Original: 1913, oil on canvas, 32.5 x 32.5 cm, Vienna Leopold Museum, inv. no. 89. Edition in fine art giclée process on laid paper. Limited edition of 199 copies, numbered. Framed in a handcrafted, gold-coloured solid wood frame, glazed. Format approx. 44 x 44 cm. ars mundi exclusive edition.
Corinth's late work is of particular importance. Firstly, there are the Walchensee paintings, which were created from 1919 onwards near Urfeld in the south of Munich and in which the painter rediscovered landscape painting for himself. But he also sought and found new approaches in other subjects, such as portraits. The painting 'Flower Vase on a Table' from 1922 shows how another classic subject developed in his later years. A good decade earlier, he had created still lifes on canvas that still clearly emphasised their reference to the Old Masters and came in deep, Rembrandt-like shades of brown. Here, however, is a watercolour with dabbed, exploding colours and a scene that offers a private view of the still life genre. The edges of the picture framing the bouquet of flowers show an armchair on the right and a dog nestled in its basket on the left; in short, we see a retreat that promised the painter peace and relaxation. Original: 1922, watercolour, 36.5 x 57 cm, Graphische Sammlung Albertina, Vienna. Reproduction in fine art giclée process directly on artist's canvas and mounted on stretcher frame. Limited edition of 499 copies. Framed in natural-coloured solid wood frame. Format 55.5 x 77 cm (H/W).
Corinth's late work is of particular importance. Firstly, there are the Walchensee paintings, which were created from 1919 onwards near Urfeld in the south of Munich and in which the painter rediscovered landscape painting for himself. But he also sought and found new approaches in other subjects, such as portraits. The painting 'Flower Vase on a Table' from 1922 shows how another classic subject developed in his later years. A good decade earlier, he had created still lifes on canvas that still clearly emphasised their reference to the Old Masters and came in deep, Rembrandt-like shades of brown. Here, however, is a watercolour with dabbed, exploding colours and a scene that offers a private view of the still life genre. The edges of the picture framing the bouquet of flowers show an armchair on the right and a dog nestled in its basket on the left; in short, we see a retreat that promised the painter peace and relaxation. Original: 1922, watercolour, 36.5 x 57 cm, Graphische Sammlung Albertina, Vienna. Edition in fine art giclée process directly on artist's canvas and mounted on stretcher frame. Limited edition of 499 copies. Framed in a white and gold-coloured solid wood frame. Size 60.5 x 82 cm (H/W).
To mark the 150th birthday of Lovis Corinth (1858-1925), ars mundi exclusively presents this magnificent major work by the important German Impressionist. Original: Wallraf-Richartz-Museum, Cologne. Fine art giclée on artist's canvas made of 100% cotton. Stretched like an original painting on a wooden stretcher frame (adjustable with wedges for re-stretching). In an exquisite handcrafted solid wood museum frame, gilded with metal leaf. Limited edition of 499 copies. Size 78 x 62 cm, with numbered certificate on the reverse.
Corinth, who himself had travelled to the Baltic Sea years earlier with his friend Hans Olde, captures the atmospheric Baltic Sea landscape in a richly coloured impressionist style with impasto application of paint. Original: 1900, Schweinfurt, Museum Georg Schäfer. Reproduction in fine art giclée process on artist's canvas made of 100% cotton, stretched on stretcher frame and framed in solid wood. Limited edition of 499 copies with certificate on the reverse. Format 46 x 65 cm (H/W).
From 1919, Lovis Corinth (1858-1925) found a retreat in Urfeld above Lake Walchensee, which provided him with inspiration for numerous works from his late period. His wife Charlotte Berend-Corinth describes how impressed he was by the place: 'Lovis was immediately gripped by the beauty of the landscape - by the magic of Lake Walchensee, the mountain scenery, the light and the air. Original: 1923, oil on canvas, 70 x 90 cm, Städel Museum, Frankfurt am Main. Edition transferred to artist's canvas using the fine art giclée process and stretched on a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, gold-coloured solid wood frame. Size approx. 60 x 76 cm (H/W). ars mundi exclusive edition.
