Max Pechstein: Picture 'Am Strom im Winter (Leba)' (1922), version framed in gold colour
€580.00
A large number of Max Pechstein's most important landscape paintings were created on the Baltic Sea. Max Pechstein travelled there repeatedly over the decades. For example to the Curonian Spit, where he lived and worked for weeks and months on six occasions as a member of the Nidden artists' group. Or to Pomerania, where in 1921 he discovered the landscape around the small town of Leba with its eponymous 'city river' in the old Kashubia (today the Pomeranian Voivodeship) not far from Gdansk. Original: 1922, oil on canvas, 80 x 100 cm, National Gallery Prague. Brilliant reproduction in fine art giclée process on artist's canvas made of 100% cotton, stretched on stretcher. Limited edition of 199 copies with numbered certificate on the reverse. Framed in a gold-coloured solid wood frame. Size 63 x 76.5 cm (H/W). ars mundi exclusive edition. © 2022 Pechstein Hamburg / Preetz.
Max Pechstein: Picture 'Aufgezogene Keitelkähne' (1939), version framed in black
€580.00
Over a period of 30 years, Max Pechstein repeatedly spent his summers on the Curonian Spit. As a member of the Nidden artists' colony, he went out and painted portraits of the Curonian landscape and the people living there - he admired both in equal measure. His work 'Aufgezogene Keitelkähne' dates from his last stay in Nidden in 1939. Two years earlier, he had been expelled from the Prussian Academy of Arts; his works were now considered 'degenerate art'. But none of this could take away his love for the Curonian Spit. Brilliant reproduction in fine art giclée process on artist's canvas made of 100% cotton, mounted on stretcher frame. Limited edition of 199 copies with numbered certificate on the reverse. Framed in a black solid wood frame. Format 53 x 66 cm (H/W). © 2022 Pechstein Hamburg / Preetz.
Max Pechstein: Picture 'Aufgezogene Keitelkähne' (1939), version framed in gold colour
€580.00
Over a period of 30 years, Max Pechstein repeatedly spent his summers on the Curonian Spit. As a member of the Nidden artists' colony, he went out and painted portraits of the Curonian landscape and the people living there - he admired both in equal measure. His work 'Aufgezogene Keitelkähne' dates from his last stay in Nidden in 1939. Two years earlier, he had been expelled from the Prussian Academy of Arts; his works were now considered 'degenerate art'. But none of this could take away his love for the Curonian Spit. Brilliant reproduction in fine art giclée process on artist's canvas made of 100% cotton, mounted on stretcher frame. Limited edition of 199 copies with numbered certificate on the reverse. Framed in a handcrafted, gold-coloured solid wood frame. Format 56 x 69 cm (H/W). © 2022 Pechstein Hamburg / Preetz.
Max Pechstein: Picture 'Evening Clouds' (1922), framed
€580.00
'The Curonian colours are blue and green, a lot of blue [...] everything is very picturesque', Pechstein reported as early as 1909. The Baltic Sea village, presumably autumnal in view of the hay harvest, is arched over by sunlit, luminous clouds. Original: oil on canvas. On loan from a private collection, Reiss-Engelhorn-Museum, Mannheim, © 2022 Pechstein Hamburg / Preetz. Giclée on canvas. Framed in a handcrafted solid wood frame. Limited edition of 199 copies. With numbered certificate on the reverse. Size approx. 61 x 75 cm (H/W). ars mundi exclusive edition.
Max Pechstein: Picture 'Flusslandschaft' (around 1907), version framed in black and gold colour
€580.00
Among the Brücke painters, Max Pechstein was the only one who had an academic education. He completed his studies at the Academy of Art in Dresden in 1906 and was also honoured with the Saxon State Prize. He was the most successful during his membership of Brücke (1906-1912): art critics and the press liked to emphasise his works on the occasion of Brücke exhibitions (and Franz Marc jokingly called his fellow painter 'the little Napoleon of Berlin artists'). The State Prize (also known as the 'Rome Prize' because it included a three-month stay in the eternal city) enabled Pechstein to travel extensively the following year, taking him beyond Rome to Florence and Ravenna. He subsequently visited Paris, where he discovered Cézanne, Gauguin and Matisse in particular. Both the southern Italian sun and his encounter with the French Post-Impressionists left their mark on his 'River Landscape'. Original: c. 1907, oil on canvas, 53 x 68 cm, Museum Folkwang, Essen. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 199 copies, numbered, with certificate. Framed in a handcrafted, black and gold-coloured solid wood frame. Format 56.5 x 70.5 cm (H/W). ars mundi exclusive edition. Museum Folkwang Essen - ARTOTHEK. © 2022 Pechstein Hamburg / Preetz.
