picture 'Composition A' (1920), framed
Piet Mondrian: Picture 'Composition A' (1920), framed
Original: oil on canvas, 90 x 91 cm. Galleria Nazionale d'Arte Moderna, Rome, Italy. Brilliant reproduction in giclée process directly on artist's canvas, mounted on stretcher. Limited edition of 499 copies, with numbering and certificate on the reverse. Framed in handcrafted real wood frame. Format 71.3 x 71.3 cm. ars mundi exclusive edition.

€480.00
Piet Mondrian: Picture 'Composition in red, blue and yellow' (1930), framed
Piet Mondrian: Picture 'Composition in red, blue and yellow' (1930), framed
Original: 1930, oil on canvas, 45 x 45 cm. Kunsthaus Zurich, Switzerland. Brilliant reproduction in giclée process directly on artist's canvas, mounted on stretcher frame. Limited edition of 499 copies, with numbering and certificate on the reverse. Framed in handcrafted real wood frame. Size 72 x 72 cm. ars mundi exclusive edition.

€480.00
Piet Mondrian: Picture 'Composition No. II, with red and blue' (1929), framed
Piet Mondrian: Picture 'Composition No. II, with red and blue' (1929), framed
Original: 1929, oil on canvas, 40.5 x 32 cm, Museum: New York, Museum of Modern Art, edition transferred directly onto artist's canvas using the fine art giclee process and stretched on a stretcher. Limited edition of 499 copies, numbered, with certificate. Framed in a handcrafted, black and silver-coloured solid wood frame. Size approx. 60 x 49 cm (H/W). ars mundi exclusive edition.

€360.00
Piet Mondrian: Picture 'Tableau No. IV'
Piet Mondrian: Picture 'Tableau No. IV'
Reproduction on aluminium dibond behind 3 mm thick acrylic glass. Limited to 199 copies, including numbered certificate. Format 70 x 70 cm. With hanging device. Due to the smooth surface, mirror effects may occur depending on the incidence of light. ars mundi exclusive edition.

€540.00
Renzo Vespignani: Picture 'I gemelli', framed
Renzo Vespignani: Picture 'I gemelli', framed
The sparing use of colour is characteristic of Renzo Vespignani's creative period in which this work was created (1975). He depicts 'The Twins' in pastel tones, ranging from light grey to anthracite, as a contribution to the series of prints 'The Signs of the Zodiac'. Using delicate shades of white and ochre, he traces the contours and highlights the double girl's face, which looks at the viewer and then ignores him with an absent, dreamy gaze into the distance. The depiction reveals the multi-layered nature of those born under this star sign, which makes them so enigmatic, but at the same time so interesting and attractive. Photolithograph in five colours, signed by the artist and numbered on the reverse. Limited edition of 5,000 copies. Sheet size approx. 28 x 21 cm (H/W). Framed in silver-coloured solid wood frame with bevelled passe-partout, glazed. Format 45 x 36 cm (H/W).

€298.00
Robert Delaunay: painting 'The Red Tower' (1928)
Robert Delaunay: painting 'The Red Tower' (1928)
Delaunay immortalises the Parisian landmark in contrasting colours and exciting perspective. Original: privately owned, oil on canvas. Brilliant colour reproduction behind acrylic glass on aluminium plate. Limited edition of 199 copies, numbered on the reverse. Size 110 x 50.5 cm (H/W). With device for hanging. Due to the smooth surface, mirror effects may occur depending on the incidence of light.

€380.00
Robert Delaunay: Picture 'Circular forms, sun (Formes circulaires, soleil)' (1912/13), framed
Robert Delaunay: Picture 'Circular forms, sun (Formes circulaires, soleil)' (1912/13), framed
Delaunay's various 'Formes circulaires', which he began in the same year, represent a further development of his 'Fenêtre' series and thus mark the beginning of abstract painting in France in 1912. Original: 1912/13, oil on canvas, 75 x 61 cm, Essen, Museum Folkwang. Museum Folkwang Essen - ARTOTHEK. Reproduction on artist's canvas with linen structure, on wooden stretcher. Limited edition of 499 copies with numbered certificate on the reverse. Framed in a black and silver solid wood frame. Format 66.5 x 55.5 cm (H/W). ars mundi exclusive edition.

