Ernst Ludwig Kirchner: Picture 'Burg auf Fehmarn' (1912), version framed in black and silver colour
€540.00
Ernst Ludwig Kirchner spent four summers on Fehmarn between 1908 and 1914. He regarded the island in the Baltic Sea as his little paradise. He also made the small island town of Burg appear almost paradisiacal in this painting - with a strong red and a rich green as the dominant colours. Original: 1912, oil on canvas, 121 x 90.5 cm, inv. no. 860 LM, LWL-Museum für Kunst und Kultur, Münster. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 100 copies, numbered, with certificate. Published in collaboration with the LWL-Museum für Kunst und Kultur, Münster. Photo: LWL-MKuK/Sabine Ahlbrand-Dornseif. Framed in a handcrafted, black and silver-coloured solid wood frame. Format 66.5 x 51.5 cm (H/W). ars mundi exclusive edition.
Ernst Ludwig Kirchner: Picture 'Coffee Table' (1923), framed
€520.00
The treatment of Kirchner's work during the Nazi era is exemplary of National Socialist art policy: more than 600 of Kirchner's paintings were removed from museums. His 'Coffee Table' from 1923 bears witness to his preoccupation with Cubism in the perspective he chose, but is entirely Kirchner in its two-dimensional abstraction. It shows the family's conversation as a moment of intimate familiarity and serene calm and invites the viewer to join in, not least through its bright, warm colours. Original oil on canvas, Museum Folkwang, Essen. Brilliant reproduction in fine art giclée process on artist's canvas, mounted on a stretcher frame. Limited edition of 499 copies, with numbering and certificate on the reverse. Framed in a handcrafted real wood frame. Format 78 x 78 cm. Exclusively at ars mundi.
Ernst Ludwig Kirchner: Picture 'Davos in Winter' (1923), version framed in black and silver colour
€440.00
Having lived in Davos since 1918, Kirchner made the landscape the main subject of his works. He expressively captures the luminous blue, purple and pink tones of this impressive snowy landscape created by the changing daylight. Original: 1923, oil on canvas, 121 x 150 cm (H/W), Kunstmuseum, Basel. High-quality fine art giclée edition on artist's canvas, stretched on stretcher frame. Limited edition of 980 copies with certificate on the reverse. Framed in a high-quality black and silver-coloured solid wood frame. Format 54.3 x 66.3 cm (H/W). ars mundi exclusive edition.
Ernst Ludwig Kirchner: Picture 'Davos in Winter' (1923), version framed in silver colour
€440.00
Having lived in Davos since 1918, Kirchner made the landscape the main subject of his works. He expressively captures the luminous blue, purple and pink tones of this impressive snowy landscape created by the changing daylight. Original: 1923, oil on canvas, 121 x 150 cm (H/W), Kunstmuseum, Basel. High-quality fine art giclée edition on artist's canvas, stretched on stretcher frame. Limited edition of 980 copies with certificate on the reverse. Framed in a high-quality silver-coloured solid wood frame with shadow gap. Size 51 x 63 cm (H/W). ars mundi exclusive edition.
Ernst Ludwig Kirchner: Picture 'Dorfstraße mit Apfelbäumen' (1907), version framed in black and gold colour
€480.00
When the original came up for auction in 2020, Ernst Ludwig Kirchner's largely unknown early work realised more than double its original estimate - over one million euros was the final price. 'Dorfstraße mit Apfelbäumen' is one of a series of works created in 1907 in Goppeln in Dresden's Elbe Valley, where Kirchner and his fellow painter Max Pechstein from the artists' association 'Brücke', which they had founded together a year earlier, spent time painting in the open air. Stylistically, it bears witness to his involvement with the works of Vincent van Gogh, which the artist had admired in an exhibition at the Arnold Gallery in Dresden in 1905 and which left its mark on many of the 'Brücke' painters. Kirchner's painting style was to develop further and soon go other ways stylistically, and yet the artist still remembered this work in a letter in 1924 and described it favourably as a 'small, one-off chance sample in which I once tried painting with strokes'. Original: 1907, oil on canvas, 60 x 50 cm. High-quality fine art giclée edition on artist's canvas, stretched on stretcher. Limited edition of 980 copies, numbered, with certificate. Framed in a high-quality black and gold solid wood frame. Format 71.5 x 60.5 cm (H/W). ars mundi exclusive edition. © Ketterer Kunst GmbH and Co KG.
