'They are endless cornfields under a cloudy sky, and I have not shied away from trying to express sadness and extreme loneliness', writes van Gogh - the painting was painted a few days before his suicide. Original: 1890, oil on canvas, 50 x 65 cm, privately owned. Brilliant reproduction in fine art giclée process on artist's canvas, mounted on a stretcher frame. Limited edition of 499 copies, with numbering and certificate on the reverse. Framed in a handcrafted real wood gallery frame. Exclusively at ars mundi. Format 55 x 68 cm (H/W).
Original: Oil on canvas, National Gallery, London High-quality reproduction in fine art giclée technique, worked directly by hand on artist's canvas and traditionally stretched on a wooden stretcher frame. The motif surface with a tangible and visible linen structure and additional hand-applied brush structure, modelled on the original, emphasises the painting-like effect of the object. Sealed with artist's varnish. In a handcrafted real wood frame. Limited edition of 499 copies, with numbered certificate on the reverse. Format 53 x 65 cm (H/W).
190 oil paintings and 108 drawings - during his stay in Arles from 21 February 1888 to 3 May 1889, which lasted just over a year, Vincent van Gogh went into a creative frenzy. At the same time, a striking brightening of his colour palette literally catches the eye: in numerous letters, he requests chrome yellow, vermilion, Prussian blue and emerald green from his brother Theo, who supported him unwaveringly until his death, and subsequently uses these colours intensively. A shining example is his 'Willows at Sunset', in which van Gogh places a row of deep blue pollard willows in a meadow landscape bathed in red-golden light from the setting sun. Original: 1888, oil on canvas, Otterlo, Rijksmuseum Kröller-Müller. For a brilliant, authentic reproduction, the original was transferred directly onto an artist's canvas made of 100% cotton using the fine art giclée process and mounted on a stretcher frame. Limited edition of 499 copies, with certificate. Framed in a handcrafted solid wood studio frame, size 83 x 76 cm.
Edition transferred to artist's canvas using the fine art giclée process and stretched on a stretcher frame. Limited edition of 199 copies, numbered, with certificate. Framed in a handcrafted white and gold-coloured solid wood frame. Size 53 x 98 cm (H/W). ars mundi exclusive edition.
The landscape painter, draughtsman and lithographer was a founding member of the Rothenburg Artists' Association. His enchanting naturalistic still lifes are mostly privately owned and sought after at auctions. The composition is reminiscent of Vermeer's painting style: light gently penetrates the picture from the side, the actual motif stands out brightly illuminated against the darker background.high-quality reproduction in the fine art giclée process, worked by hand on an artist's canvas made of fine cotton and stretched like an original painting on an adjustable solid wood stretcher frame. The structure of the canvas can be felt and seen! An elegant studio frame with a moulded real wood strip completes the overall impression. Limited edition of 499 copies. Numbered on a certificate on the reverse. Format 65 x 52 cm (H/W). Exclusively at ars mundi.
The landscape painter, draughtsman and lithographer was a founding member of the Rothenburg Artists' Association (1872-1951). His enchanting naturalistic paintings are mostly privately owned and sought after at auctions. High-quality reproduction made by hand using the fine art giclee technique on an artist's canvas made of fine cotton and stretched like an original painting on an adjustable solid wood stretcher frame. The canvas structure can be felt and seen, the brush structure is also applied by hand! Framed in a handcrafted, black and silver-coloured solid wood frame. Limited edition of 499 copies, with numbered certificate on the reverse. Format 68 x 83 cm (H/W).
The landscape painter, draughtsman and lithographer was a founding member of the Rothenburg Artists' Association (1872-1951). His enchanting naturalistic paintings are mostly privately owned and sought after at auctions. High-quality reproduction made by hand using the fine art giclee technique on an artist's canvas made of fine cotton and stretched like an original painting on an adjustable solid wood stretcher frame. The canvas structure can be felt and seen, the brush structure is also applied by hand! An elegant studio frame with a moulded real wood strip completes the overall impression. Limited edition of 499 copies, with numbered certificate on the reverse. Format 68 x 83 cm (H/W).
The landscape painter, draughtsman and lithographer was a founding member of the Rothenburg Artists' Association (1872-1951). His enchanting naturalistic paintings are mostly privately owned and sought after at auctions. High-quality reproduction made by hand using the fine art giclee technique on an artist's canvas made of fine cotton and stretched like an original painting on an adjustable solid wood stretcher frame. The canvas structure can be felt and seen, the brush structure is also applied by hand! Framed in a handcrafted, white-gold-coloured solid wood frame. Limited edition of 499 copies, with numbered certificate on the reverse. Format 68 x 83 cm (H/W).
