190 oil paintings and 108 drawings - during his stay in Arles from 21 February 1888 to 3 May 1889, which lasted just over a year, Vincent van Gogh went into a creative frenzy. At the same time, a striking brightening of his colour palette literally catches the eye: in numerous letters, he requests chrome yellow, vermilion, Prussian blue and emerald green from his brother Theo, who supported him unwaveringly until his death, and subsequently uses these colours intensively. A shining example is the 'Starry Night over the Rhône', the description of which we leave to the great painter (and in his letters often no less great prose writer) himself: '... a study of the Rhône, of the illuminated city reflected in the blue river. Above it, the starry sky - with the Great Bear - sparkling pink and green on the cobalt blue surface of the sky, while the lights of the city and its glaring reflections are reddish gold and bronze green. (Letter to Eugène Bloch) Original: Musée d'Orsay, Paris. For a brilliant, authentic reproduction, the original was transferred directly onto an artist's canvas made of 100% cotton using the Fine Art Giclée process and mounted on a stretcher frame. Limited edition of 499 copies, with certificate. Framed in a handcrafted antique gold real wood frame. Size 78 x 62 cm. Exclusively at ars mundi.
Original: 1889, oil on canvas, 73.7 x 92.1 cm, Museum of Modern Art, New York. For a brilliant, authentic reproduction, the original was transferred directly onto an artist's canvas made of 100% cotton using the Fine Art Giclée process and mounted on a stretcher frame. Limited edition of 980 copies, with certificate. Framed in a handcrafted antique gold real wood frame. Format 70 x 85 cm (H/W). ars mundi exclusive edition.
The last years of Vincent van Gogh's life were characterised by enormous productivity. Hundreds of paintings, sketches and preliminary studies were created. It was not least this 'creative explosion' in his late work that made van Gogh one of the most important artists of his time, even if this was only recognised after his death. Original: 1889, oil on canvas, 73.7 x 92.1 cm, Museum of Modern Art, New York. Edition on laid paper-like, heavy 250g Gmund Tactile. Framed In gold-coloured solid wood frame, glazed. Size 37 x 44 cm (H/W). ars mundi exclusive edition.
In addition to his landscapes, van Gogh is also known for his flower still lifes. This work, which he created in Auvers-sur-Oise, may have been one of his last paintings. Original: 1890, oil on canvas, 65 x 50 cm, private collection. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered and with certificate. Framed in a handcrafted, gold-coloured solid wood frame. Size 76 x 59 cm (H/W). ars mundi exclusive edition.
The paintings of Vincent van Gogh (1853-1890) do not show that the Dutch painter, who is now highly remunerated, literally struggled for every brushstroke. Sometimes because of the cost of paint, canvas or studio, sometimes because of the inspiration that often came to him in spurts. These intense creative moments gave rise to legendary works that anticipated the Fauves and Expressionism. During his seventy-day stay in Auvers-sur-Oise alone, he created around eighty paintings. This painting was also created during his last and most turbulent creative phase. While artists such as Pissarro and Cézanne had praised the peaceful charm of Auvers, van Gogh transformed the landscape into a volcanic area whose houses look as if they have been shaken by an earthquake. Original: oil on canvas. Musée d'Orsay, Paris. High-quality reproduction in fine art giclée process, worked by hand on artist's canvas (cotton canvas), with tangible and visible brush structure. Stretched on stretcher frame. Limited edition of 499 copies, with certificate. In handcrafted real wood gallery framing in white with gold edge, grey patina. Size 48 x 59 cm (H/W). ars mundi exclusive edition.
The period in Arles was one of the most productive in the life of the Dutch painter and important representative of Post-Impressionism Vincent van Gogh. The works reflect the sun-drenched landscapes of southern France. Original: 1888, oil on canvas, Wallraf-Richartz-Museum, Cologne. Painting as a brilliant reproduction using the fine art giclée process, artist's canvas, 100% cotton, on stretcher frame. Limited edition of 499 copies. Fine solid wood framing in white with gold edging, grey patina. Format 50 x 64 cm (H/W). ars mundi exclusive edition.
Original: 1890, oil on canvas, 72.4 x 91.2 cm. Gift of George N. Richard and Helen M. Richard, 1964, Inv. 64.165.2, New York, Metropolitan Museum of Art. High-quality fine art giclée museum reproduction on artist's canvas made of cotton, stretched on a solid wood stretcher frame. The canvas is sealed with artist's varnish. An elegant framing in white patinated grey with gold edging rounds off the high-quality appearance. Limited edition of 499 copies. Numbered with certificate. Format approx. 54 x 68 cm (H/W).