From 1919, Lovis Corinth (1858-1925) found a retreat in Urfeld above Lake Walchensee, which provided him with inspiration for numerous works from his late period. His wife Charlotte Berend-Corinth describes how impressed he was by the place: 'Lovis was immediately gripped by the beauty of the landscape - by the magic of Lake Walchensee, the mountain scenery, the light and the air. Original: 1923, oil on canvas, 70 x 90 cm, Städel Museum, Frankfurt am Main. Edition transferred to artist's canvas using the fine art giclée process and stretched on a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Format approx. 63.5 x 79.5 cm (H/W). ars mundi exclusive edition.
Original: 1921, oil on canvas, 90 x 119 cm, Saarlandmuseum / Stiftung Saarländischer Kulturbesitz - Moderne Galerie, Saarbrücken High-quality edition on paper. Sheet size 60 x 80 cm (H/W). Framed in silver-coloured solid wood frame with passe-partout, glazed. Format 69 x 85.5 cm (H/W).
Original: c. 1910, oil on paper mounted on cardboard, 68 x 86.7 cm, Belvedere, Vienna. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched on a stretcher frame. Limited edition of 199 copies, numbered, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Format approx. 49 x 61 cm (H/W). ars mundi exclusive edition.
The French masterpieces of the 19th century from the Metropolitan Museum of Art in New York as guests in Berlin, Neue Nationalgalerie, from 1 June to 7 October 2007! Accompanying this exhibition, the most outstanding paintings of the exhibition were published in a limited edition of only 199 copies each: The high-quality museum reproductions were worked by hand on artist's canvas and stretched on stretcher frames. The structure of the canvas can be felt and seen. Relief-like brush textures are elaborately applied by hand. Exquisite solid wood framing emphasises the exclusive appearance. With a numbered limited edition certificate on the reverse.Original: oil on canvas, The Metropolitan Museum of Art, New York. High-quality reproduction in fine art giclée process directly on artist's canvas, stretched on stretcher frame. Limited edition of 199 copies. In a golden solid wood studio frame. Format 75 x 62 cm (H/W).
The portrait 'Lady in Yellow' shows Max Kurzweil's wife Marthe. Original: 1899, oil on canvas, 171.5 x 171.5 cm, Wien Museum, Vienna. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, black and gold-coloured solid wood frame. Format approx. 76 x 76 cm. ars mundi exclusive edition.
The work 'Landhaus in Hilversum' is one of the first paintings in which Max Liebermann turned to motifs from upper middle-class society, having previously depicted everyday scenes. Original: 1901, oil on canvas, 65 x 80 cm. SMB, National Gallery Berlin. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in handcrafted, white-gold coloured solid wood frame. Format approx. 63 x 76 cm (H/W). ars mundi exclusive edition.
Max Liebermann's green paradise: Liebermann's personal epitome of happiness was the villa built for him in 1910 on Lake Wannsee, which is now restored to its former glory thanks to a dedicated circle of donors (and is sometimes even used for state visits). From then on, the villa's garden was one of his favourite motifs. Original: Oil on canvas, Hamburger Kunsthalle, Hamburg. Fine art giclée on artist's canvas made of 100% cotton. Stretched like an original painting on a wooden stretcher frame (adjustable with wedges for re-stretching). In a handcrafted, black and silver-coloured solid wood frame. Limited edition of 499 copies, with numbered certificate on the reverse. Size 60 x 75 cm (H/W). ars mundi exclusive edition.
Max Liebermann's green paradise: Liebermann's personal epitome of happiness was the villa built for him in 1910 on Lake Wannsee, which is now restored to its former glory thanks to a dedicated circle of donors (and is sometimes even used for state visits). From then on, the villa's garden was one of his favourite motifs. Original: Oil on canvas, Hamburger Kunsthalle, Hamburg. Fine art giclée on artist's canvas made of 100% cotton. Stretched like an original painting on a wooden stretcher frame (adjustable with wedges for re-stretching). In a handcrafted, white-gold-coloured solid wood frame. Limited edition of 499 copies, with numbered certificate on the reverse. Size 60 x 75 cm (H/W). ars mundi exclusive edition.
