5-colour facsimile edition on 270g Rives laid paper. Limited edition of 500 copies. Motif size 62 x 46 cm (H/W). Sheet size 70 x 50 cm (H/W). Framed in silver-coloured solid wood frame, glazed. Format 74 x 54 cm (H/W). Centre Paul Klee
5-colour facsimile print in hybrid printing process on 270g Rives laid paper. Limited edition of 500 copies. Staatliche Museen zu Berlin, Nationalgalerie Photo: Volker-H. Schneider. Motif size 27 x 17.7 cm. Sheet size 40 x 32 cm (both h/w). Framed in silver solid wood frame, glazed. Format approx. 47 x 38 cm (H/W).
Klee's paintings are full of irony and humour, as in this original self-portrait. Or is it rather the portrait of life itself, colourful, multifaceted and unpredictable? Original: oil on cardboard, Kunstmuseum Basel. The two-level reproduction shown here impressively directs the viewer's gaze to the central message of the painting. This modern method of reproduction on acrylic glass enables a high level of colour brilliance and at the same time creates an unprecedented presence in the room. Classics of art history are transformed into modern spatial objects. Dimension 2: Reproduction on 2 levels on aluminium dibond behind 3 mm thick acrylic glass, limited to 499 copies and numbered. Total size 82 x 75 cm (H/W). Cut-out 2nd level approx. 58 cm in diameter. With hanging device. Due to the smooth surface, mirror effects may occur depending on the incidence of light.
Paul Klee, Louis Moilliet and August Macke's trip to Tunis made art history: Under the African sun, they revolutionised their painting style, found countless motifs in the winding alleyways and explored the themes of form and colour in a new way. Original: 1914, watercolour, 21.5 x 26.9 cm, Ulmer Museum, Ulm. 5-colour facsimile print on 270g Rives laid paper. Limited edition of 500 copies. In silver solid wood model framing, glazed. Format approx. 43.2 x 47.5 cm (h/w).
Original: 1923, watercolour and pencil on paper, 28 x 31.5 cm, The Fondation Beyeler, Riehen/Basel. High-quality reproduction on 260g Rives laid paper. Limited edition of 1,000 copies. Motif size approx. 27 x 30 cm (H/W). Sheet size 40 x 50 cm (H/W). Framed in silver solid wood moulding with passe-partout. Format approx. 50 x 54 cm (H/W).
5-colour facsimile print on 270g Rives laid paper. Limited edition of 500 copies. Berggruen Collection, Staatliche Museen zu Berlin / Jens Ziehe, Berlin. Motif size 28 x 18.5 cm. Sheet size 40 x 32 cm (both h/w). Framed in silver solid wood frame, glazed. Format approx. 47 x 38 cm (H/W).
It is no coincidence that Klee's 'Camel' is one of his major works. It exemplifies the originality of the artist, who went his very own way in the midst of a bubbling art epoch. The painting is not either/or, it is everything at the same time. It is figurative - the camel is clearly recognisable. It is abstract in the assignment of colour planes and the graphic elements of circle and line. They can easily be understood as trees, but also as musical notation, showing the camel's swaying gait through (its) score - an image that can be seen and 'heard'. Original: Kunstsammlung Nordrhein-Westfalen in Düsseldorf. High-quality reproduction on aluminium dibond behind 3 mm thick acrylic glass, with mounting. Format 120 x 80 cm (H/W). Due to the smooth surface, mirror effects may occur depending on the incidence of light.
In its composition of individual areas, 'Burg und Sonne' is still reminiscent of Klee's Tunis pictures, but already shows the transition to his expressive-abstract late work. The warm colours give the impression that it is the sun that bathes the castle in evening light. Original: 1928, oil on canvas, Collection Roland Penrose, London. High-quality fine art giclée on artist's canvas, stretched on stretcher frame. Limited edition of 980 copies with certificate on the reverse. Framed with dark solid wood moulding. Format 80 x 90 cm (H/W).
Original: oil on canvas. SMB National Gallery Berlin. Exclusively at ars mundi we present this work by the exceptional artist Paul Klee as a 4-colour reproduction on laid paper. Sheet size 30 x 30 cm. Framed in solid wood moulding, size 33 x 33 cm.
'Fire at Full Moon' is one of Klee's systematising works. In the spirit of his creative theory developed at the Bauhaus, the effect of form, surface and colour becomes the content here. Original: 1933, canvas, watercolour, waxed, on egg wash, on paste paint and on oil-primed canvas, 44.1 x 57 cm, Museum Folkwang, Essen. Brilliantly coloured reproduction on Alu-Dibond behind 3 mm thick acrylic glass. Limited edition of 199 copies, numbered on the reverse. Format 64 x 84 cm (H/W). With device for hanging. Due to the smooth surface, mirror effects may occur depending on the incidence of light.
In the year the Bauhaus opened, Klee painted this famous motif, in which he achieved a special transparency through the use of watercolours and pen and ink. A glow of light falls into the deep blue sea, allowing the viewer a glimpse into a seemingly weightless underwater world. Original: Rosgart Collection, Lucerne.6-colour facsimile print on 270g Rives laid paper. Limited edition of 1,000 copies. In silver-coloured solid wood frame, glazed. Format 84 x 65 cm (H/W).
Original: 1925, oil on cardboard, 51 x 33 cm, Staatsgalerie Moderne Kunst, Augsburg. High-quality fine art giclée museum reproduction in 7 colours on genuine laid watercolour paper. Limited edition of 499 copies. Real wood framing in gold with bevelled mat, glazed. Format 55 x 40 cm (H/W).
