The bourgeoisie in the summer resort. See and be seen. Max Liebermann loved the subject of the garden, but also that of the populated park or the sunlit café. For him, the colourful blossoming of nature also included people happily enjoying it. Original: Nationalgalerie / Staatliche Museen zu Berlin. Fine art giclée on artist canvas made of 100% cotton. Stretched like an original painting on a wooden stretcher frame (adjustable with wedges for re-stretching). Framed in a handcrafted, white-gold coloured solid wood frame. Limited edition of 499 copies with numbered certificate on the reverse. ars mundi exclusive edition. Format 70 x 86 cm (H/W).
Max Liebermann found many of his open-air motifs in the neighbourhood of his native city of Berlin. As the most important German Impressionist artist, he painted bourgeois society and nature with more passionate strokes and more striking areas of light and colour. Original: 1932, oil on canvas, 54 x 75 cm, privately owned. Edition transferred to artist's canvas using the fine art giclée process and stretched on a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Format approx. 53 x 71 cm (H/W). ars mundi exclusive edition.
Max Liebermann found many of his open-air motifs in the neighbourhood of his native city of Berlin. As the most important German Impressionist artist, he painted bourgeois society and nature with more passionate strokes and more striking areas of light and colour. Original: 1934, oil on canvas, 40.6 x 50.5 cm, privately owned. Edition on artist's canvas with linen structure on wooden stretcher frame. Limited edition of 980 copies, numbered certificate on the reverse. Framed in a white and gold solid wood frame. Size 61 x 74 cm (H/W).
Original: around 1920, privately owned. For a brilliant, authentic reproduction, the original was transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies with numbered certificate on the reverse. Framed in a golden solid wood frame with hammered metal. Format approx. 60 x 73 cm (H/W). ars mundi exclusive edition.
On a sunny spring day in Munich in 1884, the beer gardens with their typically hospitable and idyllic atmosphere invited people to linger. Liebermann could not escape this either and was inspired by the colourful hustle and bustle around him. Original: Oil on wood, Neue Pinakothek Munich. High-quality reproduction worked by hand on artist's canvas using the fine art giclée process and traditionally stretched on a wooden stretcher frame. The motif surface with a tangible and visible canvas structure emphasises the painting-like effect. Sealed with artist's varnish. In handcrafted real wood gallery framing in black with gold edging, matt patina. Limited edition of 499 copies, with numbered certificate on the reverse. Format 75 x 54 cm (H/W). ars mundi exclusive edition.
Original: 1908, oil on canvas, 54.5 x 72.5 cm, privately owned. Edition transferred to artist's canvas using the fine art giclée process and stretched on a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Format approx. 53 x 68 cm (H/W). ars mundi exclusive edition.
Original: 1905, oil on canvas, Kunsthaus Zurich. High-quality reproduction, worked on artist's canvas and stretched on solid wood stretcher frame. Limited edition of 499 copies. In handmade gallery framing. Size 54 x 69 cm (H/W).
Original: oil on canvas. Wallraf-Richartz-Museum, Cologne. Fine art giclée on artist's canvas. Stretched like an original painting on a wooden stretcher (adjustable with wedges for re-stretching). In a handcrafted solid wood frame, shaded copper-brown. Limited edition of 499 copies, numbered on the reverse. Format 78 x 56 cm. ars mundi exclusive edition.
Liebermann spent July 1902 in Hamburg at the invitation of Alfred Lichtwark, the first director of the Kunsthalle. He was commissioned by the Kunsthalle to find and realise motifs in the Hanseatic city. He found this one right on his doorstep, so to speak: Liebermann stayed at the Hotel Jacob on the Elbchaussee.original: Oil on canvas. Fine art giclée on artist's canvas made of 100% cotton. Stretched like an original painting on a wooden stretcher frame (adjustable with wedges for re-stretching). Framed in a handcrafted, black and silver-coloured solid wood frame. Limited edition of 499 copies with numbered certificate on the reverse. Format 66 x 92 cm (H/W). ars mundi exclusive edition.
