Edvard Munch repeatedly used winter impressions as a theme in his works. The Norwegian painter immersed the snow-covered landscape in soft pastel colours, creating the typical light and atmosphere of winter in the picture. Original: 1906, oil on canvas, 80 x 100 cm, Munch-Museet, Oslo. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, silver-coloured solid wood frame with shadow gap. Format 44.5 x 54 cm (H/W). ars mundi exclusive edition.

In 1916, Edvard Munch (1863-1944) bought the Ekely property, formerly a market garden in the Oslo suburb of Skøyen. Here Munch had enough space to work, and he lived here until the end of his life. Munch's extensive and colourful artistic work from this phase is also an expression of the favourable working conditions under which he worked at Ekely. Some of his most famous paintings were created during this time. 'Apple Tree at the Studio': Original: oil on canvas, Munch-Museet, Oslo. Reproduction in fine art giclée process directly on artist's canvas and mounted on stretcher frame. Framed in a solid wood frame. Limited edition of 499 copies. Format approx. 78 x 78 cm. ars mundi exclusive edition.

Original: Munch Museum, Oslo. High-quality reproduction worked by hand on artist's canvas using the fine art giclée technique and mounted on a wooden stretcher frame. The surface of the motif has a tangible and visible linen structure and an additional brush structure applied by hand. In handcrafted golden-brown rubbed-through real wood museum framing. Limited edition of 499 copies, with numbered certificate on the reverse. Format 80 x 64 cm (H/W).

With 'The Scream', the Norwegian artist Edvard Munch created one of the most famous motifs in art history and a key work of Expressionism: A shadowy figure on a bridge against a fiery red sky, hands held to his head, eyes and mouth wide open. Munch produced a total of four versions in different techniques and sizes: Two in tempera on cardboard (from 1893 and 1910) and two in pastel on wood (1893 and 1895), varying in size from 74 x 56 cm to 91 x 73.5 cm; there are also several smaller lithographs. The 1895 version realised almost 120 million dollars at auction in 2012, making it one of the most expensive paintings ever. There are various theories about the genesis of the 'Scream'. One says that Munch visited an exhibition of Inca mummies with Paul Gauguin in 1889, from which he drew inspiration, another that the painting captures the reddish sky caused by the eruption of the Krakatau volcano in 1883. Original: pastel/cardboard, 59 x 79 cm, privately owned Oslo. Edition on artist's canvas with linen structure, on wooden stretcher frame. Limited edition of 980 copies with numbered certificate on the reverse. Framed in black gold solid wood frame. Size 70 x 53.5 cm (H/W). ars mundi exclusive edition.

Fused with nature - Edvard Munch's 'Woman with Poppies' In the last three decades of his life, Edvard Munch (1863-1944) increasingly focussed on the natural surroundings of his property in Ekely, near Oslo. It was there that he created 'Woman with Poppies', which seems to merge with its surroundings and can be seen as a symbol of a flower itself with its flower stem-like pose and opulent hat. Strong colours and delicate yet striking brushstrokes create an overall composition through which the ageing artist expressed his appreciation of the creative power of life and the vitality of nature. Original: 1918/19, oil on canvas, Munch Museum, Oslo. For a brilliant, authentic reproduction, the original was transferred directly onto artist's canvas using the Fine Art Giclée process and mounted on a stretcher frame. Limited edition of 499 copies, with certificate. Framed in a handcrafted real wood frame. Format approx. 78 x 61 cm (H/W).

Edward Hopper was the great master of calm and light, whose paintings founded a completely new style: American realism. Original: Whitney Museum of American Art, New York. In close co-operation with the museum, ars mundi has been able to publish this highlight of the collection in a limited luxury edition on real canvas. Hand-printed edition on artist's canvas, traditionally stretched on stretcher frame. Format 80 x 56 cm. Limited edition of 499 copies, numbered on the reverse. Framed in black rubbed-through model frame. Format 85.5 x 61.5 cm Image © Whitney Museum of American Art. All rights reserved. Licensed by Artestar, New York.

Edward Hopper was the great master of calm and light, whose paintings founded a completely new style: American realism. Original: 1930, oil on canvas, 51 x 77 cm, Huntington Library Art Collections, San Marino, USA. Transferred directly onto artist's canvas using the fine art giclée process and stretched on a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame, grey patina. Format 67 x 87 cm (H/W). © Felix Rosenstiel's Widow & Son Limited.