The landscape painter, draughtsman and lithographer was a founding member of the Rothenburg Artists' Association. His enchanting naturalistic still lifes are mostly privately owned and sought after at auctions. Original: oil on canvas, privately owned, fine art giclée on canvas, stretched on stretcher. Limited edition of 499 copies. In a handcrafted studio frame gilded with metal leaf. Size 59 x 79 cm (H/W). Exclusively at ars mundi.
The four pictures presented here are high-quality editions on laid paper-like, heavy 250g Gmund Tactile. Framed in a sophisticated, gold-coloured solid wood frame, glazed. Format 38 x 48 cm (H/W) each. ars mundi exclusive editions. 'The Last Voyage of the Temeraire' (1839): This is how the glory of the world passes: HMS Temeraire was a ship armed with 98 cannons that had been deployed at the famous Battle of Trafalgar. Here Turner shows her being towed by a steamship to the scrapping yard in the light of an exploding red sun. Original: 1838/39, oil on canvas, 90.7 x 121.6 cm, National Gallery, London 'Canal Grande' (1835): Venice attracted Turner again and again on his European travels, particularly because of the colours and the intense power of the light. The English painter used pure, unmixed colours and juxtaposed them in a complementary way to create light. This resulted in a series of light-flooded vedutas in which landscape and architecture merge into a vibrant surface. Original: 1835, oil on canvas, Metropolitan Museum of Art, New York 'Moonlight over Lake Lucerne' (c. 1841-44): The moon shines delicately over the backdrop of the Rigi, the light reflecting in the surface of the lake flows through the entire painting. A breathtaking masterpiece! Original: c. 1841-44, watercolour and opaque paint, 23 x 30.7 cm, Whitworth Art Gallery, Manchester 'Sunset over a Lake' (1840): Turner on the verge of pure painting: the classical subject of the sunset as a diffuse explosion of colours and forms, behind which the depicted world can at best only be guessed at. Original: 1840, oil on canvas, Tate Gallery, London All 4 paintings in the set.
The four pictures presented here are high-quality editions on laid paper-like, heavy 250g Gmund Tactile. Framed in a sophisticated, silver-coloured solid wood frame, glazed. Format 38 x 48 cm (H/W) each. ars mundi exclusive editions. 'The Last Voyage of the Temeraire' (1839): This is how the glory of the world passes: HMS Temeraire was a ship armed with 98 cannons that had been deployed at the famous Battle of Trafalgar. Here Turner shows her being towed by a steamship to the scrapping yard in the light of an exploding red sun. Original: 1838/39, oil on canvas, 90.7 x 121.6 cm, National Gallery, London 'Canal Grande' (1835): Venice attracted Turner again and again on his European travels, particularly because of the colours and the intense power of the light. The English painter used pure, unmixed colours and juxtaposed them in a complementary way to create light. This resulted in a series of light-flooded vedutas in which landscape and architecture merge into a vibrant surface. Original: 1835, oil on canvas, Metropolitan Museum of Art, New York 'Moonlight over Lake Lucerne' (c. 1841-44): The moon shines delicately over the backdrop of the Rigi, the light reflecting in the surface of the lake flows through the entire painting. A breathtaking masterpiece! Original: c. 1841-44, watercolour and opaque paint, 23 x 30.7 cm, Whitworth Art Gallery, Manchester 'Sunset over a Lake' (1840): Turner on the verge of pure painting: the classical subject of the sunset as a diffuse explosion of colours and forms, behind which the depicted world can at best only be guessed at. Original: 1840, oil on canvas, Tate Gallery, London All 4 paintings in the set.
While travelling through Europe, Turner came to appreciate and love Heidelberg in particular. Here he created some of the most beautiful views of the university city. Original: Oil on canvas, National Gallery of Scotland, Edinburgh. Fine art giclée on canvas, stretched on stretcher. Limited edition of 499 copies. In handcrafted studio framing with gold shadow gap moulding. Size 47 x 72 cm (H/W).
The moon shines softly over the backdrop of the Rigi, the light reflected in the surface of the lake flows through the entire painting. A breathtaking masterpiece! Original: c. 1841-44, watercolour and opaque paint, 23 x 30.7 cm, Whitworth Art Gallery, Manchester. Fine art giclée on canvas, stretched on stretcher. Limited edition of 499 copies. In handmade studio framing with shadow gap. Size 54 x 72 cm (H/W). ars mundi exclusive edition.
The moon shines softly over the backdrop of the Rigi, the light reflected in the surface of the lake flows through the entire painting. A breathtaking masterpiece! Original: c. 1841-44, watercolour and opaque paint, 23 x 30.7 cm, Whitworth Art Gallery, Manchester.High-quality edition on laid paper-like, heavy 250g Gmund Tactile. Framed in a sophisticated, gold-coloured solid wood frame, glazed. Format 38 x 48 cm (H/W). ars mundi exclusive edition.