The colours of the southern French landscape in summer - the warm yellow-gold of the wheat and the azure green of the sky - dominate this painting, which was created near Arles. Original: 1888, oil on canvas, 73 x 92 cm, Van Gogh Museum, Amsterdam. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980, numbered, with certificate. Framed in a handcrafted, golden solid wood frame. Size 59 x 73 cm (H/W). ars mundi exclusive edition.
Seeking more light and freedom, Vincent van Gogh moved to Provence in 1888 and painted the blossoming peach trees in spring. Original: 1888, oil on canvas, 80.5 x 59 cm, Van Gogh Museum, Amsterdam. Reproduction in fine art giclée process directly on artist's canvas and mounted on stretcher frame. Limited edition of 499 copies. Framed in solid wood frame. Size approx. 77 x 59 cm (H/W). ars mundi exclusive edition.
It is a myth that Vincent van Gogh was only able to sell one of his paintings during his lifetime, although a few were probably sold. However, 'The Red Vineyard in Arles' is the only one whose sale can be proven. However, van Gogh's brother and supporter Theo had already realised the importance of the painting. When the painter sent it to him together with other paintings, Theo expressed his enthusiasm in a letter dated 16 June 1889: 'There is a power of colour in all of them that you have not yet achieved', he commented and informed his brother that the 'Red Vineyard' had already found a place in his home.Original: 1888, oil on canvas, 75 x 93 cm, Pushkin Museum, Moscow. Reproduction in fine art giclée process directly on artist's canvas and mounted on stretcher frame. Limited edition of 980 copies. Framed in a solid wood frame, white with gold edging. Size 58 x 68 cm (H/W). ars mundi exclusive edition.
The last years of Vincent van Gogh's life were characterised by enormous productivity. Hundreds of paintings, sketches and preliminary studies were created. It was not least this 'creative explosion' in his late work that made van Gogh one of the most important artists of his time, even if this was only recognised after his death. Original: 1888, oil on canvas, 75 x 93 cm, Pushkin Museum, Moscow. Edition on laid paper-like, heavy 250g Gmund Tactile. Framed In gold-coloured solid wood frame, glazed. Size 37 x 44 cm (H/W). ars mundi exclusive edition.
Original: 1888, oil on canvas, 50.5 cm x 64.3 cm. Vincent van Gogh Foundation, Amsterdam, Van Gogh Museum. High-quality fine art giclée museum reproduction directly on artist's canvas made of cotton and stretched on stretcher frame. Limited edition of 980 copies. Numbered on the reverse with certificate. Framed in solid wood framing in gold with hammered metal overlay. Format approx. 62.5 x 78.5 cm (H/W). ars mundi exclusive edition.
Original: 1888, oil on canvas, 50.5 cm x 64.3 cm. Vincent van Gogh Foundation, Amsterdam, Van Gogh Museum. High-quality fine art giclée museum reproduction directly on artist's canvas made of cotton and stretched on stretcher frame. Limited edition of 980 copies. Numbered on the reverse with certificate. Framed in solid wood framing in silver, matt patinated. Format approx. 62.5 x 78.5 cm (H/W). ars mundi exclusive edition.
Original: Oil on canvas, Rijksmuseum Vincent van Gogh, Amsterdam. High-quality reproduction in fine art giclée process on artist's canvas with tactile and visible linen structure, stretched on stretcher and covered with artist's varnish. Solid wood framing in white with gold edging, grey patina. Limited edition of 499 copies with certificate. Format 63.5 x 83.5 cm (H/W).
With the house in Arles, van Gogh finally had space for his studio and paintings. Far away from the dreary Parisian winter and the confines of the big city, he was finally happy and discovered the colour yellow. Here in Provence, he drew new strength. This resulted in some famous views and the sunflower paintings. Original: 1888, oil on canvas, 76 x 94 cm, Van Gogh Museum, Amsterdam Edition in fine art giclée process on artist's canvas made of 100% cotton, stretched on stretcher frame. Framed in a gold-coloured solid wood frame. Size 71 x 86 cm (H/W). ars mundi exclusive edition.
With the house in Arles, van Gogh finally had space for his studio and paintings. Far away from the dreary Parisian winter and the confines of the big city, he was finally happy and discovered the colour yellow. Here in Provence, he drew new strength. This resulted in some famous views and the sunflower paintings. Original: 1888, oil on canvas, 76 x 94 cm, Van Gogh Museum, Amsterdam. Brilliant edition in fine art giclée process on artist's canvas made of 100% cotton, mounted on stretcher frame. Limited edition of 980 copies with numbered certificate on the reverse. Framed in a golden solid wood frame. Format 71 x 91 cm (H/W). ars mundi exclusive edition.
