Original: oil on canvas, 82.1 x 104.2 cm, dated and signed lower right: 1905, F. Hodler, Basel, Kunstmuseum. High-quality reproduction in fine art giclée process on canvas, stretched on stretcher. The canvas is sealed with artist's varnish. In a white-grey patinated solid wood frame with gold edging. Numbered, with certificate. Limited edition of 980 copies. Format approx. 59 x 72 cm (H/W).
Original: 1901, oil on canvas, 72 x 107 cm. Private collection. High-quality reproduction in fine art giclée process on canvas, stretched on stretcher. The canvas is sealed with artist's varnish. Solid wood framing patinated in white-grey with gold edging. Numbered with certificate. Limited edition of 499 copies. Format approx. 54 x 78 cm (H/W).
Original: 1906, oil on canvas, 65 x 95 cm, privately owned. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a handcrafted, black and gold-coloured solid wood frame. Size 54 x 76 cm (H/W). ars mundi exclusive edition.
Original: 1904, oil on canvas, 80 x 100 cm, Bern, Kunstmuseum. High-quality reproduction in fine art giclée process on canvas, stretched on stretcher frame. The canvas is sealed with artist's varnish. In a white-grey patinated solid wood frame with gold edging. Numbered, with certificate. Limited edition of 980 copies. Format approx. 59 x 72 cm (H/W).
Original: 1907, oil on canvas, 59.8 x 84.5 cm. Munich, Neue Pinakothek. High-quality fine art giclée museum edition directly on artist's canvas made of cotton and mounted on stretcher frame. Limited edition of 980 copies. Numbered on the reverse with certificate. Framed in solid wood framing in white with grey patinated gold edge. Size approx. 55 x 74 cm (H/W). ars mundi exclusive edition.
Original: c. 1901, oil on canvas, 38 x 46 cm, Basel, Kunstmuseum. High-quality reproduction in fine art giclée process on canvas, stretched on stretcher. The canvas is sealed with artist's varnish. In a white-grey patinated solid wood frame with gold edging. Numbered, with certificate. Limited edition of 980 copies. Format approx. 58 x 69 cm (H/W).
The Flemish painter Franz Courtens (1854-1943) was one of the most influential Impressionists outside France. He painted his romantic landscapes in the tradition of the Barbizon school around Jean-François Millet. Fine art giclée on artist's canvas made from 100% cotton. Stretched like an original painting on a wooden stretcher frame (adjustable with wedges for re-stretching). In an exquisite handcrafted solid wood museum frame, gilded with metal leaf. Limited edition of 499 copies, with numbered certificate on the reverse. Format 74 x 63 cm (H/W).
Franz von Stuck (1863-1928), ennobled as a Knight of Stuck in 1906, was, like Lehnbach and Kaulbach, counted among the 'Munich painter princes'. His students at the academy there included Wassily Kandinsky and Paul Klee for a time. Stuck's works, with their often lasciviously erotic motifs, were sometimes considered provocative in the staid German Empire, but the round dance of the summer holidaymakers is comparatively restrained - and as a modern version of an old art-historical motif, it reaches far back into antiquity. Original oil on cardboard, 50 x 53.3 cm. Privately owned. Brilliant reproduction in fine art giclée process directly on artist's canvas, mounted on a stretcher frame. Limited edition of 499 copies, with numbering and certificate on the reverse. Framed in a handcrafted real wood frame. Size 72 x 76 cm (H/W). Exclusively at ars mundi.
The South of France in Vincent van Gogh's late work is perhaps the most famous example of the extent to which landscapes can characterise a painter's work. However, the subject as such does not even have to exactly depict a geographical model. Sometimes the charm of free composition according to one's own aesthetic ideas dominates. The 'Landscape with Waterfall' by Franz von Stuck (1863-1928), who tended towards symbolic motifs anyway (Der Krieg, 1894, Die Sünde 1893), is above all a staging that fascinates with its two-dimensional, aperspectival spatial organisation. Original: c. 1896, opaque colours on paper, glued to cardboard, 47.5 x 61.5 cm, Staatsgemäldesammlung Bayern. Dietz giclée edition on high-quality artist's canvas made of 100% cotton, traditionally stretched on a stretcher frame. This allows the picture to be re-stretched in the event of fluctuations in room temperature and humidity. Limited edition of 990 copies, numbered on the reverse. In a high-quality model frame. Format 69 x 85 cm (H/W).
Klimt's world-famous garden paintings (originals: Österreichische Galerie Belvedere, Vienna) were created in 1905-06 in Litzlberg am Attersee. The landscape paintings combine to create colourful scenes of harmonious unity, offering a view of the overwhelming beauty of gardens and meadows. These atmospheric cut-out reproductions were applied to canvas by hand and traditionally stretched on wooden frames. The visible linen structure emphasises the painting-like effect of these objects. MDF frame with shadow gap. Format each 97.5 x 32.5 cm (H/W) Both pictures in a set.