€450.00
Robert Delaunay: Picture 'Disque (Le premier disque)' (1913), framed
Robert Delaunay: Picture 'Disque (Le premier disque)' (1913), framed
The simultaneous contrast of adjacent areas of colour is the key design feature of Delaunay's circular structure 'Disque (Le premier disque)'. Original: 1913, oil on canvas, diameter 124 cm, Esther Grether Family Collection. Art Museum, Basel. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, matt black solid wood frame with shadow gap. Format 68.5 x 72.5 cm (H/W). ars mundi exclusive edition.

€590.00
Robert Delaunay: Picture 'The Runners' (around 1924/26), framed
Robert Delaunay: Picture 'The Runners' (around 1924/26), framed
Inspired by the Paris Olympics, Delaunay reduces the human bodies to their geometric forms and skilfully creates the effect of movement through the rhythmic juxtaposition of the runners and the use of colour. Original: c. 1924/26, oil on canvas, Staatsgalerie, Stuttgart. Reproduction in fine art giclée process directly on artist's canvas and mounted on stretcher frame. Limited edition of 499 copies. Framed in a solid wood frame with shadow gap. Size 54 x 74 cm (H/W). ars mundi exclusive edition.

€460.00
Salvador Dalí: Picture 'L'Éléphant Giraffe' (1948), framed
Salvador Dalí: Picture 'L'Éléphant Giraffe' (1948), framed
The elephant carries a crumbling obelisk on its back, the symbol of absolute power. But the power is lifted off the ground, moving on thin giraffe legs in spherical heights. The people on the ground are distant and enraptured. But true power, the omnipotence of God, symbolised by the light of truth shining from the cloud, is revealed at the very top. High-quality reproduction in fine art giclée technique, worked by hand in a patented process on artist's canvas and traditionally mounted on a wooden stretcher frame. The motif surface with a tangible and visible linen structure and additional hand-applied brush structure emphasises the painting-like effect. Finally, the picture is sealed with artist's varnish for protection. Limited edition of 499 copies, with numbered certificate on the reverse. In handcrafted real wood gallery framing. Format 70 x 58 cm (H/W).

€420.00
Salvador Dalí: Picture 'Les Éléphants' (1948), framed
Salvador Dalí: Picture 'Les Éléphants' (1948), framed
The mighty pachyderms in 'Les Éléphants', like the obelisks they carry on their backs, are an expression of pharaonic, absolute state power. On elongated legs, they tower up to the sky, which is coloured red by the sunset; they have almost lost contact with the ground. The powers come from different sides, but they resemble each other down to the last detail: frozen in stone and slightly dusty, omnipotence is already crumbling. Real life takes place on the ground: An angel meets man on foot on his way to the horizon. Original in private ownership. High-quality reproduction made by hand using the fine art giclée process on an artist's canvas made of 100% cotton and traditionally stretched on a real wood stretcher frame like an original painting. The motif surface is characterised by a tangible and visible fine canvas structure, which has been sealed by hand with varnish. In an elegant solid wood frame. Format 62 x 71 cm (H/W).

€450.00
Salvador Dalí: Picture 'Swans reflect elephants' (1937), framed
Salvador Dalí: Picture 'Swans reflect elephants' (1937), framed
The master of surrealism gives two of his favourite animals a stage here: mirrored swans resemble a herd of elephants. By sheer luck, this painting was rescued from Dalí's flat in Paris in 1944. Original: oil on canvas. Cavalieri Holding Co Inc, Geneva. This high-quality reproduction was worked by hand using the Fine Art Giclée process on artist's canvas made of 100% cotton and traditionally stretched on a real wood stretcher frame like an original painting. The surface of the motif is characterised by a fine canvas structure that can be felt and seen, which has been sealed by hand with varnish. Limited edition of 499 copies, numbered with certificate. In an elegant solid wood frame. Format 54 x 81 cm (H/W).