Liebermann spent July 1902 in Hamburg at the invitation of Alfred Lichtwark, the first director of the Kunsthalle. He was commissioned by the Kunsthalle to find and realise motifs in the Hanseatic city. He found this one right on his doorstep, so to speak: Liebermann stayed at the Hotel Jacob on the Elbchaussee.original: Oil on canvas. Fine art giclée on artist's canvas made of 100% cotton. Stretched like an original painting on a wooden stretcher frame (adjustable with wedges for re-stretching). Framed in a handcrafted, white-gold-coloured solid wood frame. Limited edition of 499 copies with numbered certificate on the reverse. Format 66 x 92 cm (H/W). ars mundi exclusive edition.
Max Liebermann (1847-1935) was impressed by the Dutch North Sea coast, which he travelled to repeatedly around the turn of the century until 1913 and captured in vivid colours and with lively strokes. Initially in Zandvoort, later in Scheveningen and Noordwijk, he not only discovered the vast sea and the dunes for himself, but also the sophisticated beach life with its bathers and strollers. Original: 1900, oil on cardboard, 32.4 x 40 cm, privately owned. High-quality fine art giclée edition on Hahnemühle genuine laid watercolour paper. Limited edition of 980 copies, numbered with certificate. Motif size approx. 45 x 55.5 cm (H/W). Sheet size approx. 55 x 65.5 cm (H/W). Dust-tight glazing and framed in handcrafted, black and gold-coloured solid wood frame with passe-partout. Format approx. 61 x 72 cm (H/W). ars mundi exclusive edition.
Max Liebermann (1847-1935) was impressed by the Dutch North Sea coast, which he travelled to repeatedly around the turn of the century until 1913 and captured in vivid colours and with lively strokes. Initially in Zandvoort, later in Scheveningen and Noordwijk, he discovered not only the vast sea and the dunes for himself, but also the sophisticated beach life with its bathers and strollers. Original: 1900, oil on cardboard, 32.4 x 40 cm, privately owned. High-quality fine art giclée edition on Hahnemühle genuine laid watercolour paper. Limited edition of 980 copies, numbered with certificate. Motif size approx. 45 x 55.5 cm (H/W). Sheet size approx. 55 x 65.5 cm (H/W). Dust-tight glazing and framed in handcrafted, silver-coloured solid wood frame with passe-partout. Format approx. 59 x 69.5 cm (H/W). ars mundi exclusive edition.
Original: oil on canvas. National Gallery SMB, Berlin. High-quality reproduction worked directly on canvas using the fine art giclée process and stretched on a stretcher frame. Limited edition of 499 copies, with numbering and certificate on the reverse. In handmade gallery framing. Format 78 x 98 cm (H/W). Exclusively at ars mundi.
Original: 1902, oil on canvas, 102.5 x 72.5 cm, Museum Folkwang, Essen. For a brilliant, authentic reproduction, the original was transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies with numbered certificate on the reverse. Framed in a black and gold solid wood frame. Format 65 x 47 cm (H/W). ars mundi exclusive edition.
For a brilliant, authentic reproduction, the original artwork was transferred directly onto artist's canvas using the fine art giclée process and mounted on a stretcher frame. Limited edition of 980 copies, with certificate. Framed in a handcrafted, golden solid wood frame with hammered metal. Format approx. 60 x 73 cm (H/W).
The three most famous German Impressionists Lovis Corinth, Max Liebermann and Max Slevogt all shared a love of nature and plein-air painting. As the driving forces behind the Berlin Secession, they revolutionised art during the German Empire. In 1917, Slevogt was put in charge of a master studio for painting at the Academy of Arts in the capital. In addition to his stage designs, he focussed particularly on landscape painting. Original: oil on canvas Städel Museum, Frankfurt am Main. Brilliant, authentic reproduction in fine art giclée process directly on artist's canvas made of 100% cotton, mounted on a stretcher frame. In handmade, whitewashed gallery framing. Limited edition of 499 copies, with numbered certificate on the reverse. Format 69 x 57 cm. Exclusively at ars mundi.