Each of these miniature pictures made of fine porcelain bears a museum masterpiece, transferred by hand onto genuine Thuringian porcelain, fired twice and mounted on a black passe-partout. The gold edge is also applied by hand with metal leaf. Solid wood moulding, primed and sanded several times. Format 9.7 x 10.8 cm each. Motifs 'Adele Bloch-Bauer' (around 1907), 'The Kiss' (1907-08) and 'Judith I' (1901). All 3 miniatures in a set.
Gustav Klimt's paintings are among the most expensive works of art in the world and enjoy great international popularity. His style is unmistakable. In addition to the paintings of his 'golden period', it was the impressive landscapes in particular with which the Viennese master Gustav Klimt characterised the transition to modern painting. Painted in nature, without preliminary sketches, the atmospheric, mostly square landscape paintings were a source of tranquillity and meditation for Gustav Klimt. At the centre of his large-format garden landscapes is the spectacle of nature as an elementary symbol of life. The four pictures by Gustav Klimt presented here have been elaborately reproduced on handmade, heavy 250g Gmund Tactile. In gold-coloured solid wood framing, glazed. Format 39 x 39 cm each. 'Malcesine on Lake Garda' (1913): Original: oil on canvas, burnt in 1945 at Immendorf Castle in Lower Austria. 'The Sunflower' (1907): Original: oil on canvas in private ownership. 'Apple Tree I' (1912): Original: oil on canvas, Austrian Belvedere Gallery. 'Church in Cassone on Lake Garda' (1913): Original: oil on canvas. Private collection. All 4 paintings in a set.
Gustav Klimt's paintings are among the most expensive works of art in the world and enjoy great international popularity. His style is unmistakable. The four paintings by Gustav Klimt presented here have been lavishly reproduced on handmade, heavy 250g Gmund Tactile. In gold-coloured solid wood framing, glazed. Format 37 x 37 cm each. 'The fulfilment' (1905/09): Original: mixed media with gold leaf on paper, Austrian Museum of Applied Arts, Vienna. 'Adele Bloch-Bauer I' (1907): Original: oil on canvas, Neue Galerie, New York. 'The Kiss' (1907/08): Original: oil on canvas, Österreichische Galerie Belvedere, Vienna. Detail from 'Mother and Child' (1905): Original: oil on canvas, Galleria Nazionale d'Arte Moderna. All 4 pictures in a set.
This miniature picture made of fine porcelain bears a museum masterpiece, transferred by hand onto genuine Thuringian porcelain, fired twice and mounted on a black passe-partout. The gold edge is also applied by hand with metal leaf. Solid wood moulding, primed and sanded several times. Format 9.7 x 10.8 cm.
This miniature picture made of fine porcelain bears a museum masterpiece, transferred by hand onto genuine Thuringian porcelain, fired twice and mounted on a black passe-partout. The gold edge is also applied by hand with metal leaf. Solid wood moulding, primed and sanded several times. Format 9.7 x 10.8 cm.
This miniature picture made of fine porcelain bears a museum masterpiece, transferred by hand onto genuine Thuringian porcelain, fired twice and mounted on a black passe-partout. The gold edge is also applied by hand with metal leaf. Solid wood moulding, primed and sanded several times. Format 9.7 x 10.8 cm.
'It is the highest sum ever paid for a painting,' reported the New York Times enthusiastically in June 2006. For the record sum of 135 million dollars, the cosmetics manufacturer Ronald Lauder purchased Gustav Klimt's famous oil painting 'Adele Bloch-Bauer I' - also known as 'Golden Adele' - for the Neue Galerie in Manhattan, New York. This icon of Art Nouveau once hung in the Belvedere Palace in Vienna as Austrian cultural heritage that could not be sold, along with 'The Kiss' and other masterpieces by the Viennese master Gustav Klimt. After years of legal wrangling, it has now been returned to the descendants of the original owners, marking the first time such a high-ranking Klimt painting has come onto the art market - and immediately eclipsing the then record price of 104.1 million dollars for a Picasso painting: Neue Galerie, New YorkFor a brilliant, authentic reproduction, the original artwork for this painting was transferred directly onto 100% cotton artist's canvas using the fine art giclée process and mounted on stretcher bars. Framed in a handcrafted, gold-coloured solid wood frame. The edition is limited to 499 copies and individually numbered on the certificate on the reverse. Format 79 x 79 cm. ars mundi exclusive edition.
Gustav Klimt's paintings are among the most expensive works of art in the world and enjoy great international popularity. His style is unmistakable. Original: Oil on canvas, Neue Galerie, New York. The Gustav Klimt painting presented here has been lavishly reproduced on handmade, heavy 250g Gmund Tactile. In gold-coloured solid wood framing, glazed. Size 37 x 37 cm.
