The work of Frenchman Bernard Peltriaux celebrates a bygone era: the 1920s, when Paris was the artistic and stylistic centre of the world. When not only fashion changed, but also the role of women. Peltriaux's elegantly dressed ladies are all strong, even charismatic women; they are modern women who clearly know very well how different they are from the generations of their mothers and grandmothers - and how much they will one day open up new paths and opportunities in life for their daughters. Authentic reproduction transferred to 100% cotton using the fine art giclée process and mounted on a stretcher frame. Limited and numbered edition of 199 copies. Format 70 x 61 cm (H/W).
Luxury, elegance, debauchery - 'Faire la Fête' is the motto of the pleasure-seeking society between the world wars.reproduction of the original in fine art giclée process on artist's canvas made of 100% cotton on stretcher frame. Limited edition of 199 copies, numbered. Framed in a solid wood frame with shadow gap. Format approx. 61.5 x 73.5 cm (H/W).
Luxury, elegance, debauchery - 'Faire la Fête' is the motto of the pleasure-seeking society between the world wars.reproduction of the original in fine art giclée process on artist canvas made of 100% cotton on stretcher frame. Limited edition of 199 copies, numbered. Unframed. Size 58 x 70 cm (H/W).
The work of Frenchman Bernard Peltriaux celebrates a bygone era: the 1920s, when Paris was the centre of the world in terms of art, fashion and style. Two ladies in extravagant elegance, posing lasciviously and casually, perfectly depicted in Peltriaux's work 'Capes et perles'. For a brilliant, authentic reproduction, the original artwork was transferred directly onto an artist's canvas made of 100% cotton using the fine art giclée process and mounted on a stretcher frame. Limited edition of 199 copies, numbered on the reverse. Stretcher frame format 48 x 70 cm. Framed in a sophisticated solid wood studio frame with shadow gap. Format approx. 52 x 74 cm.
The work of Frenchman Bernard Peltriaux celebrates a bygone era: the 1920s, when Paris was the centre of the world in terms of art, fashion and style. Two ladies in extravagant elegance, posing lasciviously and casually, perfectly depicted in Peltriaux's work 'Capes et perles'. For a brilliant, authentic reproduction, the original artwork was transferred directly onto an artist's canvas made of 100% cotton using the fine art giclée process and mounted on a stretcher frame. Limited edition of 199 copies, numbered on the reverse. Format 48 x 70 cm.
The work of Frenchman Bernard Peltriaux celebrates a bygone era: the 1920s, when Paris was the centre of the world in terms of art, fashion and style. For Peltriaux, it was the female sex that brought verve and colour to social life with its charm. For a brilliant, authentic reproduction, the original artwork was transferred directly onto an artist's canvas made of 100% cotton using the fine art giclée process and mounted on a stretcher frame. Limited edition of 199 copies, numbered on the reverse. Stretcher frame format 70 x 48 cm (H/W). Framed in a sophisticated solid wood studio frame with shadow gap. Format approx. 74 x 52 cm (H/W). ars mundi exclusive edition.
The work of Frenchman Bernard Peltriaux celebrates a bygone era: the 1920s, when Paris was the centre of the world in terms of art, fashion and style. For Peltriaux, it was the female sex that brought verve and colour to social life with its charm. For a brilliant, authentic reproduction, the original artwork was transferred directly onto an artist's canvas made of 100% cotton using the fine art giclée process and mounted on a stretcher frame. Limited edition of 199 copies, numbered on the reverse. Format 70 x 48 cm (H/W). ars mundi exclusive edition.
Sensitive, rich in detail and with a touch of exclusivity, Peltriaux paints scenes with beautiful women, life in the bistro, in the bar and at the Lido. A dancer adjusts her garter in a sensual pose. For a brilliant, authentic reproduction, the original artwork was transferred directly onto an artist's canvas made of 100% cotton using the fine art giclée process and mounted on a stretcher frame. Limited edition of 199 copies, numbered on the reverse. Stretcher frame format 50 x 70 cm. Framed in a sophisticated solid wood studio frame with shadow gap. Format approx. 54 x 74 cm.
Sensitive, rich in detail and with a touch of exclusivity, Peltriaux paints scenes with beautiful women, life in the bistro, in the bar and at the Lido. A dancer adjusts her garter in a sensual pose. For a brilliant, authentic reproduction, the original artwork was transferred directly onto an artist's canvas made of 100% cotton using the fine art giclée process and mounted on a stretcher frame. Limited edition of 199 copies, numbered on the reverse. Stretcher frame format 50 x 70 cm.
