Franz Marc: Picture 'Tower of Blue Horses' (1913), framed
€320.00
Franz Marc's well-known animal motifs were created between 1910 and 1914 and he described animals as a symbol of the idea of creation. His works are utopias of a paradisiacal world with a symbolic use of colour. According to his colour laws, blue was an expression of the spiritual. This painting is considered one of the most important paintings by the founding father of the legendary 'Blauer Reiter' group of artists and has been lost since 1945. Reproduction in 4 colours in frequency-modulated process on cardboard. Framed in a silver-coloured solid wood frame, glazed. Size 84 x 64 cm (H/W).
Franz Marc: Picture 'Tower of Blue Horses' (1913), framed
€440.00
This painting is considered one of the most important pictures by the founding father of the legendary 'Blauer Reiter' group of artists and has been lost since 1945. Brilliant reproduction in fine art giclée process on artist's canvas made of 100% cotton, mounted on stretcher frame. Limited edition of 980 copies with numbered certificate on the reverse. Framed in black solid wood moulding with silver edge, matt patina. Format 76 x 50 cm (H/W).
Franz Marc: Picture 'Two cats, blue and yellow' (1912), framed
€380.00
A masterpiece with an eternally valid message: it shows the attraction of the sexes, the courtship of each other. Original: Oil on canvas, Öffentliche Kunstsammlung, Kunstmuseum Basel. High-quality reproduction using the fine art giclée process, hand-painted on canvas and stretched on a stretcher frame. The visible linen structure emphasises the painting-like effect of the object. In gallery framing. Limited edition of 499 copies, with numbering and certificate on the reverse. Format 50 x 66 cm (H/W). Exclusively at ars mundi.
Franz Marc: Picture 'Two Cats' (1913), framed
€390.00
'I try to empathise pantheistically with the trembling and trickling of blood in nature', is how Franz Marc (1880-1916) described his approach to painting. His psychological feeling, translated into colour, transports his subjects from the naturalistic into a sphere of the unreal, dreamlike and symbolic. His favourite motifs are animals in their direct experience of emotion. Inspired above all by the orphic, colourful cubism of Robert Delaunay, whom he visited in Paris in 1912 together with his Blue Rider colleague August Macke, Marc painted his most important pictures between 1911 and 1914.Original: oil on canvas.4-colour, screen-free reproduction on artist's board. In a silver solid wood frame with passe-partout, glazed. Size 58 x 71 cm (H/W).
Franz Marc: Picture 'Two Horses' (1911/12), framed
€340.00
It was an enormously eventful time in which the 'Two Horses' were created: Franz Marc met August Macke in 1910, and on New Year's Day 1911 he met Gabriele Münter, Marianne Werefkin and Wassily Kandinsky for the first time - through Alexej Jawlensky. Within a short space of time, the members of one of the most important groups of artists of the 20th century were thus assembled. The 'Blue Rider' was founded in December 1911, and Kandinsky later mused on its name: 'We both loved blue, Marc - horses, I - riders. So the name came naturally'. The original of the work, painted in mixed media, belongs to the collection of the Kunsthalle Hamburg. Museum reproduction in high-quality fine art giclée process on the finest genuine laid watercolour paper. Limited edition of 499 copies. Fine solid wood framing in black with gold, matt patina, dust-proof glazing. Format 40 x 53 cm (H/W).
Franz von Stuck: Picture 'Bathing Women' (around 1920), framed
€520.00
Franz von Stuck (1863-1928), ennobled as a Knight of Stuck in 1906, was, like Lehnbach and Kaulbach, counted among the 'Munich painter princes'. His students at the academy there included Wassily Kandinsky and Paul Klee for a time. Stuck's works, with their often lasciviously erotic motifs, were sometimes considered provocative in the staid German Empire, but the round dance of the summer holidaymakers is comparatively restrained - and as a modern version of an old art-historical motif, it reaches far back into antiquity. Original oil on cardboard, 50 x 53.3 cm. Privately owned. Brilliant reproduction in fine art giclée process directly on artist's canvas, mounted on a stretcher frame. Limited edition of 499 copies, with numbering and certificate on the reverse. Framed in a handcrafted real wood frame. Size 72 x 76 cm (H/W). Exclusively at ars mundi.
