Vincent van Gogh's seventy-day stay at L'Auberge Ravoux in Auvers-sur-Oise was to be an incredibly intense creative period. Van Gogh created around eighty paintings during this time, including some of his famous cypress paintings. Van Gogh visited the doctor and art lover Paul-Ferdinand Gachet in the village, a good thirty kilometres from Paris. Gachet was well acquainted with the Parisian artists of the time and seemed to his brother Theo to be able to treat his mental illness. Ultimately, however, he was unable to prevent the 37-year-old from dying of a self-inflicted gunshot wound on 29 July 1890. His last paintings are strongly coloured and characterised by emotional forms - thus paving the way for the Fauves and Expressionism. 'Church of Auvers-sur-Oise': The early Gothic church with its Romanesque chapels is one of Vincent van Gogh's last motifs. It looms monumentally against the empty, dark blue sky. Not correct in perspective, but for its own sake. It stands at a fork in the road. Original: oil on canvas. Musée d'Orsay, Paris. Brilliant reproduction in fine art giclée process, artist's canvas, 100% cotton, on stretcher. In handcrafted golden real wood frame. Limited edition of 499 copies, with numbering and certificate on the reverse. Exclusively at ars mundi. Format 62 x 78 cm.
Original: 1888, oil on canvas, 54 x 65 cm (H/W), Museum Kröller-Müller, Otterlo. Reproduction in fine art giclée process directly on artist's canvas and mounted on stretcher frame. Limited edition of 980 copies, with numbered certificate on the reverse. Framed in a white and gold solid wood frame. Size 58 x 67 cm (H/W). ars mundi exclusive edition.
Original: Oil on canvas, Tate Gallery, London, England. Painting as a brilliant reproduction in fine art giclée process, artist's canvas, 100% cotton, on stretcher. Limited edition of 499 copies. In handcrafted real wood frame. Size 105 x 54.5 cm (W/H). ars mundi exclusive edition.
Original: 1888, oil on canvas, 65 x 81 cm, inv. s28V/1962 Vincent van Gogh Foundation, Amsterdam, Van Gogh Museum. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched on a stretcher. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, gold-coloured solid wood frame. Format approx. 60 x 73 cm (H/W). ars mundi exclusive edition.
In the spring of 1886, Vincent van Gogh accepted the invitation of his brother, the art dealer Theo van Gogh, and moved to Paris. 'I hope to make such progress that you can show my work without hesitation', he told him in advance, and van Gogh's painting did indeed change. He met Degas, Pissarro, Seurat and many other artists; he exhibited with Henri Toulouse-Lautrec, Emile Bernard and Paul Gauguin the following year. His encounter with the Impressionists and his interest in Japanese woodcuts led to his palette becoming more colourful. 'Fishing in Spring' is a perfect example of this. The painting is part of a series of works that depict the Seine bridge built in 1874 between Clichy on the right bank and Asnières-sur-Seine on the left bank in very different ways - just as Hokusai had done in his series of views of Mount Fuji, for example. And it is a clearly Impressionist-inspired and atmospheric masterpiece.Original: 1887, oil on canvas, 49 x 58 cm, Art Institute Chicago. Reproduction worked in the fine art giclée process on artist's canvas and traditionally mounted on a wooden stretcher frame that can be stretched. Sealed with artist's varnish. In a handcrafted real wood frame. Limited edition of 499 copies, with numbered certificate on the reverse. Format 83 x 96 cm (H/W). Exclusively at ars mundi.
The last years of Vincent van Gogh's life were characterised by enormous productivity. Hundreds of paintings, sketches and preliminary studies were created. It was not least this 'creative explosion' of late work that made van Gogh one of the most important artists of his time, even if this was only recognised after his death. Original: 1887, oil on canvas, 49 x 58 cm, Art Institute Chicago. Edition on laid paper-like, heavy 250g Gmund Tactile. Framed In gold-coloured solid wood frame, glazed. Size 37 x 44 cm (H/W). ars mundi exclusive edition.
The last years of Vincent van Gogh's life were characterised by enormous productivity. Hundreds of paintings, sketches and preliminary studies were created. It was not least this 'creative explosion' of late work that made van Gogh one of the most important artists of his time, even if this was only recognised after his death. Original: 1887, oil on canvas, 49 x 58 cm, Art Institute Chicago. Edition on laid paper-like, heavy 250g Gmund Tactile. Framed In gold-coloured solid wood frame, glazed. Size 37 x 44 cm (H/W). ars mundi exclusive edition.
With paintings such as 'Blooming Garden with Path', Vincent van Gogh emphasised the cycle of the constantly renewing forces of nature. Original: 1888, oil on canvas, 72 x 92 cm, Gemeentemuseum, The Hague. Reproduction in fine art giclée process directly on artist's canvas and mounted on stretcher frame. Limited edition of 499 copies. Framed in solid wood frame. Size approx. 56 x 69 cm (H/W). ars mundi exclusive edition.
The last years of Vincent van Gogh's life were characterised by enormous productivity. Hundreds of paintings, sketches and preliminary studies were created. It was not least this 'creative explosion' of late work that made van Gogh one of the most important artists of his time, even if this was only recognised after his death. Original: 1888, oil on canvas, 72 x 92 cm, Gemeentemuseum, The Hague. Edition on laid paper-like, heavy 250g Gmund Tactile. Framed In gold-coloured solid wood frame, glazed. Size 37 x 44 cm (H/W). ars mundi exclusive edition.