Schiele's works are regarded as the most important link between Art Nouveau and Expressionism and fetch top prices at international auctions. The most important Schiele collection in the world can be found in the Leopold Museum in Vienna. One of the most beautiful landscape paintings from this collection was reproduced exclusively for ars mundi. For a brilliant, authentic reproduction, the Schiele painting was transferred to a cotton canvas stretched on a solid wooden stretcher frame using the high-resolution fine art giclée process. Framed in high-quality solid wood moulding. Limited edition of 499 copies. Format approx. 30 x 36 cm (H/W). ars mundi exclusive edition.

Schiele's works are considered the most important link between Art Nouveau and Expressionism. The most important Schiele collection in the world can be found in the Leopold Museum in Vienna. One of the most beautiful landscape paintings from this collection has been reproduced exclusively for ars mundi. Original: 1914, oil on canvas, 99 x 120.7 cm (H/W), Vienna, Leopold Museum - Private Foundation. Edition in fine art giclée process directly on artist's canvas and mounted on stretcher frame. Limited edition of 980 copies. Framed in a black and gold solid wood frame. Format approx. 56 x 67 cm (H/W). ars mundi exclusive edition.

Original: 1918, black chalk on paper, 28.6 x 45.6 cm. Vienna, Leopold Collection. High-quality fine art giclée museum edition in pigment colours on Hahnemühle genuine laid watercolour paper. Limited edition of 980 copies, numbered on the reverse with certificate. Dust-proof glazing and framed in an elegant solid wood frame in black silk matt with Munich gold and acid-free bevelled passe-partout. Format approx. 51 x 73 cm (H/W). ars mundi exclusive edition.

In this touching portrait, Egon Schiele finds a wonderfully aesthetic expression for the invisible, intimate bond between mother and child. Original: Watercolour/black chalk, 46 x 29.7 cm. Private collection. High-quality fine art giclée museum edition in pigment colours on Hahnemühle genuine laid watercolour paper with white border. Limited edition of 980 copies, numbered on the reverse. Fine solid wood framing in matt silver, dustproof glazing. Format approx. 47 x 35 cm (H/W). ars mundi exclusive edition.

The importance of his favourite model, Wally Neuzil, for Schiele can be seen in the numerous portraits he made of her between 1911 and 1915. In this sensual nude, the intense relationship between the two is expressed particularly clearly through her penetrating gaze. Edition in fine art giclée process on laid paper. Limited edition of 199 copies, numbered. Framed in a handcrafted, ivory-coloured solid wood frame with bevel cut passe-partout, glazed. Size 48 x 35 cm (H/W). ars mundi exclusive edition.

Egon Schiele also sought to visualise the inner life of his models in his portraits. The artist had achieved great recognition with them. Original: 1917, pencil and gouache, 46 x 30.5 cm, National Gallery, Prague. Edition in fine art giclée process on laid paper. Limited edition of 199, numbered, with certificate. Framed in handmade, ivory-coloured solid wood frame with bevelled mat, glazed. Size 48 x 36 cm (H/W). ars mundi exclusive edition.

Schiele's works are regarded as the most important link between Art Nouveau and Expressionism and fetch top prices at international auctions. The most important Schiele collection in the world can be found in the Leopold Museum in Vienna. One of the most beautiful landscape paintings from this collection was reproduced exclusively for ars mundi. For a brilliant, authentic reproduction, the Schiele painting was transferred to a cotton canvas stretched on a solid wooden stretcher frame using the high-resolution fine art giclée process. Framed in high-quality solid wood moulding. Limited edition of 499 copies. Format approx. 30 x 36 cm (H/W). ars mundi exclusive edition.

Schiele's works are regarded as the most important link between Art Nouveau and Expressionism and fetch top prices at international auctions. The most important Schiele collection in the world can be found in the Leopold Museum in Vienna. One of the most beautiful landscape paintings from this collection was reproduced exclusively for ars mundi. For a brilliant, authentic reproduction, the Schiele painting was transferred to a cotton canvas stretched on a solid wooden stretcher frame using the high-resolution fine art giclée process. Framed in high-quality solid wood moulding. Limited edition of 499 copies. Format approx. 30 x 36 cm (H/W). ars mundi exclusive edition.