The moon shines softly over the backdrop of the Rigi, the light reflected in the surface of the lake flows through the entire painting. A breathtaking masterpiece! Original: c. 1841-44, watercolour and opaque paint, 23 x 30.7 cm, Whitworth Art Gallery, Manchester.High-quality edition on laid paper-like, heavy 250g Gmund Tactile. Framed in a sophisticated, silver-coloured solid wood frame, glazed. Format 38 x 48 cm (H/W). ars mundi exclusive edition.
Original: 1844, oil on canvas, 91.6 x 122 cm, Neue Pinakothek, Munich High-quality edition on paper. Framed in silver-coloured solid wood frame with passe-partout, glazed. Size 75 x 94 cm (H/W).
Turner on the edge of pure painting: the classic subject of the sunset as a diffuse explosion of colours and shapes, behind which the world depicted can at best only be guessed at. Original: Oil on canvas, Tate Gallery, London. Reproduced with 8x UV pigment-based colours using the fine art giclée process on artist's canvas, mounted on a wooden stretcher frame and elegantly framed in solid wood. Limited edition of 499 copies. Format 61 x 80 cm (H/W).
French poissards collecting bait at low tide. Turner devotes himself entirely to the depiction of clouds and light. The glazed colours and the sketchily depicted figures make the picture appear wonderfully light - despite the strenuous work of the fisherwomen. The beach, the sea and the sky become one surface. The Romantic painter's emotions are palpable in the intensifying colour tones. Turner has arrived at the purely painterly. Original: Oil on canvas, Bury Art Gallery and Museum, Lancashire, fine art giclée on cotton canvas, mounted on wooden stretcher. Limited edition of 499 copies, with certificate. In handmade gold-coloured studio frame. Size 54 x 80 cm (H/W).
Turner was repeatedly drawn to Venice on his European travels, particularly because of the colours and the intense power of the light. The English painter used pure, unmixed colours and set them against each other in a complementary way to create light. This resulted in a series of light-flooded vedutas in which landscape and architecture merge into a vibrant surface. Original: Oil on canvas, Metropolitan Museum of Art, New York. Brilliantly coloured, faithful reproduction using the fine art giclée process directly on 100% cotton artist's canvas, mounted on a wooden stretcher frame. In handcrafted solid real wood framing, silver matt patinated. Limited edition of 499 copies. Size 63 x 80 cm (H/W).
Turner was repeatedly drawn to Venice on his European travels, particularly because of the colours and the intense power of the light. The English painter used pure, unmixed colours and set them against each other in a complementary way to create light. This resulted in a series of light-flooded vedutas in which landscape and architecture merge into a vibrant surface. Original: 1835, oil on canvas, Metropolitan Museum of Art, New York High-quality edition on laid paper-like, heavy 250g Gmund Tactile. Framed in a sophisticated, gold-coloured solid wood frame, glazed. Format 38 x 48 cm (H/W). ars mundi exclusive edition.
Turner was repeatedly drawn to Venice on his European travels, particularly because of the colours and the intense power of the light. The English painter used pure, unmixed colours and set them against each other in a complementary way to create light. This resulted in a series of light-flooded vedutas in which landscape and architecture merge into a vibrant surface. Original: 1835, oil on canvas, Metropolitan Museum of Art, New York High-quality edition on laid paper-like, heavy 250g Gmund Tactile. Framed in a sophisticated, silver-coloured solid wood frame, glazed. Format 38 x 48 cm (H/W). ars mundi exclusive edition.
One year after he presented 'The Harbour of Dieppe', also painted in 1826, at the Royal Academy, William Turner exhibited his work 'Cologne'. As a former Roman colony during the Holy Roman Empire, the free imperial city of Cologne had long been an important centre of trade, education and religion. When he visited, the city was still largely characterised by medieval architecture. Original: 1826, oil on canvas, 168.6 x 224.2 cm, The Frick Collection, New York. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, gold-coloured solid wood frame. Format 62 x 79 cm (H/W). ars mundi exclusive edition.
Original British Museum, London. For a brilliant, authentic reproduction, the original artwork was transferred directly onto an artist's canvas made of 100% cotton using the fine art giclée process and mounted on a stretcher frame. The motif surface with a tactile and visible linen structure emphasises the painting-like effect. Limited edition of 499 copies, with numbered certificate on the reverse. Framed in a handmade museum frame. Size 61 x 76 cm (H/W). Exclusively at ars mundi.
Turner on the edge of pure painting: the classic subject of the sunset as a diffuse explosion of colours and shapes, behind which the world depicted can at best only be guessed at. Original: 1840, oil on canvas, Tate Gallery, London High-quality edition on laid paper-like, heavy 250g Gmund Tactile. Framed in a sophisticated, gold-coloured solid wood frame, glazed. Format 38 x 48 cm (H/W). ars mundi exclusive edition.
