With the house in Arles, van Gogh finally had space for his studio and paintings. Far away from the dreary Parisian winter and the confines of the big city, he was finally happy and discovered the colour yellow. Here in Provence, he drew new strength. This resulted in some famous views and the sunflower paintings. Original: 1888, oil on canvas, 76 x 94 cm, Van Gogh Museum, Amsterdam Edition in fine art giclée process on artist's canvas made of 100% cotton, stretched on stretcher frame. Framed in a gold-coloured solid wood frame. Size 71 x 86 cm (H/W). ars mundi exclusive edition.
With the house in Arles, van Gogh finally had space for his studio and paintings. Far away from the dreary Parisian winter and the confines of the big city, he was finally happy and discovered the colour yellow. Here in Provence, he drew new strength. This resulted in some famous views and the sunflower paintings. Original: 1888, oil on canvas, 76 x 94 cm, Van Gogh Museum, Amsterdam. Brilliant edition in fine art giclée process on artist's canvas made of 100% cotton, mounted on stretcher frame. Limited edition of 980 copies with numbered certificate on the reverse. Framed in a golden solid wood frame. Format 71 x 91 cm (H/W). ars mundi exclusive edition.
The period in Arles was one of the most productive in the life of the Dutch painter and important representative of Post-Impressionism Vincent van Gogh (1853-1890). His works reflect the sun-drenched landscapes of southern France. Van Gogh was also full of hope: he wanted to found an artists' colony in his studio in the Rhône town. He repeatedly painted portraits of the town and its surroundings. The nearby place of pilgrimage Saintes-Maries-de-la-Mer, directly on the Mediterranean, is surrounded by the Camargue, today a unique nature reserve. The vivid blue of the sky, the red of the Mediterranean soil and the solar white of the houses are now part of van Gogh's palette. Original: oil on canvas, Kunsthaus Zurich, Switzerland. Painting as a brilliant reproduction in fine art giclée process, artist's canvas, 100% cotton, on stretcher. Limited edition of 499 copies. In handcrafted real wood frame. Size 45 x 55 cm (H/W). ars mundi exclusive edition.
Golden yellow as a sign of a good time. A work from the legendary sunflower series that van Gogh created in Arles in the south of France. Original: 1888, oil on canvas, 91 x 72 cm, Munich, Neue Pinakothek. Reproduction in fine art giclée process directly on artist's canvas, mounted on stretcher frame. Limited edition of 499 copies. Framed in a solid wood frame. Size approx. 85 x 69 cm (H/W). ars mundi exclusive edition.
Original: 'Zwei grabende Bäuerinnen auf schneebedecktem Feld', Saint-Rémy-de-Provence, March/April 1889, from the series 'Souvenirs du Nord'. Oil on paper on canvas, 49.3 x 64 cm, E.G. Bührle Collection, Zurich. High-quality reproduction in fine art giclée process, worked by hand on canvas and stretched on solid wood stretcher frame. Limited edition of 980 copies, numbered on the reverse. In a sophisticated solid wood frame. Format 69 x 88 cm (H/W).
Van Gogh's time in Paris (1886-1889) had a decisive influence on his art, as he was influenced by the Impressionist and Neo-Impressionist movements. Inspired by artists such as Paul Signac and Emile Bernard, he brightened his palette and developed his dynamic style with vibrant colours and brushstrokes.Original: 1889, oil on canvas, 61.6 x 45.7 cm, The Cleveland Museum of Art.Edition in fine art giclée process on artist's canvas, stretched on stretcher. Limited edition of 499 copies, with certificate. Framed in a handcrafted, white-gold coloured solid wood frame. Size 64 x 50 cm (H/W). ars mundi exclusive edition.
Original: 1888, oil on canvas, 46 x 61 cm, Washington, National Gallery of Art, Alisa Mellon Bruce Collection. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched on a stretcher. Limited edition of 499 copies, numbered, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Format approx. 50 x 68 cm (H/W). ars mundi exclusive edition.
The vital, swirling and yet strictly organised nature in his paintings reflects the agitated mood of Vincent van Gogh (1853-1890) in these years. Happy with his studio in Arles, the Dutchman painted a series of tree gardens, among other things. The even light could be a reference to the Post-Impressionist Paul Signac, who had visited him shortly before. Original: Oil on canvas, Neue Pinakothek, Munich. High-quality reproduction in fine art giclée process on artist's canvas with linen texture, on wooden stretcher. Covered with artist's varnish. Solid wood gallery framing in white with gold edging, grey patina. Format 56 x 69 cm (H/W).