€450.00
Salvador Dalí: Picture 'The Hallucinogenic Torero' (1968-70), framed
Salvador Dalí: Picture 'The Hallucinogenic Torero' (1968-70), framed
The picture is a combination of various elements from Dalí's critical-paranoid period. Dalí himself is the boy in the upper left corner. Dalí places the classical Greek Venus as a symbol of love without original sin in a bullfighting stadium in which love battles with modern science. But love prevails.original: Dalí Museum, St. Petersburg, Florida. Our high-quality art reproduction is worked by hand in a patented process on artist's canvas and traditionally mounted on a wooden stretcher frame. The motif surface with a tactile and visible linen structure and additional hand-applied brush structure emphasises the painting-like effect. Finally, the picture is sealed with artist's varnish for protection. Limited edition of 499 copies, with numbered certificate on the reverse. In handcrafted real wood gallery framing. Format 72 x 56 cm (H/W).

€420.00
Salvador Dalí: Picture 'The meditative rose' (1958), framed
Salvador Dalí: Picture 'The meditative rose' (1958), framed
Dalí favoured ancient mythological contexts in his paintings. In Greek mythology, the goddess of love, Aphrodite, was born with a white rose bush from the foam of the sea. The rose only acquired its red colour through Aphrodite's adultery with the beautiful Adonis. On the way to her dying lover, Aphrodite stepped into rose thorns and coloured the white roses red with her blood. The white rose thus stands for the purity of love, while red roses symbolise desire and passion. But the symbol of the rose not only stands for love, but also for secrecy. 'Sub rosa', meaning 'under the rose', was used in the Middle Ages when people wanted to say something in secret. The rose thus became the symbol of secret societies and of mystery - so it is no coincidence that the rose hovers over Dalí's world... Original: Collection Mr. and Mrs. Arnold Grant Collection, New York High-quality reproduction in the fine art giclée process, worked by hand on artist's canvas made of 100% cotton and traditionally stretched on a real wood stretcher frame like an original painting. The surface of the motif is characterised by a fine canvas structure that can be felt and seen, which has been sealed by hand with varnish. An elegant solid wood frame rounds off the sophisticated overall picture. Format 72 x 61 cm (H/W). Exclusively at ars mundi.

€440.00
Salvador Dalí: Picture 'The Temptation of St Anthony' (1946), framed
Salvador Dalí: Picture 'The Temptation of St Anthony' (1946), framed
Each of the elephants carries a special temptation: beauty, power and fame approach in spherical heights. Original: Oil on canvas, Royal Museums of Fine Arts, Brussels. High-quality reproduction made by hand using the fine art giclée process on artist's canvas made of 100% cotton and traditionally stretched on a real wooden stretcher frame like an original painting. The surface of the motif is characterised by a fine canvas structure that can be felt and seen, which has been sealed by hand with varnish. Limited edition of 499 copies. Numbered on a certificate on the reverse. In an elegant solid wood frame. Format 60 x 78 cm (H/W). Exclusively at ars mundi.

€450.00
Sonia Delaunay: Picture 'Primes Èlectriques, Boulevard Saint Michel' (No. 41) (1913-1914), framed
Sonia Delaunay: Picture 'Primes Èlectriques, Boulevard Saint Michel' (No. 41) (1913-1914), framed
Original: 1913-14, oil on canvas, Collection of Centre Pompidou, Paris, France. 5-colour frequency-modulated reproduction on 260g Rives laid paper. Limited edition of 250 copies. Motif size 61.2 x 52 cm (H/W). Sheet size 80 x 60 cm (H/W). Framed in a silver solid wood frame with passe-partout, glazed. Format 85.2 x 76 cm (H/W). © Pracusa S.A. 2018653, Cnap, Photograph: Yves Chenot.

€580.00