A seemingly cheerful and colourful picture from a threatening time with deep symbolic content: Klee's work refers to the increasingly powerful henchmen of the Nazis. Original poster for the major Paul Klee exhibition at the Galerie Maeght, Paris 1977, uncounted limited edition. Quadrichrome, motif size/sheet format 56.5 x 41 cm (H/W). Framed in a high-quality solid wood frame, glazed. Format 59 x 44 cm (H/W).
Nature as form, form as nature: In an era rich in stylistic trends, Klee was one of the solitaires who refused to be categorised in any of the prevailing genres. And even when he uses the term 'abstract', he does so in his very own definition: 'Being abstract as a painter does not mean abstracting from natural representational comparisons, but is based [...] on the extraction of pure pictorial relationships'. At the same time, he insisted that he had to start from nature - in order to then achieve a 'rebirth of nature in the picture', despite all his artistic and formal intentions. His 'Gladiolus Still Life' is a perfect example of this creative process. High-quality fine art giclée museum reproduction in 7 pigment colours on genuine laid watercolour paper. Solid wood framing with bevelled edge passe-partout, glazed. Limited edition of 499 copies, numbered on the reverse. Format approx. 58 x 47 cm (H/W). ars mundi exclusive edition.
'Hauptweg und Nebenwege' is one of Paul Klee's best-known paintings. It belongs to the group of his numerous layer and stripe paintings and was created in January 1929 after Klee's second trip to Egypt. In it, he processes his experiences of light and colour there - the atmospheric key to understanding an ancient culture. The blue of the Nile, the yellow-orange of the Egyptian sun and the layers of colour of the ornamental bands in the burial chambers of Assuan. Original: 1929, oil on canvas, 83 x 67 cm, Museum Ludwig, Cologne High-quality fine art giclée museum reproduction in 8 colours on cotton artist's canvas. Limited edition of 499 copies. On stretcher frame. Framed in solid wood frame with black silver shadow gap. Format approx. 92 x 73 cm (H/W).
Like his fellow artists August Macke and Louis Moilliet, Paul Klee revolutionised his painting style during his legendary trip to Tunis. His painting 'Houses by the Sea' was based on a sketch from Tunisia. Original: 1914, watercolour on Italian Ingres, 24 x 32 cm, privately owned. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, white-gold-coloured solid wood frame. Size 53 x 68 cm (H/W). ars mundi exclusive edition.
Original: 1934, watercolour and ink on paper, 47.8 x 31.5 cm, Columbus Museum of Art, Ohio. The two-level reproduction shown here impressively draws the viewer's attention to the central message of the picture. This modern method of reproduction on acrylic glass enables a high level of colour brilliance and at the same time creates an unprecedented presence in the room. Classics of art history are transformed into modern spatial objects. Dimension 2: Reproduction on 2 levels on aluminium dibond behind 3 mm thick acrylic glass, limited to 499 copies and numbered. Total size 80 x 52 cm (H/W). Section 2nd level: 49.6 x 39 cm (H/W). With hanging device. Due to the smooth surface, mirror effects may occur depending on the incidence of light.
Paul Klee's Angel is from his late work and is one of the artist's most outstanding pieces. In this work, the contrasts of heaven and earth, cheerfulness and seriousness are perfectly combined. The brilliantly coloured giclée on artist's cotton canvas and stretcher frame is adorned with a real wood gallery frame. Limited to 499 copies, with certificate. Format incl. frame 56 x 39 cm (H/W).
Paul Klee, Louis Moilliet and August Macke's trip to Tunis made art history: Under the African sun, they revolutionised their painting style, found countless motifs in the winding alleyways and explored the themes of form and colour in a new way. Original: 1914, watercolour and pencil on paper on cardboard, 21.1 x 28.1 cm, Zentrum Paul Klee, Bern. 5-colour facsimile print on 270g Rives laid paper. Limited edition of 500 copies. In silver solid wood model framing, glazed. Format approx. 40.8 x 47.5 cm (H/W).
This motif was created shortly after the Cubist period. The influence of this style is unmistakable. The 'Rose Garden' is one of the artist's best-known paintings of the post-war period. Architectural elements and life intermingle in the rose garden, creating the perfect interplay. The motif is made up of rectangular, triangular and curved surfaces with fine black outlines. Original: 1920, oil on cardboard, 49 x 42.5 cm, Städtische Galerie im Lenbachhaus, Munich. 6-colour facsimile print on 270g Rives laid paper. Limited edition of 1,000 copies. In silver-coloured solid wood frame, glazed. Format approx. 72 x 65 cm (H/W).
The 'seascape' is a genre in its own right. Originating from the understandable pride of ownership of rich shipowners who wanted their ships to be depicted, over time it became a subject that fascinated great painters per se, even inspiring them to incredible artistic experiments - just think of William Turner. But modernism also loved ships and the sea. For example, the great pointillist Henri-Edmond Cross (1856-1910) and, a generation later, the 'unique' Paul Klee (1879-1940).Paul Klee: 'Segelschiffe den Sturm abwartend': Original: 1917, watercolour, gouache and pencil on two-part cardboard, privately owned. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 499 copies, numbered, with certificate. Framed in a handcrafted, gold-coloured solid wood frame. Size 58 x 83 cm (H/W). ars mundi exclusive edition.