The painting was created during his very productive time in Arles. From there, Van Gogh visited Saintes-Maries-de-la-Mer, a place of pilgrimage in the south of France. Situated directly on the Mediterranean, the town is surrounded by the Camargue, a unique nature reserve. It is famous for its light. Original: 1888, oil on canvas, 64.2 x 53 cm, Kröller-Müller Museum, Otterlo, Netherlands. Brilliant reproduction of the original in fine art giclée process directly on artist's canvas (100% cotton) on stretcher frame. Limited edition of 499 copies, numbered on the reverse. In handcrafted real wood frame. Format 68 x 58 cm (H/W). ars mundi exclusive edition.
Van Gogh captures the rich, vibrant colours of a springtime vineyard near Auvers with a typically strong application of paint and bold brushstrokes. Original: 1890, oil on canvas, 65.1 x 80.3 cm, St. Louis, Mildred Lane Kemper Art Museum. This high-quality reproduction was worked by hand using a patented process on an artist's canvas made of 100% cotton and traditionally stretched on a real wood stretcher frame like an original painting. The surface of the motif is characterised by a fine canvas structure that can be felt and seen, which has been sealed by hand with varnish. An elegant solid wood frame in antique silver with rubbed colour pigments rounds off the sophisticated overall picture. Limited to 499 copies, with certificate. Format 57 x 69 cm (H/W).
'They are endless cornfields under a cloudy sky, and I have not shied away from trying to express sadness and extreme loneliness', writes van Gogh - the painting was painted a few days before his suicide. Original: 1890, oil on canvas, 50 x 65 cm, privately owned. Brilliant reproduction in fine art giclée process on artist's canvas, mounted on a stretcher frame. Limited edition of 499 copies, with numbering and certificate on the reverse. Framed in a handcrafted real wood gallery frame. Exclusively at ars mundi. Format 55 x 68 cm (H/W).
Original: Oil on canvas, National Gallery, London High-quality reproduction in fine art giclée technique, worked directly by hand on artist's canvas and traditionally stretched on a wooden stretcher frame. The motif surface with a tangible and visible linen structure and additional hand-applied brush structure, modelled on the original, emphasises the painting-like effect of the object. Sealed with artist's varnish. In a handcrafted real wood frame. Limited edition of 499 copies, with numbered certificate on the reverse. Format 53 x 65 cm (H/W).
190 oil paintings and 108 drawings - during his stay in Arles from 21 February 1888 to 3 May 1889, which lasted just over a year, Vincent van Gogh went into a creative frenzy. At the same time, a striking brightening of his colour palette literally catches the eye: in numerous letters, he requests chrome yellow, vermilion, Prussian blue and emerald green from his brother Theo, who supported him unwaveringly until his death, and subsequently uses these colours intensively. A shining example is his 'Willows at Sunset', in which van Gogh places a row of deep blue pollard willows in a meadow landscape bathed in red-golden light from the setting sun. Original: 1888, oil on canvas, Otterlo, Rijksmuseum Kröller-Müller. For a brilliant, authentic reproduction, the original was transferred directly onto an artist's canvas made of 100% cotton using the fine art giclée process and mounted on a stretcher frame. Limited edition of 499 copies, with certificate. Framed in a handcrafted solid wood studio frame, size 83 x 76 cm.
Edition transferred to artist's canvas using the fine art giclée process and stretched on a stretcher frame. Limited edition of 199 copies, numbered, with certificate. Framed in a handcrafted white and gold-coloured solid wood frame. Size 53 x 98 cm (H/W). ars mundi exclusive edition.
The Berlin Secession exhibited his work, he was a member of the Neue Künstlervereinigung München and co-founder of the 'Blaue Reiter' - Wassily Kandinsky was involved in many of the art revolutions of the early 20th century. Around 1913, he finally broke away from representationalism in painting, eventually leaving the world of objects behind him entirely and concentrating on graphic elements, construction and (colour) composition. 'Ten glances at the canvas, one glance at the palette, half a glance at nature' is how he described his working method, which he underpinned theoretically in his famous Bauhaus treatise 'Point and Line to Surface' in 1926. Four elaborate reproductions on laid paper-like, heavy 250g Gmund Tactile, in silver-coloured solid wood framing, glazed. Format 38.5 x 28 cm (H/W) each. ars mundi exclusive edition. 'Composition': Original: 1923, watercolour and ink on paper, 36.5 x 25.3 cm (H/W), Kunstmuseum Kupferstichkabinett, Basel. 'Composition': Original: 1925, watercolour. 'Delicate Tension': Original: 1923, watercolour and ink on paper, 35.5 x 25 cm (H/W), Museo Nacional Thyssen-Bornemisza, Madrid. 'Fröhlicher Aufstieg': Original: 1923, colour lithograph on wove paper, 23.8 x 19.3 cm (H/W), Bauhaus-Archiv, Berlin All four works in a set.