Schiele's works are considered the most important link between Art Nouveau and Expressionism. The most important Schiele collection in the world can be found in the Leopold Museum in Vienna. One of the most beautiful landscape paintings from this collection has been reproduced exclusively for ars mundi. Original: 1915, oil on canvas, 110.5 x 140.5 cm (H/W), Vienna, Leopold Museum - Private Foundation. Edition in fine art giclée process directly on artist's canvas and mounted on stretcher frame. Limited edition of 980 copies. Framed in a black and gold solid wood frame. Format approx. 54 x 67 cm (H/W). ars mundi exclusive edition.

Edition in fine art giclée process on laid paper. Limited edition of 199 copies, numbered. Framed in handcrafted, ivory-coloured solid wood frame with bevel cut passe-partout, glazed. Size 48 x 35 cm (H/W). ars mundi exclusive edition.

'Colours were my happiness, I felt as if they loved my hands'. With these words, Emil Nolde described his art, which, after difficult beginnings, was to make him one of the most important painters of the 20th century. His work with bright, vibrant colours characterises his works on canvas, but even more so his famous watercolours. Nolde is regarded as a 'magician' who intuitively understood how to lend his motifs an expressive colour dramaturgy of great emotional impact. The depicted motif and the chosen colour composition are of equal importance, as emphasised by the title 'red, blue and green' in the watercolour presented here. Nolde thus proves himself to be a highly modern artist, ahead of his time, whose works were still perceived as avant-garde and groundbreaking in post-war Germany (and so, consequently, a selection of Nolde's works was prominently represented at each of the first three documenta exhibitions - in 1955, 1959 and 1964). High-quality fine art giclée museum edition in original size, pigment colours on Hahnemühle genuine laid watercolour paper. Limited edition of 199 copies, numbered, with certificate. Motif size approx. 35 x 46.5 cm (H/W). Sheet size approx. 51 x 62.5 cm (H/W). Glazed and framed in an elegant black and gold-coloured solid wood frame with passe-partout. Format approx. 57 x 69 cm (H/W). ars mundi exclusive edition, published in collaboration with the Nolde Foundation Seebüll. © 2020 Nolde Foundation Seebüll.

'Colours were my happiness, I felt as if they loved my hands'. With these words, Emil Nolde described his art, which, after difficult beginnings, was to make him one of the most important painters of the 20th century. His work with bright, vibrant colours characterises his works on canvas, but even more so his famous watercolours. Nolde is regarded as a 'magician' who intuitively understood how to lend his motifs an expressive colour dramaturgy of great emotional impact. The depicted motif and the chosen colour composition are of equal importance, as emphasised by the title 'red, blue and green' in the watercolour presented here. Nolde thus proves himself to be a highly modern artist, ahead of his time, whose works were still perceived as avant-garde and groundbreaking in post-war Germany (and so, consequently, a selection of Nolde's works was prominently represented at each of the first three documenta exhibitions - in 1955, 1959 and 1964). High-quality fine art giclée museum edition in original size, pigment colours on Hahnemühle genuine laid watercolour paper. Limited edition of 199 copies, numbered, with certificate. Motif size approx. 35 x 46.5 cm (H/W). Sheet size approx. 51 x 62.5 cm (H/W). Glazed and framed in an elegant black and silver-coloured solid wood frame with passe-partout. Format approx. 57 x 69 cm (H/W). ars mundi exclusive edition, published in collaboration with the Nolde Foundation Seebüll. © 2020 Nolde Foundation Seebüll.