Franz von Stuck: Picture 'Landscape with waterfall' (around 1896), framed
€328.00
The South of France in Vincent van Gogh's late work is perhaps the most famous example of the extent to which landscapes can characterise a painter's work. However, the subject as such does not even have to exactly depict a geographical model. Sometimes the charm of free composition according to one's own aesthetic ideas dominates. The 'Landscape with Waterfall' by Franz von Stuck (1863-1928), who tended towards symbolic motifs anyway (Der Krieg, 1894, Die Sünde 1893), is above all a staging that fascinates with its two-dimensional, aperspectival spatial organisation. Original: c. 1896, opaque colours on paper, glued to cardboard, 47.5 x 61.5 cm, Staatsgemäldesammlung Bayern. Dietz giclée edition on high-quality artist's canvas made of 100% cotton, traditionally stretched on a stretcher frame. This allows the picture to be re-stretched in the event of fluctuations in room temperature and humidity. Limited edition of 990 copies, numbered on the reverse. In a high-quality model frame. Format 69 x 85 cm (H/W).
Friedensreich Hundertwasser: (887G) Picture 'Tropenchinese', framed
€420.00
Even though Friedensreich Hundertwasser's entire oeuvre - be it in art or architecture - has man in his environment as its aesthetic and intellectual centre, there are only a few works in which he depicts man himself. In this art print, a version of his work 'Tropenchinese' modified by mirroring, the artist thematises the connection between man, architecture and nature. High-quality reproduction in 7 colours with additional metal foils (diffraction silver, silver, gold and blue). Mirrored reproduction of the original. Framed in silver-coloured solid wood frame, with black bias-cut passe-partout. Format 71 x 91 cm. The illustrated works are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these images. Infringements will be prosecuted under criminal and civil law.The displayed works of art are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these illustrations. Violations will be prosecuted according to civil and criminal law.
Friedensreich Hundertwasser: (981) Picture 'Bouquet - Bouquet of flowers (Hommage à van Gogh), black' (1998), framed
€290.00
Original: 1998, 73 cm x 56.5 cm, watercolour, egg tempera, oil and acrylic on primed paper. Limited special art print ars mundi 2005, limited edition of 1,999 copies. High-quality reproduction in five colours with gold and silver embossing. Framed in silver-coloured solid wood frame, with black bias-cut passe-partout. Format 36.5 x 32 cm (H/W). © Gruener Janura AG, Glarus/Switzerland. The illustrated works are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these images. Infringements will be prosecuted under criminal and civil law.the displayed works of art are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these illustrations. Violations will be prosecuted according to civil and criminal law.
Friedensreich Hundertwasser: (981) Picture 'Bouquet - Bouquet of flowers (Hommage à van Gogh), blue' (1998), framed
€290.00
Original: 1998, 73 cm x 56.5 cm, watercolour, egg tempera, oil and acrylic on primed paper. Limited special art print ars mundi 2005, limited edition of 1,999 copies. High-quality reproduction in five colours with gold and silver embossing. Framed in silver-coloured solid wood frame, with blue bias-cut passe-partout. Format 36.5 x 32 cm (H/W). © Gruener Janura AG, Glarus/Switzerland. The illustrated works are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these images. Infringements will be prosecuted under criminal and civil law.the displayed works of art are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these illustrations. Violations will be prosecuted according to civil and criminal law.
Friedensreich Hundertwasser: Picture '(224) The Great Path', framed
€560.00
The spiral is one of the major themes that we encounter again and again in Hundertwasser's work. For Hundertwasser, the spiral is the symbol of life, which develops from a tiny cell, grows slowly and organically and finally fades into infinity. Organically, like growth rings, one winding of the great path wraps itself around the other, in a harmony of colours that only nature itself can produce: Colours and shapes as music to the eye. High-quality reproduction with foil embossing. Framed in a silver-coloured solid wood frame. Format 80 x 81 cm. The big way. The big Way. Le grand Chemin, 1955 (Vienna, Austrian Gallery). © NAMIDA AG, Glarus/CH.
Friedensreich Hundertwasser: Picture '(725) The thing grows in a flower pot', framed
€340.00
Hundertwasser used colour instinctively (according to the well-known art historian Wieland Schmied) and achieved the greatest possible effect with somnambulistic certainty. The deep black lacquered solid wood strip of the glazed frame and the black passe-partout with white bevelled edge make his colours shine all the more brightly. The high-quality reproduction, the glossy foil finish and the matt black background emphasise its value. Format 59 x 59 cm The illustrated works are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these images. Infringements will be prosecuted under criminal and civil law.the displayed works of art are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these illustrations. Violations will be prosecuted according to civil and criminal law.