Before Kandinsky ventured into abstraction, he favoured landscapes, which he often painted directly on cardboard in the open air. Original: 1908, oil on cardboard, 71 x 96.5 cm, private collection. High-quality fine art giclée edition on artist's canvas, stretched on stretcher. Limited edition of 980 copies. Framed in a high-quality black and silver solid wood frame. Format approx. 46.3 x 61.8 cm (H/W). ars mundi exclusive edition.
A typical abstract composition characterised by reduced forms and contrasting colours. Original: 1910, oil on canvas, private collection. High-quality fine art giclée edition on artist's canvas, stretched on stretcher. Limited edition of 980 copies. Framed in high-quality black-silver solid wood frame. Format approx. 46.3 x 60.3 cm (H/W). ars mundi exclusive edition.
Original: 1924, oil on canvas, 50.6 x 49.5 cm (H/W), Guggenheim Museum, New York. Transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies. Framed in white lacquered wooden frame with shadow gap. Size 63 x 62 cm (H/W). ars mundi exclusive edition.
Wassily Kandinsky was a synaesthete, i.e. he perceived colours, shapes and sounds across the senses. It was probably not only his extensive art theoretical considerations that led him to his dynamic compositions of geometric elements and contrasting colours. However, the marvellous effect of these works, which were created particularly during his Bauhaus period (1922-1933), can hardly be ignored by the 'normal' viewer. Original: 1927, 49.8 x 37.1 cm, privately owned. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, silver-coloured solid wood frame with shadow gap. Format 71 x 54 cm (H/W). ars mundi exclusive edition.
It is the time shortly before the birth of abstract art. Wassily Kandinsky came from Russian folk art, Impressionism and Fauvism. In the summer months up to 1914, he and his partner, the painter Gabriele Münter, swapped the metropolis of Munich for their home in Murnau in Upper Bavaria. There they honed their expressionist style. Kandinsky soon moved away from landscape painting towards pure compositions of colour and form. Original: Oil on cardboard, Städtische Galerie im Lenbachhaus, Munich. High-quality reproduction in fine art giclée process on cotton canvas, sealed with artist's varnish, stretched on real wood frame. Limited edition of 499 copies. In handmade gallery framing. Format 61 x 50 cm (H/W). ars mundi exclusive edition.
Wassily Kandinsky's teaching duties at the Bauhaus required a structured presentation of his theoretical working principles. This was reflected in the 9th volume of the 'Bauhaus Books', which he published in 1926 under the title 'Point and Line to Surface'. In it, he explains the fundamentals of his painting on more than 200 pages and sets out his logic of colours and forms, in which, for example, blue is assigned to the circle, yellow to the acute-angled triangle and red to the square. The work on offer here, dating from 1923, is an almost exemplary illustration of his ideas on the harmony of colour and form. Original: Oil on canvas, Museum of Art, Philadelphia. Reproduction in fine art giclée process directly on artist's canvas and mounted on stretcher frame. Limited edition of 980 copies. Framed in silver solid wood moulding with shadow gap. Size 61 x 59 cm (H/W). ars mundi exclusive edition.
As a teacher at the Bauhaus in Weimar, Dessau and Berlin, Kandinsky deepened his own abstract language of colour and form. Original: 1913, watercolour, gouache and black chalk on paper, Städtische Galerie im Lenbachhaus, Munich. High-quality reproduction in fine art giclée process on cotton canvas, sealed with artist's varnish, stretched on real wood stretcher. Matt black solid wood framing with shadow gap. Limited to 499 copies, numbered, with certificate. Format 50 x 65 cm (H/W).
Original: 1923, oil on canvas, 140 x 201 cm, New York, The Solomon R. Guggenheim Museum. Brilliantly coloured fine art giclée on cotton canvas on stretcher. Framed in a valuable solid wood frame with silver shadow gap moulding. Limited edition of 499 copies, numbered certificate on the reverse. Format approx. 51 x 73 cm (H/W).
The Berlin Secession exhibited his work, he was a member of the Neue Künstlervereinigung München and co-founder of the 'Blaue Reiter' - Wassily Kandinsky was involved in many of the art revolutions of the early 20th century. Around 1913, he finally broke away from representationalism in painting, eventually leaving the world of objects behind him entirely and concentrating on graphic elements, construction and (colour) composition. 'Ten glances at the canvas, one glance at the palette, half a glance at nature' is how he described his working method, which he underpinned theoretically in his famous Bauhaus treatise 'Point and Line to Surface' in 1926. Original: 1923, watercolour and ink on paper, 36.5 x 25.3 cm (H/W), Kunstmuseum Kupferstichkabinett, Basel. Elaborate reproduction on laid paper-like, heavy 250g Gmund Tactile, in silver-coloured solid wood frame, glazed. Size 38.5 x 28 cm (H/W). ars mundi exclusive edition.