Peltriaux celebrates a bygone era: the 1920s, when Paris was the artistic and stylistic centre of the world, and when not only fashion but also the role of women changed. His elegantly dressed ladies are all modern, even charismatic women, who clearly know very well how different they are from the generations of their mothers and grandmothers - and how much they will one day open up new paths and opportunities in life for their daughters. Original: Oil on canvas. Authentic reproduction transferred to 100% cotton using the fine art giclée process and mounted on a stretcher frame. Limited and numbered edition of 199 copies. Stretcher frame format 60 x 49 cm (H/W). Framed in a sophisticated solid wood frame with shadow gap. Format 64.5 x 53.5 cm (H/W).
Peltriaux celebrates a bygone era: the 1920s, when Paris was the artistic and stylistic centre of the world, and when not only fashion but also the role of women changed. His elegantly dressed ladies are all modern, even charismatic women, who clearly know very well how different they are from the generations of their mothers and grandmothers - and how much they will one day open up new paths and opportunities in life for their daughters. Original: Oil on canvas. Authentic reproduction transferred to 100% cotton using the fine art giclée process and mounted on a stretcher frame. Limited and numbered edition of 199 copies. Size 60 x 49 cm (H/W).
Sensitive, rich in detail and with a touch of exclusivity, Peltriaux paints scenes with beautiful women, life in the bistro, in the bar and at the Lido. For Peltriaux, self-confident women are also part of the social image of the time. For a brilliant, authentic reproduction, the original artwork was transferred directly onto an artist's canvas made of 100% cotton using the fine art giclée process and mounted on a stretcher frame. Limited edition of 199 copies, numbered on the reverse. Stretcher frame format 65 x 65 cm. Framed in a sophisticated solid wood studio frame with shadow gap. Format approx. 69 x 69 cm.
Sensitive, rich in detail and with a touch of exclusivity, Peltriaux paints scenes with beautiful women, life in the bistro, in the bar and at the Lido. For Peltriaux, self-confident women are also part of the social image of the time. For a brilliant, authentic reproduction, the original artwork was transferred directly onto an artist's canvas made of 100% cotton using the fine art giclée process and mounted on a stretcher frame. Limited edition of 199 copies, numbered on the reverse. Stretcher frame format 65 x 65 cm.
Peltriaux celebrates a bygone era: the 1920s, when Paris was the artistic and stylistic centre of the world, and when not only fashion but also the role of women changed. His elegantly dressed ladies are all modern, even charismatic women who clearly know very well how different they are from the generations of their mothers and grandmothers - and how much they will open up new paths and opportunities in life for their daughters one day. This also and especially applies to their self-confident approach to sensuality and sexuality: the title of the painting 'Nourriture Terrestre' (The Fruits of the Earth) alludes directly to a famous work by the French writer André Gide, which promised the young generation liberation from confinement and constraints after the First World War. Original: oil on canvas. Authentic reproduction transferred to 100% cotton using the fine art giclée process and mounted on a stretcher frame. Limited and numbered edition of 199 copies. Stretcher frame format 45 x 60 cm (H/W). Framed in a sophisticated solid wood frame with shadow gap. Format 49.5 x 64.5 cm (H/W).
Peltriaux celebrates a bygone era: the 1920s, when Paris was the artistic and stylistic centre of the world, and when not only fashion but also the role of women changed. His elegantly dressed ladies are all modern, even charismatic women who clearly know very well how different they are from the generations of their mothers and grandmothers - and how much they will open up new paths and opportunities in life for their daughters one day. This also and especially applies to their self-confident approach to sensuality and sexuality: the title of the painting 'Nourriture Terrestre' (The Fruits of the Earth) alludes directly to a famous work by the French writer André Gide, which promised the young generation liberation from confinement and constraints after the First World War. Original: oil on canvas. Authentic reproduction transferred to 100% cotton using the fine art giclée process and mounted on a stretcher frame. Limited and numbered edition of 199 copies. Format 45 x 60 cm (H/W).
The work of Frenchman Bernard Peltriaux celebrates a bygone era: the 1920s, when Paris was the artistic and stylistic centre of the world. When not only fashion changed, but also the role of women. Peltriaux's elegantly dressed ladies are all strong, even charismatic women; they are modern women who clearly know very well how different they are from the generations of their mothers and grandmothers - and how much they will one day open up new paths and opportunities in life for their daughters. Authentic reproduction transferred to 100% cotton using the fine art giclée process and mounted on a stretcher frame. Limited and numbered edition of 199 copies. Stretcher frame format 56 x 45 cm (H/W). Framed in a sophisticated solid wood studio frame with shadow gap. Size 60 x 49 cm (H/W).