Friedensreich Hundertwasser: Picture '(745) Blobs Grow in Beloved Gardens', framed
€330.00
It is not least Hundertwasser's use of colour that makes his work so unique. He uses colour instinctively (according to the well-known art historian Wieland Schmied) and achieves the greatest possible effect with somnambulistic certainty. The deep black lacquered solid wood strip of the glazed frame and the black passe-partout with white bevelled edge make Hundertwasser's colours shine all the more brightly. High-quality reproduction in 7 to 9 colours, finished in an embossing process with highly refractive metal foil and partially coated with partial UV varnish. Format 59 x 59 cm. The illustrated works are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these images. Infringements will be prosecuted under criminal and civil law.The displayed works of art are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these illustrations. Violations will be prosecuted according to civil and criminal law.
Friedensreich Hundertwasser: Picture '(775) Noah's Ark', framed
€420.00
The reproduction is based on the Hundertwasser painting 'Park' (after Oeuvre 775). High-quality reproduction in 7 colours and finished with glossy foils (silver and blue). Sheet size 84 x 59.4 cm. Framed in silver-coloured solid wood frame. Format 92 x 67.5 cm (H/W). The illustrated works are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these images. Infringements will be prosecuted under criminal and civil law.The displayed works of art are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these illustrations. Violations will be prosecuted according to civil and criminal law.
Friedensreich Hundertwasser: Picture '(777S) Save the Seas', framed
€420.00
The reproduction is based on the Hundertwasser painting 'Song of the Whales' (after Oeuvre 777). High-quality reproduction in 9 colours and finished with glossy foils (silver and gold). Sheet size 81 x 58.5 cm. Framed in silver-coloured solid wood frame. Format 92 x 67.5 cm (H/W). The illustrated works are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these images. Infringements will be prosecuted under criminal and civil law. The displayed works of art are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these illustrations. Violations will be prosecuted according to civil and criminal law.
Friedensreich Hundertwasser: Picture '(781) Green City', framed
€790.00
It is not least Hundertwasser's use of colour that makes his work so unique. He uses colour instinctively (according to the well-known art historian Wieland Schmied) and achieves the greatest possible effect with somnambulistic certainty. Based on the Hundertwasser painting 781 Green City. Artprint in 8 colours on paper with glossy foil embossing in glitter silver and blue. Motif size 49.5 x 74 cm (H/W). Sheet size 59.5 x 84 cm (H/W). Framed in silver-coloured solid wood frame. Format 78 x 103.5 cm (H/W). © NAMIDA AG, Glarus/CH. The illustrated works are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these illustrations. Infringements will be prosecuted under criminal and civil law.the displayed works of art are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these illustrations. Violations will be prosecuted according to civil and criminal law.
Friedensreich Hundertwasser: Picture '(781) Green Town', framed
€330.00
It is not least Hundertwasser's use of colour that makes his work so unique. He uses colour instinctively (according to the well-known art historian Wieland Schmied) and achieves the greatest possible effect with somnambulistic certainty. The deep black lacquered solid wood strip of the glazed frame and the black passe-partout with white bevelled edge make Hundertwasser's colours shine all the more brightly. High-quality reproduction in 7 to 9 colours, finished in an embossing process with highly refractive metal foil and partially coated with partial UV varnish. Format 59 x 59 cm. The illustrated works are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these images. Infringements will be prosecuted under criminal and civil law.The displayed works of art are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these illustrations. Violations will be prosecuted according to civil and criminal law.
Friedensreich Hundertwasser: Picture '(814) Pavillions and Bungalows', framed
€330.00
It is not least Hundertwasser's use of colour that makes his work so unique. He uses colour instinctively (according to the well-known art historian Wieland Schmied) and achieves the greatest possible effect with somnambulistic certainty. The deep black lacquered solid wood strip of the glazed frame and the black passe-partout with white bevelled edge make Hundertwasser's colours shine all the more brightly. High-quality reproduction in 7 to 9 colours, finished in an embossing process with highly refractive metal foil and partially coated with partial UV varnish. Format 59 x 59 cm. The illustrated works are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these images. Infringements will be prosecuted under criminal and civil law.The displayed works of art are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these illustrations. Violations will be prosecuted according to civil and criminal law.
