Photolithograph in five colours, signed by the artist, numbered on the reverse. Limited edition of 5,000 copies. Sheet size approx. 28 x 21 cm (H/W). Framed in a silver-coloured solid wood frame with passe-partout, glazed. Format 45 x 36 cm (H/W).
Photolithograph in five colours, signed by the artist, numbered on the reverse. Limited edition of 5,000 copies. Unframed. Sheet size approx. 28 x 21 cm (H/W).
High-quality reproduction in fine art giclée process on paper. Dustproof framed with passe-partout and UV-protective acrylic glass. In a handcrafted, brown solid wood frame. Format approx. 90 x 62 cm (H/W).
High-quality edition in fine art giclée process on paper. Framed in a handcrafted solid wood frame with passe-partout, dustproof glazing. Format approx. 93 x 64 cm (H/W).
High-quality reproduction in fine art giclée process on paper. Dustproof framed with passe-partout and UV-protective acrylic glass. In a handcrafted, brown solid wood frame. Format approx. 105 x 72 cm (H/W).
High-quality edition in fine art giclée process on paper. Framed in a handcrafted solid wood frame with passe-partout, dustproof glazing. Format approx. 104 x 67 cm (H/W).
Original: 1932, oil on canvas, 72.4 x 105.5 cm, privately owned. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, beige-coloured solid wood frame. Size 60 x 85 cm (H/W). ars mundi exclusive edition.
Max Beckmann painted this view of the 'Parc de Bagatelle' in Paris in 1938, which he had visited in the same year. Beckmann chose a very unusual perspective for this painting. Although he placed the park's small white castle in the centre of the picture, he almost completely concealed it behind the lush vegetation of flowers and trees. Original: 1938, oil on canvas, 66 x 110.5 cm, inv. no. 1001 LM, LWL-Museum für Kunst und Kultur, Münster. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 100 copies, numbered, with certificate. Published in collaboration with the LWL-Museum für Kunst und Kultur, Münster. Photo: LWL-MKuK/Hanna Neander. Framed in a handcrafted, black and gold-coloured solid wood frame. Size 51.5 x 81.5 cm (H/W). ars mundi exclusive edition.
Max Beckmann painted this view of the 'Parc de Bagatelle' in Paris in 1938, which he had visited in the same year. Beckmann chose a very unusual perspective for this painting. Although he placed the park's small white castle in the centre of the picture, he almost completely concealed it behind the lush vegetation of flowers and trees. Original: 1938, oil on canvas, 66 x 110.5 cm, inv. no. 1001 LM, LWL-Museum für Kunst und Kultur, Münster. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 100 copies, numbered, with certificate. Published in collaboration with the LWL-Museum für Kunst und Kultur, Münster. Photo: LWL-MKuK/Hanna Neander. Framed in a handcrafted, black and silver-coloured solid wood frame. Size 51.5 x 81.5 cm (H/W). ars mundi exclusive edition.
Original: 1942, oil on canvas, 55.5 x 96 cm, privately owned. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, beige-coloured solid wood frame. Format 53.5 x 80 cm (H/W). ars mundi exclusive edition.
Beckmann spent a whole decade in exile in Amsterdam. In 1938, he had the opportunity to travel from there to the French Riviera once again. 'Seascape with Agaves' is a painting of memory, later completed in Amsterdam, a dream of an imaginary refuge. Original: 1939, oil on canvas, 60 x 90.5 cm (H/W), Nationalgalerie, Staatliche Museen zu Berlin. High-quality edition in a fine collotype process on uncoated paper. Framed in black silver solid wood frame, with passe-partout, glazed. Format 70 x 94.5 cm (H/W).
In New York, Beckmann visited Central Park almost every day after working in his studio on the Upper West Side. This painting from the last year of his life shows a scene from the western part of the park, which was close to his home. Original: 1950, oil on canvas, 139.5 x 61 cm (H/W), private collection. High-quality edition in a fine collotype process on uncoated paper. Framed in a black and silver solid wood frame with passe-partout, glazed. Size 103 x 55 cm (H/W).