Ernst Ludwig Kirchner: Picture 'Dorfstraße mit Apfelbäumen' (1907), version framed in white and gold colour
€480.00
When the original came up for auction in 2020, Ernst Ludwig Kirchner's largely unknown early work realised more than double its original estimate - over one million euros was the final price. 'Dorfstraße mit Apfelbäumen' is one of a series of works created in 1907 in Goppeln in Dresden's Elbe Valley, where Kirchner and his fellow painter Max Pechstein from the artists' association 'Brücke', which they had founded together a year earlier, spent time painting in the open air. Stylistically, it bears witness to his involvement with the works of Vincent van Gogh, which the artist had admired in an exhibition at the Arnold Gallery in Dresden in 1905 and which left its mark on many of the 'Brücke' painters. Kirchner's painting style was to develop further and soon go other ways stylistically, and yet the artist still remembered this work in a letter in 1924 and described it favourably as a 'small, one-off chance sample in which I once tried painting with strokes'. Original: 1907, oil on canvas, 60 x 50 cm. High-quality fine art giclée edition on artist's canvas, stretched on stretcher. Limited edition of 980 copies, numbered, with certificate. Framed in a high-quality white and gold solid wood frame. Format 73 x 62 cm (H/W). ars mundi exclusive edition. © Ketterer Kunst GmbH and Co KG.
Ernst Ludwig Kirchner: Picture 'Fehmarn Bay with Boats' (1913), framed
€580.00
Ernst Ludwig Kirchner on Fehmarn. To each painter his own paradise: For Van Gogh it was the South of France, for Nolde either the exoticism of the South Seas or the landscape around Seebüll, for Slevogt Nidden on the Baltic Sea. The examples could easily be added to. For Ernst Ludwig Kirchner, however, it was most certainly Fehmarn. The artist visited the island four times between 1908 and 1914, and during his stays he produced no fewer than 120 paintings as well as countless watercolours, drawings and sketches. If one reads the letters and notes, Kirchner not only found motifs and artistic inspiration on Fehmarn, but also a form of happiness that he never found again in his later life. On Fehmarn, the painter of the nervous big city became a closely observing depictor of nature, whose paintings are still able to communicate his personal sense of happiness to today's viewers. Kirchner invites him - like the blue figure in his 'Fehmarn Bay with Boats' - to a pure, undisguised, relaxed contemplation of his paradise.Original: 1913, oil on canvas, 120 x 90 cm, privately owned. Edition in fine art giclée process on artist's canvas, stretched on stretcher frame. Limited edition of 199 copies, numbered, with certificate. Framed in a high-quality black and gold solid wood frame. Format 90.5 x 67.5 cm (H/W). ars mundi exclusive edition.
Ernst Ludwig Kirchner: Picture 'Gut Staberhof (Fehmarn I)' (1913), framed
€470.00
Ernst Ludwig Kirchner, whose early work is dominated by metropolitan motifs, found peace and balance on Fehmarn. Original: 1913, oil on canvas, 121 x 151 cm, Hamburger Kunsthalle. Edition in fine art giclée process on artist's canvas, stretched on stretcher frame. Limited edition of 199 copies, numbered, with certificate. Framed in a high-quality black and gold solid wood frame. Size 63.5 x 76.5 cm (H/W). ars mundi exclusive edition.
Ernst Ludwig Kirchner: Picture 'Mexikobucht auf Fehmarn' (1912), framed
€420.00
Ernst Ludwig Kirchner on Fehmarn. To each painter his own paradise: For Van Gogh it was the South of France, for Nolde either the exoticism of the South Seas or the landscape around Seebüll, for Slevogt Nidden on the Baltic Sea. The examples could easily be added to. For Ernst Ludwig Kirchner, however, it was most certainly Fehmarn. The artist visited the island four times between 1908 and 1914, and during his stays he produced no fewer than 120 paintings as well as countless watercolours, drawings and sketches. If one reads the letters and notes, Kirchner not only found motifs and artistic inspiration on Fehmarn, but also a form of happiness that he never found again in his later life. On Fehmarn, the painter of the nervous metropolis became a closely observing depictor of nature, whose paintings are still able to communicate his personal sense of happiness to today's viewers. Original: 1912, oil on canvas, 50.4 x 50.4 cm, privately owned. Edition in fine art giclée process on artist's canvas, stretched on stretcher frame. Limited edition of 199 copies, numbered, with certificate. Framed in a high-quality black and gold solid wood frame. Format 56.5 x 56.5 cm. ars mundi exclusive edition.