Friedensreich Hundertwasser: Picture '(836) Island in the yellow sea', framed
€390.00
Hundertwasser used colour instinctively (according to the well-known art historian Wieland Schmied) and achieved the greatest possible effect with somnambulistic certainty. The deep black lacquered solid wood strip of the glazed frame and the black passe-partout with white bevelled edge make his colours shine all the more brightly. High-quality reproduction, the glossy foil finish and the matt black background emphasise the quality. Format 57 x 73 cm (H/W) The illustrated works are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these images. Infringements will be prosecuted under criminal and civil law.the displayed works of art are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these illustrations. Violations will be prosecuted according to civil and criminal law.
Friedensreich Hundertwasser: Picture '(839) The third skin', framed
€390.00
Hundertwasser used colour instinctively (according to the well-known art historian Wieland Schmied) and achieved the greatest possible effect with somnambulistic certainty. The deep black lacquered solid wood strip of the glazed frame and the black passe-partout with white bevelled edge make his colours shine all the more brightly. High-quality reproduction, the glossy foil finish and the matt black background emphasise the quality. Format 58 x 74 cm (H/W) The illustrated works are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these images. Infringements will be prosecuted under criminal and civil law.the displayed works of art are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these illustrations. Violations will be prosecuted according to civil and criminal law.
Friedensreich Hundertwasser: Picture '(886) Birth of an Automobile', framed
€340.00
Hundertwasser used colour instinctively (according to the well-known art historian Wieland Schmied) and achieved the greatest possible effect with somnambulistic certainty. The deep black lacquered solid wood strip of the glazed frame and the black passe-partout with white bevelled edge make his colours shine all the more brightly. The high-quality reproduction, the glossy foil finish and the matt black background emphasise its value. Format 59 x 59 cm The illustrated works are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these images. Infringements will be prosecuted under criminal and civil law.the displayed works of art are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these illustrations. Violations will be prosecuted according to civil and criminal law.
Friedensreich Hundertwasser: Picture '(906) House cat', framed
€620.00
High-quality reproduction in 8 colours with additional metal foil embossing in 3 colours. Partially coated with UV varnish. Framed in silver-coloured solid wood frame. Format approx. 89 x 100 cm. Hundertwasser (1928-2000). © 2014 by NAMIDA AG, Glarus / Switzerland. Printed in Germany. The illustrated works are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these illustrations. Infringements will be prosecuted under criminal and civil law. The displayed works of art are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these illustrations. Violations will be prosecuted according to civil and criminal law.
Friedensreich Hundertwasser: Picture '(928) Antipode King - King of the Antipodes', framed
€598.00
The painting 928 King of the Antipodes was one of Hundertwasser's favourites. The term 'antipode' comes from the Greek and literally means 'opposite feet'. Geographically, the antipodes refer to the inhabitants of two places that are exactly opposite each other on the globe; philosophically, they refer to the representatives of two diametrically opposed points of view.high-quality reproduction in 8 colours with additional metal foil embossing in 3 shades. The image is reproduced in reverse to the original. Framed in a silver-coloured solid wood frame. Size 82 x 100 cm. Hundertwasser (1928-2000). (928) Antipode King © 2014 by Namida AG, Glarus / Switzerland. Printed in Germany. The illustrated works are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these images. Infringements will be prosecuted under criminal and civil law.The displayed works of art are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these illustrations. Violations will be prosecuted according to civil and criminal law.
Friedensreich Hundertwasser: Picture '(936) The 30 Days Fax', framed
€680.00
In January 1992, Hundertwasser sent an A4 fax from the Antipodes/New Zealand to Vienna every day for thirty days. The artist then mounted copies of these thirty faxes on linen and painted them in mixed media. Hundertwasser saw this picture as a great painterly adventure: 'The subject matter is fairytale-like and like something out of a children's book. The dogmatic architectural world does not want to admit that the most humane architecture can be found in children's drawings and fairy tale books. High-quality reproduction with foil embossing. The 30 Days Fax Painting. The 30 Days Fax Painting. Le 30 Jours Fax Image, 1994 © 2015 by NAMIDA AG, Glarus/Switzerland. Printed in Germany. Motif size 65 x 57 cm (H/W). Sheet size 84 x 59.4 cm (H/W). Framed in silver-coloured solid wood frame with bevelled passe-partout. Format 98.9 x 84.7 cm (H/W).