'It is the highest sum ever paid for a painting,' reported the New York Times enthusiastically in June 2006. For the record sum of 135 million dollars, the cosmetics manufacturer Ronald Lauder purchased Gustav Klimt's famous oil painting 'Adele Bloch-Bauer I' - also known as 'Golden Adele' - for the Neue Galerie in Manhattan, New York. This icon of Art Nouveau once hung in the Belvedere Palace in Vienna as Austrian cultural heritage that could not be sold, along with 'The Kiss' and other masterpieces by the Viennese master Gustav Klimt. After years of legal wrangling, it has now been returned to the descendants of the original owners, marking the first time such a high-ranking Klimt painting has come onto the art market - and immediately eclipsing the then record price of 104.1 million dollars for a Picasso painting.Original: Neue Galerie, New York.Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto stretcher frame. Limited edition of 980 copies, numbered and with certificate. Framed in black and gold-coloured solid wood frame. Format 70 x 70 cm. ars mundi exclusive edition.
Gustav Klimt's style is unmistakable. In addition to the paintings of his 'golden period', it was his impressive landscapes in particular that characterised the Viennese master's transition to modern painting. Painted in nature, without any preliminary sketches, the atmospheric, mostly square landscapes were a source of tranquillity and meditation for Gustav Klimt. The apple tree has been a mythological symbol of life and love, fertility and the feminine since time immemorial. Klimt's 'Apple Tree I' radiates a solemn monumentality. Original: oil on canvas, Austrian Belvedere Gallery. For a brilliant, authentic reproduction, the original was transferred directly onto 100% cotton artist's canvas using the fine art giclée process and mounted on a stretcher frame. In silver-coloured gallery framing. Format 85 x 85 cm.
Gustav Klimt's paintings are among the most expensive works of art in the world and enjoy great international popularity. His style is unmistakable. In addition to the paintings of his 'golden period', it was the impressive landscapes in particular with which the Viennese master Gustav Klimt characterised the transition to modern painting. Painted in nature, without preliminary sketches, the atmospheric, mostly square landscape paintings were a source of tranquillity and meditation for Gustav Klimt. At the centre of his large-format garden landscapes is the spectacle of nature as an elementary symbol of life. 'Apple Tree I' (1912): Original: oil on canvas, Österreichische Galerie Belvedere. The painting by Gustav Klimt presented here has been elaborately reproduced on handmade, heavy 250g Gmund Tactile. In gold-coloured solid wood framing, glazed. Size 39.5 x 39.5 cm.
Gustav Klimt's style is unmistakable. In addition to the paintings of his 'golden period', it was his impressive landscapes in particular that characterised the Viennese master's transition to modern painting. Painted in nature, without any preliminary sketches, the atmospheric, mostly square landscapes were a source of tranquillity and meditation for Gustav Klimt. The apple tree has been a mythological symbol of life and love, fertility and the feminine since time immemorial. Klimt's 'Apple Tree I' radiates a solemn monumentality. Original: oil on canvas, Austrian Belvedere Gallery. For a brilliant, authentic reproduction, the original was transferred directly onto artist's canvas using the Fine Art Giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in a high-quality, gold-coloured solid wood frame. Size 78 x 77 cm (H/W). ars mundi exclusive edition.
Gustav Klimt's style is unmistakable. In addition to the paintings of his 'golden period', it was his impressive landscapes in particular that characterised the Viennese master's transition to modern painting. Painted in nature, without any preliminary sketches, the atmospheric, mostly square landscapes were a source of tranquillity and meditation for Gustav Klimt. The apple tree has been a mythological symbol of life and love, fertility and the feminine since time immemorial. Klimt's 'Apple Tree I' radiates a solemn monumentality. Original: Oil on canvas, Österreichische Galerie Belvedere. Edition transferred directly onto artist's canvas using the fine art giclée process and stretched onto a stretcher frame. Framed in a handcrafted, white-gold-coloured solid wood frame. Limited edition of 980 copies, numbered, with certificate. Format 78 x 77.5 cm (H/W). ars mundi exclusive edition.
Gustav Klimt's paintings are among the most expensive works of art in the world and enjoy great international popularity. His style is unmistakable. In addition to the paintings of his 'golden period', it was the impressive landscapes in particular with which the Viennese master Gustav Klimt characterised the transition to modern painting. Painted in nature, without preliminary sketches, the atmospheric, mostly square landscape paintings were a source of tranquillity and meditation for Gustav Klimt. At the centre of his large-format garden landscapes is the spectacle of nature as an elementary symbol of life. 'Apple Tree I' (1912): Original: oil on canvas, Österreichische Galerie Belvedere. The painting by Gustav Klimt presented here has been elaborately reproduced on handmade, heavy 250g Gmund Tactile. In gold-coloured solid wood framing, glazed. Size 39 x 39 cm.