Ernst Ludwig Kirchner: Picture 'Nude in the forest with a view of Hubel', framed
€480.00
Original: Private collection, Lucerne Limited facsimile edition of 600 copies on laid paper after the original bold pencil drawing. Framed in a black solid wood frame, glazed. Size 52.5 x 38.5 cm (h/w).
Ernst Ludwig Kirchner: Picture 'Nude seated model', framed
€480.00
Original: Private collection, Lucerne Limited facsimile edition of 600 copies on laid paper after the original bold pencil drawing. Framed in a black solid wood frame, glazed. Size 52.5 x 38.5 cm (h/w).
Ernst Ludwig Kirchner: Picture 'Old House on Fehmarn' (1908), framed
€420.00
Kirchner, whose early work is dominated by metropolitan motifs, found peace and balance on Fehmarn. The 'Old House' in his typical, partly subjective colour scheme dates from his first stay, which was to be followed by many more. Original: oil on canvas, privately owned, fine art giclée on artist's canvas, stretched on stretcher. In handcrafted gallery framing in gold, matt patina. Limited edition of 499 copies, numbered and with certificate. Size 59 x 70 cm (H/W).
Ernst Ludwig Kirchner: Picture 'Potsdamer Platz' (1914), framed
€440.00
Kirchner wanted his paintings to be understood as 'parables', including this one of the centre of Berlin, which in its colouring and composition depicts its protagonists as the staffage of an undercooled metropolitan backdrop. Original: Oil on canvas, Neue Nationalgalerie, Berlin. Brilliant reproduction in fine art giclée process on artist's canvas, mounted on a stretcher frame. Limited edition of 499 copies, with numbering and certificate on the reverse. Framed in a handcrafted real wood frame. Size 52 x 68 cm. Exclusively at ars mundi.
Ernst Ludwig Kirchner: Picture 'The Klosters Mountains' (1923), framed
€460.00
The Davos period was formative for one of the most important representatives of Expressionism and inspired him to create a large number of important works. Original: 1923, oil on canvas, 120.5 x 120.5 cm. Belvedere Gallery, Vienna. Brilliant fine art giclée on artist's canvas. Limited edition of 499 copies, numbered on the reverse, certificate. Framed in a handcrafted solid wood frame. Format 71.5 x 71.5 cm. ars mundi exclusive edition.
Ernst Ludwig Kirchner: Picture 'Two Ladies in a Café' (1927), framed
€440.00
In a nutshell, the Impressionists found their way back out of their studios and into the great outdoors, while the Expressionists discovered the big city and its people as their central motif. It is the fundamental experience of this period: Berlin had long since grown into a city of millions, and the urban interplay of familiarity and anonymity provided the painters with their subject matter. Kirchner's 'Two Ladies in a Café' portrays typical, emphatically self-confident female figures in a presumably gas-lit ambience. Original: oil on canvas, Kirchner Museum, Davos. Brilliant reproduction in fine art giclée process, transferred directly to artist's canvas and mounted on a stretcher Limited edition of 499 copies, numbered and certified on the reverse. Framed in handcrafted real wood frame. Format 65 x 68 cm. Exclusively at ars mundi.
Ernst Ludwig Kirchner: Picture 'Windmühle auf Fehmarn' (1913), framed
€398.00
The expressionist Ernst Ludwig Kirchner found his earthly paradise on Fehmarn, where he could paint in and after nature. Original: 1913, oil on canvas, 75.5 x 95.5 cm, Von der Heydt-Museum, Wuppertal. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 499 copies, numbered, with certificate. Framed in a handcrafted, gold-coloured solid wood frame. Size 59 x 58 cm (H/W). ars mundi exclusive edition.
