They are among the most famous works of Impressionism and among the most expensive paintings in the world: the 'Nymphéas', which the elderly Claude Monet created in his garden in Giverny. Here he used the technique of the 'short brushstroke', which he had perfected. This technique enabled him to capture the shimmering of the air over the water in a unique way. Original: 1916, oil on canvas, National Museum of Western Art, Tokyo. Edition in fine art giclée process on canvas in fine, handcrafted real wood framing. Limited edition of 980 copies, with certificate of authenticity. Framed in a white and gold solid wood frame. Format 73 x 73 cm.
Original: Oil on canvas, Cleveland Museum of Art. Brilliantly coloured fine art giclée on artist's canvas on stretcher frame. The canvas can be re-stretched using the wooden wedges. Real wood gallery framing. Limited to 499 copies. Comes with certificate. Size 72 x 58 cm. ars mundi exclusive edition.
Original: 1880, oil on canvas, 81 x 60 cm, National Gallery of Art, Washington DC, USA. High-quality reproduction in fine art giclée process on cotton canvas, motif surface sealed with canvas texture and artist's varnish. Stretched on a wooden stretcher frame like an original painting, with wedges for re-stretching. Limited edition of 499 copies with numbered certificate on the reverse. Framed in a sophisticated solid wood frame. Size 70 x 54 cm (H/W). ars mundi exclusive edition.
Original: 1875, oil on canvas, 100 x 81 cm, New York, Metropolitan Museum of Art. High-quality fine art giclée on cotton artist's canvas stretched on an adjustable solid wood stretcher frame. The structure of the canvas can be felt and seen. With solid real wood framing in light grey with gold grain. Limited edition of 980 copies. With certificate. Format approx. 66 x 55 cm (H/W).
Original: 1875, oil on canvas, 100 x 81 cm, New York, Metropolitan Museum of Art. High-quality edition on paper. Framed in silver-coloured solid wood frame with passe-partout, glazed. Size 87.5 x 75 cm (h/w).
Monet loved this painting so much that he never wanted to part with it for the rest of his life. This world-famous painting from the Musée d'Orsay in Paris shows Suzanne Hoschedé, the daughter of the artist's second wife. In this work, Monet shows himself to be a great master of colour and light - and an admirer of female grace. Monet created the work in two versions, left- or right-facing. Original: 1886, oil on canvas, 131 x 88 cm, Musée d'Orsay, Paris. High-quality reproduction worked by hand using the fine art giclée process on an artist's canvas made of cotton and stretched on an adjustable solid wood stretcher frame. The structure of the canvas can be felt and seen. With solid real wood framing in light grey with gold grain. Format 66 x 47 cm (H/W).
This world-famous painting from the Musée d'Orsay in Paris shows Suzanne Hoschedé, the daughter of the artist's second wife. In this work, Monet shows himself to be a great master of colour and light - and an admirer of female grace. Monet created the work in two versions, left- or right-facing. Original: 1886, oil on canvas, 131 x 88 cm, Musée d'Orsay, Paris The brilliantly coloured giclée on artist's cotton canvas and stretcher frame, adorned with a real wood gallery frame. Limited to 499 copies with certificate. Size incl. frame 67 x 49 cm (H/W).
In 1890, Claude Monet bought a picturesque plot of land in Giverny and devoted himself entirely to designing his garden. He created a paradise with seas of exotic plants and ponds with shimmering mother-of-pearl water lilies. Monet had a Japanese wooden bridge built over the water lily pond. Here he found the motifs for his world-famous water lily and garden paintings, which characterised his late artistic work. 'Yellow Water Lilies and Agapanthus': Iridescent water lilies, one of Monet's favourite plants, form small islands of leaves in the reflecting water. Original: Oil on canvas, Musée Marmottan, Paris. High-quality reproduction in fine art giclée technique, directly hand-painted on canvas and traditionally stretched on stretcher frame. The visible linen structure emphasises the painting-like effect of the object. In an elegant solid wood frame. Format 74 x 64 cm (H/W).
When an Impressionist becomes a gardener, the choice of plants corresponds to his brush and palette: Monet chose plants for his ornamental garden in Giverny whose flowers and shapes delighted him throughout the seasons. It was also there that the French Impressionist found the motifs for his famous 'Nympheas', his water lily paintings - small islands of flowers and leaves in the midst of shimmering water and landscape. Two particularly high-quality, lightfast reproductions on glass. The glass panel is mounted with special spacers (12 mm) and appears to float freely in front of the wall. Format each 30 x 30 x 1.2 cm (W/H/D) Glass picture 'Iris bed in Monet's garden': Original: oil on canvas, Musée d'Orsay, Paris. Glass picture 'Yellow water lilies and agapanthus': Original: Oil on canvas, Musée Marmottan, Paris.both wall objects in a set.
When an Impressionist becomes a gardener, the choice of plants corresponds to his brush and palette: Monet chose plants for his ornamental garden in Giverny whose flowers and shapes delighted him throughout the seasons. There, the French Impressionist also found the motifs for his famous 'Nympheas', his water lily paintings - small islands of flowers and leaves in the midst of shimmering water and landscape. Original: oil on canvas, Musée d'Orsay, Paris, particularly high-quality, lightfast reproduction on glass. The glass panel is mounted with special spacers (12 mm) and appears to float freely in front of the wall. Format 30 x 30 x 1.2 cm (W/H/D).
