Henri Manguin found his inspiration above all on the Côte d'Azur in the village of Cavalière. His landscape depictions were given a vivid expression by a very special muse: his wife Jeanne, whom he painted in numerous motifs. Original: 1905/1906, oil on canvas, 61 x 50 cm, Kunsthalle Bielefeld. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a black and gold solid wood frame. Format 66.5 x 54.5 cm (H/W). ars mundi exclusive edition.
Henri Manguin found his inspiration above all on the Côte d'Azur in the village of Cavalière. His landscape depictions were given a vivid expression by a very special muse: his wife Jeanne, whom he painted in numerous motifs. Original: 1905/1906, oil on canvas, 61 x 50 cm, Kunsthalle Bielefeld. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a white and gold solid wood frame. Format 68 x 56 cm (H/W). ars mundi exclusive edition.
Original: 1907, privately owned. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a black and gold solid wood frame. Format 56.5 x 68.5 cm (H/W). ars mundi exclusive edition.
Original: 1907, privately owned. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a white and gold solid wood frame. Size 58 x 70 cm (H/W). ars mundi exclusive edition.
A masterpiece of Abstract Expressionism. Pollock gave the style of Action Painting a completely new dimension. Original: lacquer colour on chalk ground on paper, Yale University, New Haven (Connecticut), USA. High-quality reproduction on artist's canvas, stretched on stretcher frame. Framed in a high-quality solid wood shadow gap moulding. Size 57 x 76 cm (H/W).
Colour offset after the 1988 work of the same name, published by Acte III s. a. Belgium. Printed in Belgium. Sheet size 70 x 90 cm (H/W). Framed in black and silver solid wood moulding, glazed. Format approx. 74.6 x 94.6 cm (H/W). @ SABAM Belgium 2006.
Miró's fascinating symbolic imagery, characterised by abstraction, unfolds an archaic power of expression that speaks to us directly. High-quality colour lithograph on laid paper, signed. Limited edition of 3,000 copies. Motif size/sheet format 20 x 40 cm (H/W). Framed in sophisticated solid wood moulding in black with Prague silver, with acid-free bevelled passe-partout, glazed. Format approx. 36 x 56 cm (H/W).
Carefully reproduced in particularly high-resolution and brilliant quality after Joan Miró's original lithograph. ars mundi exclusive edition on 200g Chagall-Insize, limited edition of 750 copies, not numbered. Framed with bevelled mat in silver solid wood strip, dustproof glass. Format 39 x 45 cm.
High-quality reproduction on Prestige paper, framed in sophisticated solid wood moulding in black with Prague silver, dust-proof glazing with acid-free bevelled passe-partout and picture glass. Motif approx. 45 x 37 cm. Format framed approx. 73 x 63 cm (H/W).
In 1972, at the age of 79, Miró created a series of colour lithographs for his catalogue raisonné 'Lithograph I'. The world-famous motif 'Singing Fish' is one of the most beautiful of these motifs. Here Miró interprets the sea with its dancing life in his typical style. Winding fibres and drifting lines flow into the 'singing fish'. Succesion Miró - by SIAE 1999 Maestri Della Pittura. High-quality edition in fine art giclée process on paper. Framed in a handmade, black and gold-coloured solid wood frame, with dustproof glass. Format approx. 86 x 66 cm (H/W).
Original aquatint etching on BFK Rives, edition of 75 copies numbered in Arabic + 25 copies numbered in Roman numerals (offered here) from a total of 274 copies, signed. WVZ Schellmann 285 B. Motif size/sheet size 56 x 76 cm (H/W). Framed In solid wood frame, glazed. Size 62 x 82 cm (H/W).
Original aquatint etching on BFK Rives, edition of 75 copies numbered in Arabic + 25 copies numbered in Roman numerals (offered here) from a total of 274 copies, signed. WVZ Schellmann 285 B. Unframed. Motif size/sheet size 56 x 76 cm (H/W).
Ancient civilisations saw the water lily as a symbol of vitality and purity, and as early as 4000 BC it was regarded in Egypt as a symbol of world creation and rebirth: a predestined motif for Schmidt-Rottluff, who boldly broke new ground with his painting at a time when his art was considered degenerate. Original: Watercolour, Ziegler Collection, Mülheim a.d. Ruhr Art Museum. High-quality reproduction worked directly on canvas using the fine art giclée process and stretched on a stretcher frame. Limited edition of 499 copies. In handmade gallery framing. Format 69 x 89 cm (H/W).
Kazimir Malevich (1878-1935), Russian painter and founder of Suprematism, returned to a more figurative style in his late work. Original: 1928/29, oil on canvas, 83 x 62 cm, State Russian Museum, St. Petersburg. Reproduction on laid paper. Limited edition of 980 copies. Framed in silver solid wood frame with passe-partout, glazed. Size 73 x 54 cm (H/W).
Colourful abstraction meets the human figure. Kazimir Malevich (1878-1935), Russian painter and founder of Suprematism, returned to a more figurative style in his late work. Original: 1928/32, oil on canvas, 47 x 63.5 cm, State Russian Museum, St. Petersburg. Reproduction in fine art giclée process directly on artist's canvas and mounted on stretcher. Limited edition of 499 copies, numbered certificate on the reverse. Framed in a solid wood frame with shadow gap. Size 74 x 98 cm (H/W). ars mundi exclusive edition.
Original: 1927, oil on canvas, 80 x 96 cm, Hattula Moholy-Nagy Collection. Brilliantly coloured fine art giclée on artist's canvas on stretcher frame. Fine solid wood framing with shadow gap. Limited to 499 copies, with certificate. Format 74 x 88 cm (H/W).
Original: 1926, oil on canvas, 75.8 x 96 cm, on loan from the Kurt and Ernst Schwitters Foundation Hanover, Sprengel Museum, Hanover. Brilliantly coloured fine art giclée on artist's canvas on stretcher frame. Fine solid wood framing with shadow gap. Limited to 499 copies, with certificate. Format 74 x 92.7 cm (H/W).
In this composition, Moholy-Nagy's style - recognisable by the striking surfaces and the technical, objective arrangement of geometric forms - is particularly rich in contrast. Original: 1925, mixed media on canvas, 96 x 77 cm, LWL-Museum für Kunst und Kultur, Münster, inv. no. 1097 LM. High-quality fine art pigment print on heavy Hahnemühle laid paper. Limited edition of 499 copies, numbered with certificate. Elegant framing in black silk matt with Munich gold and bevelled passe-partout, dust-proof glazing. Format approx. 58 x 49 cm (H/W). ars mundi exclusive edition.
Light, colour and form are the ingredients of this constructivist masterpiece.Original: 1924, distemper on canvas, 114 x 132 cm, Nationalgalerie, Berlin. Brilliantly coloured fine art giclée on artist's canvas on stretcher frame. Fine solid wood framing with shadow gap. Limited edition of 499 copies, numbered on the reverse. Format 70 x 84 cm (H/W). ars mundi exclusive edition.
This work, which shows clear influences of Russian Constructivism, is considered one of Moholy-Nagy's most important works. Original: 1922, oil on canvas, 132 x 102 cm, Staatsgalerie Moderner Kunst, Munich. Brilliantly coloured fine art giclée on laid paper. Framed in a handcrafted solid wood frame with passe-partout, glazed. Limited edition of 499 copies, numbered on the reverse. Format 57 x 46 cm (H/W). ars mundi exclusive edition.