'Emil Nolde is undisputedly the great magician of colour among Expressionist artists. In his watercolour painting, he achieved a somnambulistic confidence in the formal design and handling of the colours. Pure and luminous, Nolde applied them freely to the paper with almost unrivalled virtuosity. This is how he found his way to colour as the actual means of expression in his art. Nolde was the first to elevate the watercolour to a fully-fledged work of art. He thus characterised the development of modern German art right up to the present day. Above all with their radiant luminosity, the sheets cast a spell over the viewer and appeal directly to the emotions. I am therefore delighted that this enchanting watercolour has now been reproduced in outstanding quality for a select audience. (Dr Christian Ring, Director of the Nolde Foundation in Seebüll) Picture 'Summer Flowers': Emil and Ada Nolde planted a garden wherever they lived, and so they also transformed the grassland around their house in Seebüll into a blooming paradise at great expense. 'The colours of the flowers attracted me irresistibly ... the purity of these colours, I loved them,' the Nolde Foundation Seebüll, which ensures that irises, delphiniums, Turkish poppies, cranesbills, lupins and much more bloom here from April to October, quotes him. Original: Watercolour on laid paper, 34.5 x 46 cm. High-quality fine art giclée museum edition reproduced in original size, pigment colours on Hahnemühle handmade watercolour paper. Limited edition of 199 copies, numbered with certificate. Motif size approx. 34.5 x 46 cm (H/W). Sheet size approx. 49.5 x 61 cm (H/W). Dust-tight glazing and framed in an elegant black and gold-coloured solid wood frame with passe-partout. Format approx. 56 x 68 cm (H/W). ars mundi Exclusive Edition, published in co-operation with the Nolde Foundation Seebüll. © Nolde Foundation Seebüll

'Emil Nolde is undisputedly the great magician of colour among Expressionist artists. In his watercolour painting, he achieved a somnambulistic confidence in the formal design and handling of the colours. Pure and luminous, Nolde applied them freely to the paper with almost unrivalled virtuosity. This is how he found his way to colour as the actual means of expression in his art. Nolde was the first to elevate the watercolour to a fully-fledged work of art. He thus characterised the development of modern German art right up to the present day. Above all with their radiant luminosity, the sheets cast a spell over the viewer and appeal directly to the emotions. I am therefore delighted that this enchanting watercolour has now been reproduced in outstanding quality for a select audience. (Dr Christian Ring, Director of the Nolde Foundation in Seebüll) Picture 'Summer Flowers': Emil and Ada Nolde planted a garden wherever they lived, and so they also transformed the grassland around their house in Seebüll into a blooming paradise at great expense. 'The colours of the flowers attracted me irresistibly ... the purity of these colours, I loved them,' the Nolde Foundation Seebüll, which ensures that irises, delphiniums, Turkish poppies, cranesbills, lupins and much more bloom here from April to October, quotes him. Original: Watercolour on laid paper, 34.5 x 46 cm. High-quality fine art giclée museum edition reproduced in original size, pigment colours on Hahnemühle handmade watercolour paper. Limited edition of 199 copies, numbered with certificate. Motif size approx. 34.5 x 46 cm (H/W). Sheet size approx. 49.5 x 61 cm (H/W). Dust-tight glazing and framed in an elegant black and silver-coloured solid wood frame with passe-partout. Format approx. 56 x 68 cm (H/W). ars mundi Exclusive Edition, published in co-operation with the Nolde Foundation Seebüll. © Nolde Foundation Seebüll

Photolithograph in six colours, signed by the artist, numbered on the reverse. Limited edition of 5,000 copies. Framed in silver-coloured solid wood framing with bevel cut passe-partout, glazed. Format 45.5 x 36.5 cm (H/W).

The artist had lived in Berlin since 1915, and one of his themes was sophisticated city life, which he was able to depict with sharp contours and a sure sense of colour in all its grotesqueness. Original: 1915, oil on canvas, 126 x 90 cm, Von der Heydt-Museum, Wuppertal. High-quality fine art giclée edition on artist's canvas, stretched on stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a high-quality, black and silver-coloured solid wood frame. Format 76.5 x 55.5 cm (H/W).

Ernst Ludwig Kirchner had been living in Berlin since 1915, and one of his themes was sophisticated city life, which he was able to depict with sharp contours and a sure sense of colour in all its grotesqueness. The First World War soon put an end to all this. Drafted into military service, Kirchner experienced a mental breakdown; released from the army due to illness, he moved to Switzerland in 1917 to seek recuperation and paint again. In his second major creative phase, Kirchner became a painter of nature, celebrating the Swiss mountains in bright colours and flowing forms. Original: 1918, oil on canvas, 70 x 80 cm, centre painting of the triptych, private collection. Edition transferred to artist's canvas using the fine art giclée process and stretched on a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, black and gold solid wood frame. Size 61 x 70 cm (H/W). ars mundi exclusive edition.