When an Impressionist becomes a gardener, the choice of plants corresponds to his brush and palette: Monet chose plants for his ornamental garden in Giverny whose flowers and shapes delighted him throughout the seasons. There, the French Impressionist also found the motifs for his famous 'Nympheas', his water lily paintings - small islands of flowers and leaves in the midst of shimmering water and landscape. Original: oil on canvas, Musée Marmottan, Paris, particularly high-quality, lightfast reproduction on glass. The glass panel is mounted with special spacers (12 mm) and appears to float freely in front of the wall. Format 30 x 30 x 1.2 cm (W/H/D).
Hand-signed and numbered original carborundum etching on Colombe paper, limited edition of 175 copies. Motif size 45 x 61 cm (H/W). Sheet size 56.5 x 75.5 cm (H/W). Framed in silver solid wood frame, glazed. Format 65 x 81 cm (H/W).
As an artist and collector, Curt Herrmann played a central role in Berlin's art scene around 1900. He was a founding member and board member of the Berlin Secession in 1898 and of the Deutscher Künstlerbund in 1903. Original: 1910/14, oil on canvas, 49 x 32 cm, private collection. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched on stretcher. Limited edition of 980 copies, numbered and signed, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Size 63 x 44 cm (H/W). ars mundi exclusive edition.
Original: The Metropolitan Museum of Art, New York. High-quality reproduction in fine art giclée process directly on artist's canvas, stretched on stretcher frame. Limited edition of 199 copies. With solid wood museum framing. Size 72 x 67 cm (H/W).
Original: The Metropolitan Museum of Art, New York. High-quality reproduction in fine art giclée process directly on canvas, stretched on stretcher frame. Limited edition of 199 copies. With solid wood museum framing. Size 59 x 77 cm (H/W).
After many years abroad, Edvard Munch returned to his native Norway in 1909, first in Kragerø in the south of the country, then from 1916 until the end of his life in Ekely near Oslo, where he retired to a 40,000 square metre former market garden. Landscape painting played a major role in his enormously productive late work. The almost axially symmetrical composition draws the eye to a pair of lovers, who at the same time become part of the depicted nature through the choice of corresponding colours. Original: 1911-13, oil on canvas, 70 x 90 cm, privately owned, edition on canvas, stretched on stretcher. Limited edition of 980 copies, numbered on the reverse. Framed in a white and gold solid wood frame. Size 60 x 75.5 cm (H/W). ars mundi exclusive edition.
The reflection of the moonlight on the surface of the water is far more than the reproduction of a natural impression. Edvard Munch staged the pale glow as a column of light that, like an exclamation mark, signals the viewer's position in the cosmos. Reproduction in fine art giclée process on artist's canvas made of 100% cotton, stretched on wooden stretcher frame. Handcrafted real wood framing. Size 67 x 76 cm (H/W). Limited edition of 499 copies. ars mundi exclusive edition.
Edvard Munch repeatedly used winter impressions as a theme in his works. The Norwegian painter immersed the snow-covered landscape in soft pastel colours, creating the typical light and atmosphere of winter in the picture. Original: 1906, oil on canvas, 80 x 100 cm, Munch-Museet, Oslo. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, black and silver-coloured solid wood frame. Size 47.3 x 56.8 cm (H/W). ars mundi exclusive edition.
Edvard Munch repeatedly used winter impressions as a theme in his works. The Norwegian painter immersed the snow-covered landscape in soft pastel colours, creating the typical light and atmosphere of winter in the picture. Original: 1906, oil on canvas, 80 x 100 cm, Munch-Museet, Oslo. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, silver-coloured solid wood frame with shadow gap. Format 44.5 x 54 cm (H/W). ars mundi exclusive edition.
In 1916, Edvard Munch (1863-1944) bought the Ekely property, formerly a market garden in the Oslo suburb of Skøyen. Here Munch had enough space to work, and he lived here until the end of his life. Munch's extensive and colourful artistic work from this phase is also an expression of the favourable working conditions under which he worked at Ekely. Some of his most famous paintings were created during this time. 'Apple Tree at the Studio': Original: oil on canvas, Munch-Museet, Oslo. Reproduction in fine art giclée process directly on artist's canvas and mounted on stretcher frame. Framed in a solid wood frame. Limited edition of 499 copies. Format approx. 78 x 78 cm. ars mundi exclusive edition.
Original: Munch Museum, Oslo. High-quality reproduction worked by hand on artist's canvas using the fine art giclée technique and mounted on a wooden stretcher frame. The surface of the motif has a tangible and visible linen structure and an additional brush structure applied by hand. In handcrafted golden-brown rubbed-through real wood museum framing. Limited edition of 499 copies, with numbered certificate on the reverse. Format 80 x 64 cm (H/W).
With 'The Scream', the Norwegian artist Edvard Munch created one of the most famous motifs in art history and a key work of Expressionism: A shadowy figure on a bridge against a fiery red sky, hands held to his head, eyes and mouth wide open. Munch produced a total of four versions in different techniques and sizes: Two in tempera on cardboard (from 1893 and 1910) and two in pastel on wood (1893 and 1895), varying in size from 74 x 56 cm to 91 x 73.5 cm; there are also several smaller lithographs. The 1895 version realised almost 120 million dollars at auction in 2012, making it one of the most expensive paintings ever. There are various theories about the genesis of the 'Scream'. One says that Munch visited an exhibition of Inca mummies with Paul Gauguin in 1889, from which he drew inspiration, another that the painting captures the reddish sky caused by the eruption of the Krakatau volcano in 1883. Original: pastel/cardboard, 59 x 79 cm, privately owned Oslo. Edition on artist's canvas with linen structure, on wooden stretcher frame. Limited edition of 980 copies with numbered certificate on the reverse. Framed in black gold solid wood frame. Size 70 x 53.5 cm (H/W). ars mundi exclusive edition.