Ernst Ludwig Kirchner: Picture 'Woman with child under fir trees' (1936), version framed in black and gold colour
€640.00
Ernst Ludwig Kirchner lived in Davos, Switzerland, from 1918 until his death in 1938. During this time, he made the mountain landscape and its inhabitants his central pictorial theme. In this painting, Kirchner worked predominantly with cool colour tones, making the clear mountain air and the tranquillity of the Alpine landscape palpable. Original: 1936, oil on canvas, 70 x 80 cm, inv. no. 959 LM, LWL-Museum für Kunst und Kultur, Münster. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 100 copies, numbered, with certificate. Published in collaboration with the LWL-Museum für Kunst und Kultur, Münster. Photo: LWL-MKuK/Hanna Neander. Framed in a handcrafted, black and gold-coloured solid wood frame. Size 64 x 72 cm (H/W). ars mundi exclusive edition.
Ernst Ludwig Kirchner: Picture 'Woman with child under fir trees' (1936), version framed in black and silver colour
€640.00
Ernst Ludwig Kirchner lived in Davos, Switzerland, from 1918 until his death in 1938. During this time, he made the mountain landscape and its inhabitants his central pictorial theme. In this painting, Kirchner worked predominantly with cool colour tones, making the clear mountain air and the tranquillity of the Alpine landscape palpable. Original: 1936, oil on canvas, 70 x 80 cm, inv. no. 959 LM, LWL-Museum für Kunst und Kultur, Münster. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 100 copies, numbered, with certificate. Published in collaboration with the LWL-Museum für Kunst und Kultur, Münster. Photo: LWL-MKuK/Hanna Neander. Framed in a handcrafted, black and silver-coloured solid wood frame. Size 64 x 72 cm (H/W). ars mundi exclusive edition.
Eugenio Carmi: Picture 'Segnale immaginario', framed
€420.00
The imaginary signals that Eugenio Carmi emits seem to come directly from the depth and infinity of space, which is divided into two different aggregate states. In the upper room an unreal atmosphere, in the lower part glowing heat makes it impossible. But there is hope. Within the signal circle, whether imaginary or real, the colours become more 'life-friendly'. Blue signals the presence of vital oxygen, green signals that the forces of nature have already begun to claim their right to life. Photolithograph in six colours, signed by the artist, numbered on the reverse. Limited edition of 5,000 copies. Sheet size 30 x 23.5 cm (H/W). Framed in silver-coloured solid wood framing with bevel cut passe-partout, glazed. Format 45.5 x 36.5 cm (H/W).
Fabrizio Clerici: Picture 'The Ram', framed
€420.00
Photolithograph in six colours, signed by the artist, numbered on the reverse. Limited edition of 5,000 copies. Framed in silver-coloured solid wood framing with bevel cut passe-partout, glazed. Format 45.5 x 36.5 cm (H/W).
Felix Vallotton: Picture 'La Falaise de la Grève Blanche' (1913), framed
€360.00
Original: 1913, oil on canvas, privately owned. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 499 copies, numbered, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Format approx. 50 x 39 cm (H/W). ars mundi exclusive edition.
Felix Vallotton: Picture 'The harbour of Pully' (1891), framed
€460.00
Felix Vallotton, born in Lausanne in 1865, depicts a view of the small town of Pully on Lake Geneva in this painting. Against the monumental backdrop of the Swiss mountains, the town's houses are reflected on the calm surface of the water. Original: 1891, oil on canvas, 51 x 74 cm, Musee de Pully, Switzerland. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Size 48 x 71 cm (H/W). ars mundi exclusive edition.
Ferdinand Hodler: Picture 'Blühender Kirschbaum' (1905), framed
€420.00
High-quality reproduction in fine art giclée process on artist's canvas made of cotton, stretched on a solid wood stretcher frame. The canvas is sealed with artist's varnish. Limited edition of 499 copies, numbered with certificate. An elegant framing in white patinated grey with gold edging completes the high-quality appearance. Format approx. 68 x 55 cm (H/W).
Ferdinand Hodler: Picture 'Jungfrau von Mürren aus' (1911), framed
€380.00
The painting shows the view of the Swiss painter Ferdinand Hodler from the village of Mürren to the summit of the Jungfrau. Original: oil on canvas. Winterthur, Oskar Reinhart Foundation. Brilliant, authentic reproduction in fine art giclée process, directly on artist's canvas and mounted on wooden stretcher frame. Limited edition of 499 copies, limited edition certificate on the reverse. The exquisite solid wood framing emphasises the exclusive appearance. Format 59 x 79 cm (W/H).