The work shows the garden of the villa Liebermann acquired in Berlin-Wannsee in 1909. Original: oil on canvas, 75.5 x 94.5 cm. Inv. no. 5648 Gift Inga Bragard, Hamburg 2003, Hamburg, Kunsthalle. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 499 copies, numbered, with certificate. Framed in a handcrafted, black and silver-coloured solid wood frame. Format approx. 59 x 75 cm (H/W). ars mundi exclusive edition.
The work shows the garden of the villa Liebermann acquired in Berlin-Wannsee in 1909. Original: oil on canvas, 75.5 x 94.5 cm. Inv. no. 5648 Gift Inga Bragard, Hamburg 2003, Hamburg, Kunsthalle. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 499 copies, numbered, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Size approx. 59 x 75 cm (H/W). ars mundi exclusive edition.
(Garden of the villa in Berlin-Wannsee acquired by Liebermann in 1909). Original: oil on canvas, 55 x 75.5 cm (H/W). Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 499 copies, numbered, with certificate. Framed in a handcrafted, black and silver-coloured solid wood frame. Size approx. 58 x 78 cm (H/W). ars mundi exclusive edition.
(Garden of the villa in Berlin-Wannsee acquired by Liebermann in 1909). Original: oil on canvas, 55 x 75.5 cm (H/W). Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 499 copies, numbered, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Size approx. 58 x 78 cm (H/W). ars mundi exclusive edition.
Their joint gallery owner Paul Cassirer already referred to Slevogt and Liebermann (alongside Lovis Corinth) as his 'German Impressionists'. In fact, the three were united by their respective proximity to the new French art movement and a great love of landscape painting in the open air. In 1908, they even met once at Cassirer's invitation in the Dutch summer resort. This was to be Slevogt's only visit to the region. Liebermann, however, was repeatedly drawn to Noordwijk over the years. He created numerous beach scenes there. Today, Slevogt and Liebermann's landscape paintings are regarded as highlights of Impressionist landscape painting. Original: 1909, oil on canvas, Kunstsalon Franke (loan) 1992, Cologne. High-quality fine art giclée on artist's canvas made of 100% cotton, stretched on stretcher frame (adjustable with wedges for re-stretching). Limited edition of 499 copies, with numbered certificate on the reverse. Framed in a solid wood frame in white with gold edging, grey patina. Size 64 x 91 cm (H/W). ars mundi exclusive edition.
Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 499 copies, numbered, with certificate. Framed in a handcrafted, black and silver-coloured solid wood frame. Size approx. 60 x 68 cm (H/W). ars mundi exclusive edition.
Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 499 copies, numbered, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Size approx. 60 x 68 cm (H/W). ars mundi exclusive edition.
The bourgeoisie in the summer resort. Seeing and being seen. Max Liebermann loved the subject of the garden, but also that of the populated park or the sunlit café. For him, the colourful blossoming of nature also included people happily enjoying it. Original: Nationalgalerie / Staatliche Museen zu Berlin. Fine art giclée on artist canvas made of 100% cotton. Stretched like an original painting on a wooden stretcher frame (adjustable with wedges for re-stretching). Framed in a handcrafted, black and silver-coloured solid wood frame. Limited edition of 499 copies with numbered certificate on the reverse. ars mundi exclusive edition. Format 70 x 86 cm (H/W).
The bourgeoisie in the summer resort. Seeing and being seen. Max Liebermann loved the subject of the garden, but also that of the populated park or the sunlit café. For him, the colourful blossoming of nature also included people happily enjoying it. Original: Nationalgalerie / Staatliche Museen zu Berlin. Fine art giclée on artist canvas made of 100% cotton. Stretched like an original painting on a wooden stretcher frame (adjustable with wedges for re-stretching). In a handcrafted, elegant solid wood frame, antique gold with green. Limited edition of 499 copies with numbered certificate on the reverse. ars mundi exclusive edition. Format 70 x 86 cm (H/W).