Max Pechstein: Picture 'Flusslandschaft' (around 1907), version framed in black and silver colour
€580.00
Among the Brücke painters, Max Pechstein was the only one who had an academic education. He completed his studies at the Academy of Art in Dresden in 1906 and was also honoured with the Saxon State Prize. He was the most successful during his membership of Brücke (1906-1912): art critics and the press liked to emphasise his works on the occasion of Brücke exhibitions (and Franz Marc jokingly called his fellow painter 'the little Napoleon of Berlin artists'). The State Prize (also known as the 'Rome Prize' because it included a three-month stay in the eternal city) enabled Pechstein to travel extensively the following year, taking him to Florence and Ravenna as well as Rome. He subsequently visited Paris, where he discovered Cézanne, Gauguin and Matisse in particular. Both the southern Italian sun and his encounter with the French Post-Impressionists left their mark on his 'River Landscape'. Original: c. 1907, oil on canvas, 53 x 68 cm, Museum Folkwang, Essen. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 199 copies, numbered, with certificate. Framed in a handcrafted, black and silver-coloured solid wood frame. Format 56.5 x 70.5 cm (H/W). ars mundi exclusive edition. Museum Folkwang Essen - ARTOTHEK. © 2022 Pechstein Hamburg / Preetz.
Max Pechstein: Picture 'Harbour of Leba' (around 1922), version framed in black and gold
€580.00
Member of the 'Brücke' and the 'Berliner Secession', co-founder and president of the 'Neue Secession', from 1923 also of the Prussian Academy of Arts and professor. Max Pechstein's rise was unmistakable. But then: loss of his professorial status in 1933, expulsion from the Academy in 1937, the condemnation of 'degenerate art', economic hardship, destruction of many works due to the effects of war. It was only in his later years after 1945 that he was recognised again. Max Pechstein truly led an eventful life as an artist. But there was one constant, a safe harbour if you will, in all this turmoil: For more than two decades, from 1921-1945, he managed to spend his summers painting in Hinterpommern. We owe many of his most beautiful landscape works to these stays, such as his 'Harbour of Leba', which he painted on his second visit and which was to be followed by many more. Original: c. 1922, oil on canvas, 80 x 100 cm, Stedelijk Museum, Amsterdam, inv. no. B403. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 199 copies, numbered, with certificate. Stretcher frame format 52 x 66 cm (H/W). Framed in a black and gold-coloured solid wood frame. Size 58.5 x 72.5 cm (H/W). ars mundi exclusive edition. © 2022 Pechstein Hamburg / Berlin.
Max Pechstein: Picture 'Harbour of Leba' (around 1922), version framed in black and silver
€580.00
Member of the 'Brücke' and the 'Berliner Secession', co-founder and president of the 'Neue Secession', from 1923 also of the Prussian Academy of Arts and professor. Max Pechstein's rise was unmistakable. But then: loss of his professorial status in 1933, expulsion from the Academy in 1937, the condemnation of 'degenerate art', economic hardship, destruction of many works due to the effects of war. It was only in his later years after 1945 that he was recognised again. Max Pechstein truly led an eventful life as an artist. But there was one constant, a safe harbour if you will, in all this turmoil: For more than two decades, from 1921-1945, he managed to spend his summers painting in Hinterpommern. We owe many of his most beautiful landscape works to these stays, such as his 'Harbour of Leba', which he painted on his second visit and which was to be followed by many more. Original: c. 1922, oil on canvas, 80 x 100 cm, Stedelijk Museum, Amsterdam, inv. no. B403. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 199 copies, numbered, with certificate. Stretcher frame format 52 x 66 cm (H/W). Framed in a black and silver-coloured solid wood frame. Size 58.5 x 72.5 cm (H/W). ars mundi exclusive edition. © 2022 Pechstein Hamburg / Berlin.
Max Pechstein: Picture 'House on the Curonian Spit' (1909), version framed in black and gold colour
€580.00
Max Pechstein (1881-1955) was soon recognised by the public as an outstanding member of 'Die Brücke', indeed as its leading Expressionist, after he joined in 1906. He was also its most successful member, which led to a break in his artistic development: in 1912 he joined the Berlin Secession - an open affront to the painters of the 'Brücke'. The 'House on the Curonian Spit' dates from Pechstein's Brücke period. In terms of motif, however, it also points far ahead into his painterly biography, as it was created during his very first of many visits to the artists' colony of Nidden on the Curonian Spit, where he repeatedly devoted himself to maritime motifs and landscapes. Original: 1909, oil on canvas, 50 x 50 cm, privately owned. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 199 copies, numbered, with certificate. © 2022 Pechstein Hamburg / Preetz. Framed in a handcrafted, black and gold-coloured solid wood frame. Format 61.5 x 61.5 cm. ars mundi exclusive edition.