Max Slevogt (1868-1932) is often counted among the great German Impressionists along with Lovis Corinth and Max Liebermann. The fact that this simple attribution should be treated with caution became clear in 2018, when a major exhibition at the Landesmuseum Hannover presented the wide range of his work - as a painter, graphic artist, illustrator and stage designer - to mark his 150th birthday. According to Frank G. Kurzhals in 'Weltkunst', it finally showed him as an 'equilibrist between styles' and as a representative of 'an art that not only reproduces the visible, but also endeavours to make it visible'. The following work 'Blumenstillleben im Freien' was also exhibited; it comes from the Landesmuseum's collection. Original: 1917, oil on canvas, size 63 x 82.5 cm (H/W), property of the City of Hanover. Brilliant, authentic edition in a limited edition of 980 copies with numbered certificate on the reverse. Fine art giclée on 100% cotton artist's canvas, stretched on wooden stretcher frame. Framed in black and gold solid wood moulding. Size 53 x 68 cm (H/W). ars mundi exclusive edition.
Max Slevogt (1868-1932) is often counted among the great German Impressionists along with Lovis Corinth and Max Liebermann. The fact that this simple attribution should be treated with caution became clear in 2018, when a major exhibition at the Landesmuseum Hannover presented the wide range of his work - as a painter, graphic artist, illustrator and stage designer - to mark his 150th birthday. According to Frank G. Kurzhals in 'Weltkunst', it finally showed him as an 'equilibrist between styles' and as a representative of 'an art that not only reproduces the visible, but also endeavours to make it visible'. The following work 'Blumenstillleben im Freien' was also exhibited; it comes from the Landesmuseum's collection. Original: 1917, oil on canvas, size 63 x 82.5 cm (H/W), property of the City of Hanover. Brilliant, authentic edition in a limited edition of 980 copies with numbered certificate on the reverse. Fine art giclée on artist's canvas made of 100% cotton, stretched on wooden stretcher frame. Framed in white and gold solid wood moulding. Size 55 x 69 cm (H/W). ars mundi exclusive edition.
Max Slevogt (1868-1932) is often counted among the great German Impressionists along with Lovis Corinth and Max Liebermann. The fact that this simple attribution should be treated with caution became clear in 2018, when a major exhibition at the Landesmuseum Hannover presented the wide range of his work - as a painter, graphic artist, illustrator and stage designer - to mark his 150th birthday. According to Frank G. Kurzhals in 'Weltkunst', it finally showed him as an 'equilibrist between styles' and as a representative of 'an art that not only reproduces the visible, but also attempts to make it visible'. The following work 'The Parrot Man' was also exhibited; it comes from the Landesmuseum's collection. Original: 1901, oil on canvas, size 81 x 61 cm (H/W), property of the City of Hanover. Brilliant, authentic edition in a limited edition of 980 copies with numbered certificate on the reverse. Fine art giclée on artist's canvas made of 100% cotton, stretched on wooden stretcher frame. Framed in white and gold solid wood moulding. Size 68 x 55 cm (H/W). ars mundi exclusive edition.
Original: 1905, oil on canvas, 58.5 x 76 cm, Museum Berlin, SMB, Nationalgalerie Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 499 copies, numbered, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Size approx. 58 x 72 cm (H/W). ars mundi exclusive edition.
Original: 1895, oil on canvas, 80 x 150 cm, Kunsthalle Bremen, high-quality edition on paper. Sheet size 30 x 50 cm (H/W). Framed in silver-coloured solid wood frame with passe-partout, glazed. Format 34 x 52.5 cm (H/W).
Original: 1899, oil on canvas, 79.5 x 121 cm, Museum der bildenden Künste, Leipzig. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered and signed, with certificate. Framed in a handcrafted, black and silver-coloured solid wood frame with shadow gap. Size 47 x 70 cm (H/W). ars mundi exclusive edition.
High-quality edition on paper. Sheet size 30 x 50 cm (H/W). Framed in silver-coloured solid wood frame with passe-partout, glazed. Format 34 x 52.5 cm (H/W).
Original: 1898, oil on canvas, 73 x 55 cm, Worpsweder Kunsthalle. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered and with certificate. Framed in handcrafted, black and silver-coloured solid wood frame with shadow gap. Format 69 x 53 cm (H/W). ars mundi exclusive edition.