The period in Arles was one of the most productive in the life of the Dutch painter and important representative of Post-Impressionism Vincent van Gogh (1853-1890). His works reflect the sun-drenched landscapes of southern France. Van Gogh was also full of hope: he wanted to found an artists' colony in his studio in the Rhône town. He repeatedly painted portraits of the town and its surroundings. The nearby place of pilgrimage Saintes-Maries-de-la-Mer, directly on the Mediterranean, is surrounded by the Camargue, today a unique nature reserve. The vivid blue of the sky, the red of the Mediterranean soil and the solar white of the houses are now part of van Gogh's palette. Original: oil on canvas, Kunsthaus Zurich, Switzerland. Painting as a brilliant reproduction in fine art giclée process, artist's canvas, 100% cotton, on stretcher. Limited edition of 499 copies. In handcrafted real wood frame. Size 45 x 55 cm (H/W). ars mundi exclusive edition.
Golden yellow as a sign of a good time. A work from the legendary sunflower series that van Gogh created in Arles in the south of France. Original: 1888, oil on canvas, 91 x 72 cm, Munich, Neue Pinakothek. Reproduction in fine art giclée process directly on artist's canvas, mounted on stretcher frame. Limited edition of 499 copies. Framed in a solid wood frame. Size approx. 85 x 69 cm (H/W). ars mundi exclusive edition.
Original: 'Zwei grabende Bäuerinnen auf schneebedecktem Feld', Saint-Rémy-de-Provence, March/April 1889, from the series 'Souvenirs du Nord'. Oil on paper on canvas, 49.3 x 64 cm, E.G. Bührle Collection, Zurich. High-quality reproduction in fine art giclée process, worked by hand on canvas and stretched on solid wood stretcher frame. Limited edition of 980 copies, numbered on the reverse. In a sophisticated solid wood frame. Format 69 x 88 cm (H/W).
Van Gogh's time in Paris (1886-1889) had a decisive influence on his art, as he was influenced by the Impressionist and Neo-Impressionist movements. Inspired by artists such as Paul Signac and Emile Bernard, he brightened his palette and developed his dynamic style with vibrant colours and brushstrokes.Original: 1889, oil on canvas, 61.6 x 45.7 cm, The Cleveland Museum of Art.Edition in fine art giclée process on artist's canvas, stretched on stretcher. Limited edition of 499 copies, with certificate. Framed in a handcrafted, white-gold coloured solid wood frame. Size 64 x 50 cm (H/W). ars mundi exclusive edition.
Original: 1888, oil on canvas, 46 x 61 cm, Washington, National Gallery of Art, Alisa Mellon Bruce Collection. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched on a stretcher. Limited edition of 499 copies, numbered, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Format approx. 50 x 68 cm (H/W). ars mundi exclusive edition.
The vital, swirling and yet strictly organised nature in his paintings reflects the agitated mood of Vincent van Gogh (1853-1890) in these years. Happy with his studio in Arles, the Dutchman painted a series of tree gardens, among other things. The even light could be a reference to the Post-Impressionist Paul Signac, who had visited him shortly before. Original: Oil on canvas, Neue Pinakothek, Munich. High-quality reproduction in fine art giclée process on artist's canvas with linen texture, on wooden stretcher. Covered with artist's varnish. Solid wood gallery framing in white with gold edging, grey patina. Format 56 x 69 cm (H/W).
The painting was created during his very productive time in Arles. From there, Van Gogh visited Saintes-Maries-de-la-Mer, a place of pilgrimage in the south of France. Situated directly on the Mediterranean, the town is surrounded by the Camargue, a unique nature reserve. It is famous for its light. Original: 1888, oil on canvas, 64.2 x 53 cm, Kröller-Müller Museum, Otterlo, Netherlands. Brilliant reproduction of the original in fine art giclée process directly on artist's canvas (100% cotton) on stretcher frame. Limited edition of 499 copies, numbered on the reverse. In handcrafted real wood frame. Format 68 x 58 cm (H/W). ars mundi exclusive edition.
Van Gogh captures the rich, vibrant colours of a springtime vineyard near Auvers with a typically strong application of paint and bold brushstrokes. Original: 1890, oil on canvas, 65.1 x 80.3 cm, St. Louis, Mildred Lane Kemper Art Museum. This high-quality reproduction was worked by hand using a patented process on an artist's canvas made of 100% cotton and traditionally stretched on a real wood stretcher frame like an original painting. The surface of the motif is characterised by a fine canvas structure that can be felt and seen, which has been sealed by hand with varnish. An elegant solid wood frame in antique silver with rubbed colour pigments rounds off the sophisticated overall picture. Limited to 499 copies, with certificate. Format 57 x 69 cm (H/W).