Max Pechstein: Picture 'House on the Curonian Spit' (1909), version framed in black and silver colour
€580.00
Max Pechstein (1881-1955) was soon recognised by the public as an outstanding member of 'Die Brücke', indeed as its leading Expressionist, after he joined in 1906. He was also its most successful member, which led to a break in his artistic development: in 1912 he joined the Berlin Secession - an open affront to the painters of the 'Brücke'. The 'House on the Curonian Spit' dates from Pechstein's Brücke period. In terms of motif, however, it also points far ahead into his painterly biography, as it was created during his very first of many visits to the artists' colony of Nidden on the Curonian Spit, where he repeatedly devoted himself to maritime motifs and landscapes. Original: 1909, oil on canvas, 50 x 50 cm, privately owned. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 199 copies, numbered, with certificate. © 2021 Pechstein Hamburg /Tökendorf. Framed in a handcrafted, black and silver-coloured solid wood frame. Format 61.5 x 61.5 cm. ars mundi exclusive edition.
Max Pechstein: Picture 'Kurenkähne in der Bucht' (1912), framed
€580.00
Pechstein had been returning to the Curonian Spit in the local artists' colony of Nidden since 1909. He painted here, was in close contact with the local fishermen and even went fishing with them in the Curonian Lagoon. His 'Kurenkähne' from 1912 are both a sea and 'land' piece. The titular barges rock in the background; half of the picture, however, belongs to the windswept trees in a colourful landscape.Original: 1912, oil on canvas, 50 x 67 cm, © 2022 Pechstein Hamburg / Preetz. Brilliant reproduction in fine art giclée process on artist canvas made of 100% cotton, mounted on stretcher frame. Limited edition of 199 copies with numbered certificate on the reverse. Framed in black with matt patinated silver edge. Size 51 x 66 cm (H/W). ars mundi exclusive edition.
Max Pechstein: Picture 'Morgen am Mühlengraben, Leba' (1935), framed
€450.00
In Leba, Pechstein found a 'spot on earth (...) that was not overrun by painters, tourists and bathers' and where he regularly spent his summers. But in 1935 Pechstein was in great financial difficulties; his stay in Leba was not just a 'summer retreat'. In this respect, the motif of the new, bright morning may also be one of hope. Original: Watercolour on paper. Christie's Images, © 2022 Pechstein Hamburg / Preetz. High-quality reproduction in fine art giclée process on heavy Hahnemühle laid paper. Framed in a handmade solid wood frame with passe-partout, glazed. Limited edition of 199 copies, numbered on the reverse. Format approx. 47 x 52 cm (H/W). ars mundi exclusive edition.
Max Pechstein: Picture 'Rising Sun' (1933), black framed version
€580.00
Original: 1933, oil on canvas, 80 x 101 cm (H/W), Saarland-Museum, Saarbrücken. Brilliant reproduction in fine art giclée process on artist's canvas made of 100% cotton, mounted on stretcher frame. Limited edition of 199 copies with numbered certificate on the reverse. Framed in a black solid wood frame. Format 62 x 76 cm (H/W). © 2022 Pechstein Hamburg / Preetz.
Max Pechstein: Picture 'Rising Sun' (1933), version framed in gold colour
€580.00
Original: 1933, oil on canvas, 80 x 101 cm (H/W), Saarland-Museum, Saarbrücken. Brilliant reproduction in fine art giclée process on artist's canvas made of 100% cotton, mounted on stretcher frame. Limited edition of 199 copies with numbered certificate on the reverse. Framed in a gold-coloured solid wood frame. Format 64 x 78 cm (H/W). © 2022 Pechstein Hamburg / Preetz.
Max Pechstein: Picture 'Sunset' (1925), black framed version
€490.00
What Tahiti was to Paul Gauguin, the Baltic Sea coast was to Max Pechstein: a paradise where he found peace and, above all, great inspiration. Pechstein travelled to the Baltic coast every summer for over twenty years. With a pipe in the corner of his mouth, a tan and a tattoo of an anchor, Pechstein, a passionate angler, was accompanied by the pristine nature with its beach lakes and the fishing boats in the harbour for the rest of his life. High-quality reproduction on heavy Hahnemühle laid paper. Framed in a handmade, black solid wood frame with passe-partout, glazed. Limited edition of 199 copies, numbered on the reverse. Format approx. 51 x 62 cm (H/W). ars mundi exclusive edition. © 2022 Pechstein Hamburg / Preetz.