Original: 1888, oil on canvas, 54 x 65 cm, Israel Museum Jerusalem, Gift of the Hanadiv Fondattion. The painting was produced using the fine art giclée process for brilliant colour reproduction. Artist's canvas made of pure cotton, stretched on a stretcher frame. In a handcrafted real wood frame. Limited edition of 499 copies. Size 58 x 72 cm (H/W). ars mundi exclusive edition.
When this painting was auctioned at Sotheby's on 11 November 1987, it was the most expensive painting in the world at the time, fetching a record $53.9 million! Original: Privately owned. Fine art giclée on canvas, stretched on stretcher. Limited edition of 499 copies. In a handcrafted solid wood studio frame with metal leaf gilding. Format 64 x 79 cm (H/W).
Original: The Metropolitan Museum of Art, New York. High-quality reproduction in fine art giclée process directly on artist's canvas, stretched on stretcher frame. Limited edition of 199 copies. With solid wood museum framing. Size 60 x 73 cm (H/W).
In his final weeks, van Gogh devoted himself primarily to the fields around Auvers, resulting in some impressive large-format paintings. In addition to the simple but effective composition, the loose, impasto application of colour is particularly striking in this depiction, perfectly conveying the mood of the scene. Original: 1890, oil on canvas, Van Gogh Museum, Amsterdam. Brilliantly coloured fine art giclée on artist's canvas on stretcher frame. Fine solid wood framing with shadow gap. Limited to 499 copies, with certificate. Size 53 x 103.5 cm (H/W). ars mundi exclusive edition.
Original: 1888, oil on canvas, 92 x 73.5 cm, private collection. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched on stretcher. Limited edition of 980 copies, numbered, with certificate. Framed in handcrafted, white-gold-coloured solid wood frame. Size 78 x 64 cm (H/W). ars mundi exclusive edition.
In this work, Vincent van Gogh depicts the southern French landscape under atmospheric moonlight with vivid brushstrokes. Original: 1889, oil on canvas, 49.5 x 45.5 cm, Museo de Arte, Sao Paolo, Brazil. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered and with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Format 68 x 61 cm (H/W). ars mundi exclusive edition.
Original: 1888, oil on canvas, 72 x 91.5 cm, Museum: Winterthur, Collection I.Jäggli-Hahnloser. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 499 copies, numbered, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Size 53 x 66 cm (H/W). ars mundi exclusive edition.
Original: 1889/1890, oil on canvas, 73 x 91 cm, Musée d'Orsay, Paris. Transferred directly onto artist's canvas using the fine art giclée process and stretched on a stretcher. Limited edition of 980 copies, with certificate. Framed in a gold-coloured solid wood frame with hammered metal. Size 57 x 73 cm (H/W). ars mundi exclusive edition.
With vivid brushstrokes, Vincent van Gogh depicts the southern French landscape lying under a blazing sun and moved by the wind. Original: 1889, oil on canvas, 72.6 x 91.4 cm, Museum of Modern Art, New York. Reproduction in fine art giclée process directly on artist's canvas and mounted on stretcher frame. Limited edition of 499 copies, with numbered certificate on the reverse. Framed in solid wood frame. Format 55.4 x 69.4 cm (H/W). ars mundi exclusive edition.
Like a holiday on the Mediterranean. Original: Private collection, Zurich, oil on canvas. Fine art giclée print on artist's canvas, mounted on stretcher frame, with solid wood framing. Limited edition of 499 copies, numbered on the reverse. Size 63 x 74 cm (H/W). ars mundi exclusive edition.
Original: 1889, oil on canvas, 72 x 91 cm, Kunsthalle Bremen, high-quality edition on paper. Sheet size 68 x 84 cm. Framed in silver-coloured solid wood frame with passe-partout, glazed. Format 76 x 90 cm (H/W).
Original: 1890, oil on canvas, 66 x 57 cm, whereabouts unknown (previously privately owned by Ryoei Saito). Brilliant edition in fine art giclée process on artist's canvas made of 100% cotton, mounted on stretcher frame. Limited edition of 980 copies with numbered certificate on the reverse. Framed in a golden solid wood frame. Format 70 x 59 cm (H/W). ars mundi exclusive edition.
This picture shows workers unloading sand from two small boats with wheelbarrows. The colours are bright and cheerful, the atmosphere could be described as idyllic. Original: Museum Folkwang, Essen. Fine art giclée on artist's canvas made of 100% cotton, stretched on a wooden stretcher frame (adjustable with wedges for re-stretching). In an exquisite handcrafted solid wood museum frame, gilded with metal leaf. Limited edition of 499 copies, with certificate on the reverse. Format 74 x 62 cm.
All the luminosity of the sun is in this painting: fields, trees and clouds speak in impressive language of the power of nature. Original: 1888, oil on canvas, 64 x 80.5 cm, Rijksmuseum Kröller-Müller, Otterlo. Reproduction on artist's canvas with linen structure, on wooden stretcher. Limited edition of 980 copies with numbered certificate on the reverse. Framed in a golden solid wood frame. Size 59.5 x 71.5 cm (H/W).
The luminosity of the setting sun is in this picture: fields, trees and clouds speak in impressive language of the power of nature. Original: 1888, oil on canvas, 73.5 x 93 cm, E.G. Bührle Collection, Zurich. High-quality edition on paper. Sheet size 40 x 50 cm (H/W). Framed in silver-coloured solid wood frame, glazed. Format 44 x 52 cm (H/W).