The work of Frenchman Bernard Peltriaux celebrates a bygone era: the 1920s, when Paris was the artistic and stylistic centre of the world. When not only fashion changed, but also the role of women. Peltriaux's elegantly dressed ladies are all strong, even charismatic women; they are modern women who clearly know very well how different they are from the generations of their mothers and grandmothers - and how much they will one day open up new paths and opportunities in life for their daughters. Authentic reproduction transferred to 100% cotton using the fine art giclée process and mounted on a stretcher frame. Limited and numbered edition of 199 copies. Format 56 x 45 cm (H/W).
The graphic works of the French artist, who also became famous for his sculptural works, are characterised by their compact design. As in his 'Compressions' (Tate Gallery, London), César depicts objects that have been discarded by 20th century industrial society as no longer fit for purpose in this masterful sheet, which circumscribes the letter Q of our alphabet. The small Fiat car that has disintegrated into its individual parts is compressed into a dense bundle of material. The whole thing hangs, as it were, from the large Q, which attracts the metals like a giant magnet. Photolithograph in eight colours, signed by the artist and numbered on the reverse. Limited edition of 5,000 copies. Sheet size approx. 29.8 x 23.5 cm (H/W). Framed in silver-coloured solid wood frame with bevel cut passe-partout, glazed. Format 45 x 36 cm (H/W).
The graphic works of the French artist, who also became famous for his sculptural works, are characterised by their compact design. As in his 'Compressions' (Tate Gallery, London), César depicts objects that have been discarded by 20th century industrial society as no longer fit for purpose in this masterful sheet, which paraphrases the letter Q of our alphabet. The small Fiat car that has disintegrated into its individual parts is compressed into a dense bundle of material. The whole thing hangs, as it were, from the large Q, which attracts the metals like a giant magnet. Photolithograph in eight colours, signed by the artist and numbered on the reverse. Limited edition of 5,000 copies. Unframed. Sheet size approx. 29.8 x 23.5 cm (H/W).
Even in his early years, Christian Rohlfs impressed with his talent as a draughtsman. Flowers, whether individual blossoms or arranged in bouquets, occupy an important place in Christian Rohlfs' oeuvre. The artist has been capturing their subtle colours and delicate beauty on canvas and paper from the very beginning of his career. High-quality fine art pigment print on heavy Hahnemühle handmade paper. Elegant framing in black silk matt with Munich gold and bevelled passe-partout, dust-proof glazing. Numbered with certificate. Size approx. 52 x 64 cm (H/W).
Hand-signed and numbered original carborundum etching on Colombe paper, limited edition of 175 copies. Motif size 45 x 61 cm (H/W). Sheet size 56.5 x 75.5 cm (H/W). Framed in silver solid wood frame, glazed. Format 65 x 81 cm (H/W).
After many years abroad, Edvard Munch returned to his native Norway in 1909, first in Kragerø in the south of the country, then from 1916 until the end of his life in Ekely near Oslo, where he retired to a 40,000 square metre former market garden. Landscape painting played a major role in his enormously productive late work. The almost axially symmetrical composition draws the eye to a pair of lovers, who at the same time become part of the depicted nature through the choice of corresponding colours. Original: 1911-13, oil on canvas, 70 x 90 cm, privately owned, edition on canvas, stretched on stretcher. Limited edition of 980 copies, numbered on the reverse. Framed in a white and gold solid wood frame. Size 60 x 75.5 cm (H/W). ars mundi exclusive edition.
The reflection of the moonlight on the surface of the water is far more than the reproduction of a natural impression. Edvard Munch staged the pale glow as a column of light that, like an exclamation mark, signals the viewer's position in the cosmos. Reproduction in fine art giclée process on artist's canvas made of 100% cotton, stretched on wooden stretcher frame. Handcrafted real wood framing. Size 67 x 76 cm (H/W). Limited edition of 499 copies. ars mundi exclusive edition.
Edvard Munch repeatedly used winter impressions as a theme in his works. The Norwegian painter immersed the snow-covered landscape in soft pastel colours, creating the typical light and atmosphere of winter in the picture. Original: 1906, oil on canvas, 80 x 100 cm, Munch-Museet, Oslo. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, black and silver-coloured solid wood frame. Size 47.3 x 56.8 cm (H/W). ars mundi exclusive edition.