Max Pechstein: Picture 'Sunset' (1925), version framed in gold colour
€490.00
What Tahiti was to Paul Gauguin, the Baltic Sea coast was to Max Pechstein: a paradise where he found peace and, above all, great inspiration. Pechstein travelled to the Baltic coast every summer for over twenty years. With a pipe in the corner of his mouth, a tan and a tattoo of an anchor, Pechstein, a passionate angler, was accompanied by the pristine nature with its beach lakes and the fishing boats in the harbour for the rest of his life. High-quality reproduction on heavy Hahnemühle laid paper. Framed in a handcrafted, gold-coloured solid wood frame with passe-partout, glazed. Limited edition of 199 copies, numbered on the reverse. Format approx. 51 x 62 cm (H/W). ars mundi exclusive edition. © 2022 Pechstein Hamburg / Preetz.
Max Pechstein: Picture 'The red official's house in Nidden', framed
€590.00
Pechstein's 'Red Official's House' was auctioned at Sotheby's in 1999 for £419,000. For a brilliant, authentic reproduction, the original artwork was transferred directly onto an artist's canvas made of 100% cotton using the fine art giclée process and mounted on a stretcher frame. The motif surface with a tactile and visible linen structure emphasises the painting-like effect. Limited edition of 499 copies, with numbered certificate on the reverse. Framed in a handcrafted, gold-coloured solid wood frame. Format 62 x 77 cm (H/W). Exclusively at ars mundi. © 2022 Pechstein Hamburg / Preetz.
Oskar Kokoschka: 4 pictures 'Summer Bouquets' in a set
€578.00
ars mundi exclusive edition, limited edition of 980 copies each, reproduced on handmade, heavy Dalí Insize. Due to the high resolution and the excellent paper quality, the colours are particularly brilliant. Sheet size 30 x 40 cm each. Framed in silver solid wood classic moulding, dust-proof glazing. Format 34 x 44 cm each. All four Kokoschka summer bouquets in a set: 'Sommerblumenstrauß mit Mannstreu', 1969; 'Sommerblume mit Iris und Pfingstblume', 1971; 'Sommerblumen im Glaskrug', 1969; 'Sommerblumen mit Rosen', 1969.
Oskar Kokoschka: Picture 'Bouquet of summer flowers with manstraw', 1969, framed
€148.00
ars mundi exclusive edition, limited edition of 980 copies, reproduced on handmade, heavy Dalí Insize. Due to the high resolution and the excellent paper quality, the colours are particularly brilliant. Sheet size 30 x 40 cm. Framed in silver solid wood classic moulding, dust-proof glazing. Format 34 x 44 cm.
Oskar Kokoschka: Picture 'Prague, Charles Bridge' (60s), framed
€498.00
Original collotype from the 1960s from the historic Max Jaffé press after the painting from the National Gallery, Prague. Printed in up to 12 colours on heavy collotype board. Limited edition of 600 copies. Sheet size 78.5 x 59.5 cm. Frame with exclusive 'Prague Gold' solid wood moulding. With bevelled passe-partout, dust-proof glazing. Format 74 x 91 cm.
Oskar Kokoschka: Picture 'Summer flower with iris and peony', 1971, framed
€148.00
ars mundi exclusive edition, limited edition of 980 copies, reproduced on handmade, heavy Dalí Insize. Due to the high resolution and the excellent paper quality, the colours are particularly brilliant. Sheet size 30 x 40 cm. Framed in silver solid wood classic moulding, dust-proof glazing. Format 34 x 44 cm.
Oskar Kokoschka: Picture 'Summer flowers in a glass jug', 1969, framed
€148.00
ars mundi exclusive edition, limited edition of 980 copies, reproduced on handmade, heavy Dalí Insize. Due to the high resolution and the excellent paper quality, the colours are particularly brilliant. Sheet size 30 x 40 cm. Framed in silver solid wood classic moulding, dust-proof glazing. Format 34 x 44 cm.
Oskar Kokoschka: Picture 'Summer flowers with roses', 1969, framed
€148.00
ars mundi exclusive edition, limited edition of 980 copies, reproduced on handmade, heavy Dalí Insize. Due to the high resolution and the excellent paper quality, the colours are particularly brilliant. Sheet size 30 x 40 cm. Framed in silver solid wood classic moulding, dust-proof glazing. Format 34 x 44 cm.
Oskar Koller: Picture 'Flamenco dancer', framed
€480.00
Exclusively at ars mundi, we offer you this outstanding work by Koller as a colourful giclée on laid paper. Due to the high resolution and the excellent paper quality, the colours are particularly brilliant.giclée on laid paper. Limited edition of 299 copies. Sheet size 51 x 42 cm (H/W). Framed in sophisticated solid wood moulding, dust-proof glazing. Format 56 x 46 cm (H/W).